Spotlight by Joyce J. Scott
Exhibition
/
04 Oct 2016
-
31 Jan 2017
Published: 07.10.2016
verizon.net
Renowned as the “Queen of Beadwork,” Joyce J. Scott’s exuberant beaded sculptural forms and neckpieces are provocative and confrontational, addressing contentious political and social issues such as gender, race, and class struggle. Born and raised in Baltimore, Joyce is a descendant of African-Americans, Native Americans, and Scots. Three generations of storytellers, quilters, basket makers, and wood, metal, and clay workers inspire her artwork.
Artist list
Joyce J. Scott
Her earliest art lessons were received at home as she watched her mother, the renowned fiber artist, Elizabeth Talford Scott, create quilts using unconventional embroidery and appliqué techniques. Deeply rooted in her ethnic and family heritage, Scott’s work comments on issues affecting contemporary society in an effort to elicit awareness and response. The eloquent artist states, “It’s important to me to use art in a manner that incites people to look and then carry something home - even it it’s subliminal - that might make a change in them.
Fearless, a force to be reckoned with, and as beautiful inside as out, Joyce J. Scott touches the soul and conscience of the viewer with her powerful imagery. A legend in Baltimore, Joyce is an historian, printmaker, weaver, sculptor, performance artist, vocalist and educator. She is perhaps best known for her work in jewelry, beadwork, and glass. Combining a heterogeneous mix of media (glass beads, African sculptures and masks, found objects), she creates powerful sculptural commentaries, rich in color, texture, popular culture, pathos and her own ancestry. / Lynn Ward, City Paper’s Best of Baltimore votes Joyce J. Scott: Best Artist
The rich social import of Scott’s work is matched by its visual richness. Scott describes her beadwork as a cross between sculpture and painting. The artist treats the beads like the dabs of paint in a Pointillist canvas, but unlike paint (a medium Scott has tried), glass beads have the advantage of being translucent and can both capture and reflect light. Scott’s virtuoso weaving technique - a method similar to crochet called the peyote stitch, which she learned from a Cree Indian - allows great fluidity of form, resulting in protruding hollow forms and undulating effects. Scott is always seeking greater technical challenges; her work has grown increasingly more daring and dazzling in its visual richness and range of subject matter. / Susan Grant Lewin, “One of a Kind: American Art Jewelry Today
Fearless, a force to be reckoned with, and as beautiful inside as out, Joyce J. Scott touches the soul and conscience of the viewer with her powerful imagery. A legend in Baltimore, Joyce is an historian, printmaker, weaver, sculptor, performance artist, vocalist and educator. She is perhaps best known for her work in jewelry, beadwork, and glass. Combining a heterogeneous mix of media (glass beads, African sculptures and masks, found objects), she creates powerful sculptural commentaries, rich in color, texture, popular culture, pathos and her own ancestry. / Lynn Ward, City Paper’s Best of Baltimore votes Joyce J. Scott: Best Artist
The rich social import of Scott’s work is matched by its visual richness. Scott describes her beadwork as a cross between sculpture and painting. The artist treats the beads like the dabs of paint in a Pointillist canvas, but unlike paint (a medium Scott has tried), glass beads have the advantage of being translucent and can both capture and reflect light. Scott’s virtuoso weaving technique - a method similar to crochet called the peyote stitch, which she learned from a Cree Indian - allows great fluidity of form, resulting in protruding hollow forms and undulating effects. Scott is always seeking greater technical challenges; her work has grown increasingly more daring and dazzling in its visual richness and range of subject matter. / Susan Grant Lewin, “One of a Kind: American Art Jewelry Today
Opening
Saturday, October 8th, 3:00-5:00 p.m
newsletter
Get the latest information about the international Jewellery Scene sent directly to your mailbox every week. View previous issues
-
New jewellery from Idar-Oberstein at Sieraad 2017
09Nov2017 - 12Nov2017
SIERAAD 2017
Amsterdam, Netherlands -
Pretty on Pink. Éminences Grises in Jewellery
27Oct2017 - 18Feb2018
Pforzheim Jewellery Museum
Pforzheim, Germany -
The Alchemical Egg. Visions and revelations of an enigma.
04Oct2017 - 10Nov2017
Hannah Gallery
Barcelona, Spain -
Supercalifragilisticexpialidocious. Jewellery is not only jewellery
08Sep2017 - 27Sep2017
Putti Art Gallery
Rïga, Latvia -
Tonal Elegance. The Jewels of Atelier Zobel
11Aug2017 - 10Sep2017
Patina Gallery
Santa Fe, United States -
Crafted Visions. The Tension of Opposites
21Jul2017 - 20Aug2017
Patina Gallery
Santa Fe, United States -
Fearless Genius. The Digital Revolution 1985-2000 by Doug Menuez
14Jul2017 - 13Aug2017
Patina Gallery
Santa Fe, United States -
In The Beginning There Was Red by Carina Shoshtary
01Jul2017 - 24Jul2017
Sienna Patti
Lenox, United States -
The Cass at New Designers
29Jun2017 - 01Jul2017
Business Design Centre
London, United Kingdom -
Evening College Jewelry Design at Secondary School of Applied Arts and Fashion Design, Herbststraße. Degree Show 2017
28Jun2017 - 30Jun2017
Evening College Jewelry Design at Secondary School of Applied Arts and Fashion Design, Herbststraße
Vienna, Austria -
Dialogue by Antje Dienstbir
24Jun2017 - 04Aug2017
Galerie Ra
Amsterdam, Netherlands -
Happy to be here by Réka Fekete
24Jun2017 - 04Aug2017
Galerie Ra
Amsterdam, Netherlands -
Summer symphony in lark’s heart
22Jun2017 - 02Sep2017
Putti Art Gallery
Rïga, Latvia -
Central Saint Martins. Degree Show 2017
21Jun2017 - 25Jun2017
Central Saint Martins, BA (Hons) Jewellery Design
London, United Kingdom -
Beads by Daniel Kruger
16Jun2017 - 29Jul2017
Galerie Rob Koudijs
Amsterdam, Netherlands
