Where Words Fail by Iris Eichenberg
Exhibition
/
25 Jun 2022
-
30 Oct 2022
Published: 29.06.2022
Brooch: Heimat, 2004
Silver, earth, wood glue.
10.6 x 6.3 x 1.5 cm)
Photo by: Tim Thayer
From series: Heimat
© By the author. Read Klimt02.net Copyright.

A critical international perspective to Iris Eichenberg's jewelry and metalwork and is exceptionally relevant in today’s world-embracing topics of gender and queer identity and Heimat, a German word denoting the personal happiness and inner peace found upon reaching a safe haven.
Artist list
Iris Eichenberg
>> 360º virtual walk-through of the exhibition
Since the mid-1970s, artists worldwide have reacted against the age-old exclusivity and preciousness of jewelry, advocating for conceptual statements creatively fabricated primarily from a wide assortment of nonprecious materials. With a thirty-year and counting studio practice centered first in Europe and now in America, German artist Iris Eichenberg is one of the most influential contributors to this discourse. Because of her tireless interrogation into materiality, Eichenberg exemplifies what noted critic and curator Glenn Adamson calls the “post-disciplinary” artist. Instead of focusing on one medium and process, Eichenberg continually seeks to find the craft processes and combinations of materials that best suit the idea at hand. An educator and prolific artist who lectures and conducts workshops worldwide, she imparts this methodology—a direct outcome of the open, creatively tolerant environment she enjoyed while working in Amsterdam—to the numerous international jewelry artists who come to study with her.
In today’s world with its outcry for social justice, Eichenberg engages the viewer in conversations that embrace such timely topics as gender and identity, the search for a safe, welcoming haven, and the veracity of reality. In fact, having lived and worked in Germany, the Netherlands, and now the United States, Eichenberg brings to contemporary jewelry and metalwork an unusual multicultural perspective. Better known for her jewelry than the objects that largely constitute her present practice, she has created work that ranges from amuletlike forms to reflective, often wistful installations. One of her underlying subjects is the body, which she references using recurrent motifs in a provocative, at times direct, at times poetic, manner.
Iris Eichenberg: Where Words Fail will be the first comprehensive mid-career survey in the United States of this artist’s aesthetic, with key loans of jewelry, objects, and installations from international private and public collections, and accompanied by an illustrated publication. The exhibition will comprise approximately forty works documenting Eichenberg’s development from her groundbreaking graduation show at the Rietveld to new statements created specifically for this exhibition.
Iris Eichenberg: Where Words Fail is made possible, in part, by the Susan Beech Mid-Career Artist Grant from Art Jewelry Forum. This exhibition is generously supported by Goethe-Institut San Francisco, the Consulate General of the Federal Republic of Germany, Barbara Waldman, and Rodney Turner and Ken Thongcharoen.
The Museum of Craft and Design’s exhibitions and programs are generously supported by Anonymous and Grants for the Arts. Additional support provided by Hunter Douglas and Dorothy Saxe.
A publication accompanying the exhibition will be available online and in the museum store.
Media inquiries or Press images contact:
Sarah Beth Rosales, Marketing and Communications Director.
sbrosales@sfmcd.org
415 773 0303
Since the mid-1970s, artists worldwide have reacted against the age-old exclusivity and preciousness of jewelry, advocating for conceptual statements creatively fabricated primarily from a wide assortment of nonprecious materials. With a thirty-year and counting studio practice centered first in Europe and now in America, German artist Iris Eichenberg is one of the most influential contributors to this discourse. Because of her tireless interrogation into materiality, Eichenberg exemplifies what noted critic and curator Glenn Adamson calls the “post-disciplinary” artist. Instead of focusing on one medium and process, Eichenberg continually seeks to find the craft processes and combinations of materials that best suit the idea at hand. An educator and prolific artist who lectures and conducts workshops worldwide, she imparts this methodology—a direct outcome of the open, creatively tolerant environment she enjoyed while working in Amsterdam—to the numerous international jewelry artists who come to study with her.
In today’s world with its outcry for social justice, Eichenberg engages the viewer in conversations that embrace such timely topics as gender and identity, the search for a safe, welcoming haven, and the veracity of reality. In fact, having lived and worked in Germany, the Netherlands, and now the United States, Eichenberg brings to contemporary jewelry and metalwork an unusual multicultural perspective. Better known for her jewelry than the objects that largely constitute her present practice, she has created work that ranges from amuletlike forms to reflective, often wistful installations. One of her underlying subjects is the body, which she references using recurrent motifs in a provocative, at times direct, at times poetic, manner.
Iris Eichenberg: Where Words Fail will be the first comprehensive mid-career survey in the United States of this artist’s aesthetic, with key loans of jewelry, objects, and installations from international private and public collections, and accompanied by an illustrated publication. The exhibition will comprise approximately forty works documenting Eichenberg’s development from her groundbreaking graduation show at the Rietveld to new statements created specifically for this exhibition.
Iris Eichenberg: Where Words Fail is made possible, in part, by the Susan Beech Mid-Career Artist Grant from Art Jewelry Forum. This exhibition is generously supported by Goethe-Institut San Francisco, the Consulate General of the Federal Republic of Germany, Barbara Waldman, and Rodney Turner and Ken Thongcharoen.
The Museum of Craft and Design’s exhibitions and programs are generously supported by Anonymous and Grants for the Arts. Additional support provided by Hunter Douglas and Dorothy Saxe.
A publication accompanying the exhibition will be available online and in the museum store.
Media inquiries or Press images contact:
Sarah Beth Rosales, Marketing and Communications Director.
sbrosales@sfmcd.org
415 773 0303
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