Tili Aroch. Shenkar College of Engineering, Design and Art. New Talents Award Nominee 2026
Article
/
NewTalentsByKlimt02
Artists
Published: 02.08.2026
- Edited by:
- Klimt02
- Edited at:
- Barcelona
- Edited on:
- 2026

The 12th edition of the New Talent Award 2026 by Klimt02 is an annual international award recognising emerging talents in contemporary jewellery and arts and crafts. Nominated by Klimt02 Member Schools, one of the selected graduates will receive the New Talents Award.
In her graduation project, Tili Aroch explores the relationship between architectural structures and the human body as spaces that define and shape identity.
Name of graduation student: Tili Aroch
Name of guiding teachers: Yael Ouliel and Alma Lion
Nominated by Shenkar College of Engineering, Design and Art.
Tili Aroch is a research-driven designer with a clear and distinctive visual language, combining critical thinking, material sensitivity, and a strong personal voice. Throughout her final project at the Jewelry Design Department at Shenkar, I had the opportunity to guide her process and witness the development of her unique approach to contemporary jewelry. Tili is a dedicated, curious, and highly motivated designer who works with great depth and precision. Her practice emerges from a deep engagement with the complexity of the place in which we live, expressed through the questions she raises, the research she conducts, and the objects she creates. Her work is deeply connected to both her personal identity and the cultural context from which it emerges.
In her graduation project, Tili explores the relationship between architectural structures and the human body as spaces that define and shape identity. Through research of preserved neighborhoods in Jerusalem, she creates a dialogue between historical layers embedded in architecture and the cultural and personal meanings associated with human hair and skin. The combination of stone, aluminum, leather, and hair emerges from an extensive material investigation and a personal process of discovery, creating a connection between the body, the home, and the traces we carry with us. Through these materials, Tili examines what society chooses to preserve and display while simultaneously concealing and rejecting, creating a tension between attraction and repulsion, visibility and disappearance.
At the core of Tili’s practice is an understanding of jewelry as more than a decorative object; it is an intimate yet public medium through which we communicate identity, memory, and our relationship with the world around us. By translating complex narratives into wearable objects, Tili challenges the boundaries of jewelry as a medium for exploring identity, memory, and cultural narratives. Through her meticulous approach, strong aesthetic language, and ability to transform research into meaningful material expressions, Tili creates work that is both deeply personal and culturally relevant.
/ Yael Ouliel & Alma Lion
Artist statement:
1:3
The project examines the relationship between architectural structures and the human body as spaces that define and shape personal identity. It draws a connection between the historical legacy of occupied neighbourhoods designated for preservation in Jerusalem and the cultural and biological significance of head and body hair. Through the use of stone and aluminium alongside leather and hair, the work creates a material preservation of that which society seeks both to display and to suppress. The result foregrounds a duality of attraction and repulsion, in which adornment becomes a practice of commemorating place, home, and identity
Contact:
Email: tiliaroch@gmail.com
Instagram: @tiliaroch
Find out more about the courses at Shenkar College of Engineering, Design and Art
Name of guiding teachers: Yael Ouliel and Alma Lion
Nominated by Shenkar College of Engineering, Design and Art.
Tili Aroch is a research-driven designer with a clear and distinctive visual language, combining critical thinking, material sensitivity, and a strong personal voice. Throughout her final project at the Jewelry Design Department at Shenkar, I had the opportunity to guide her process and witness the development of her unique approach to contemporary jewelry. Tili is a dedicated, curious, and highly motivated designer who works with great depth and precision. Her practice emerges from a deep engagement with the complexity of the place in which we live, expressed through the questions she raises, the research she conducts, and the objects she creates. Her work is deeply connected to both her personal identity and the cultural context from which it emerges.
In her graduation project, Tili explores the relationship between architectural structures and the human body as spaces that define and shape identity. Through research of preserved neighborhoods in Jerusalem, she creates a dialogue between historical layers embedded in architecture and the cultural and personal meanings associated with human hair and skin. The combination of stone, aluminum, leather, and hair emerges from an extensive material investigation and a personal process of discovery, creating a connection between the body, the home, and the traces we carry with us. Through these materials, Tili examines what society chooses to preserve and display while simultaneously concealing and rejecting, creating a tension between attraction and repulsion, visibility and disappearance.
At the core of Tili’s practice is an understanding of jewelry as more than a decorative object; it is an intimate yet public medium through which we communicate identity, memory, and our relationship with the world around us. By translating complex narratives into wearable objects, Tili challenges the boundaries of jewelry as a medium for exploring identity, memory, and cultural narratives. Through her meticulous approach, strong aesthetic language, and ability to transform research into meaningful material expressions, Tili creates work that is both deeply personal and culturally relevant.
/ Yael Ouliel & Alma Lion
Artist statement:
1:3
The project examines the relationship between architectural structures and the human body as spaces that define and shape personal identity. It draws a connection between the historical legacy of occupied neighbourhoods designated for preservation in Jerusalem and the cultural and biological significance of head and body hair. Through the use of stone and aluminium alongside leather and hair, the work creates a material preservation of that which society seeks both to display and to suppress. The result foregrounds a duality of attraction and repulsion, in which adornment becomes a practice of commemorating place, home, and identity
Contact:
Email: tiliaroch@gmail.com
Instagram: @tiliaroch
Find out more about the courses at Shenkar College of Engineering, Design and Art
Necklace: 1:3, 2026
Leather, aluminium, Jerusalem stone, hair, alpaca, silver, Mylar paper
Photo by: Achikam Ben Yosef
From series: 1:3
© By the author. Read Klimt02.net Copyright.
Necklace: 1:3, 2026
Leather, aluminium, Jerusalem stone, hair, alpaca, silver, Mylar paper
Photo by: Achikam Ben Yosef
From series: 1:3
© By the author. Read Klimt02.net Copyright.
Necklace: 1:3, 2026
Leather, aluminium, Jerusalem stone, hair, alpaca, silver, Mylar paper
Photo by: Achikam Ben Yosef
From series: 1:3
© By the author. Read Klimt02.net Copyright.
Necklace: 1:3, 2026
Leather, aluminium, Jerusalem stone, hair, alpaca, silver, Mylar paper
Photo by: Achikam Ben Yosef
From series: 1:3
© By the author. Read Klimt02.net Copyright.
Necklace: 1:3, 2026
Leather, aluminium, Jerusalem stone, hair, alpaca, silver, Mylar paper
Photo by: Achikam Ben Yosef
From series: 1:3
© By the author. Read Klimt02.net Copyright.
Necklace: 1:3, 2026
Leather, aluminium, Jerusalem stone, hair, alpaca, silver, Mylar paper
Photo by: Achikam Ben Yosef
From series: 1:3
© By the author. Read Klimt02.net Copyright.
Necklace: 1:3, 2026
Leather, aluminium, Jerusalem stone, hair, alpaca, silver, Mylar paper
Photo by: Achikam Ben Yosef
From series: 1:3
© By the author. Read Klimt02.net Copyright.
Necklace: 1:3, 2026
Leather, aluminium, Jerusalem stone, hair, alpaca, silver, Mylar paper
Photo by: Achikam Ben Yosef
From series: 1:3
© By the author. Read Klimt02.net Copyright.
- Edited by:
- Klimt02
- Edited at:
- Barcelona
- Edited on:
- 2026
Forum Shortcuts
-
In Memoriam of Jürgen Eickhoff
23Jul2026 -
The Joël Faivre Chalon Donation: An Exceptional Collection of Jewellery and Archives
23Jul2026 -
Anna Olivella Casas. Escola Massana Centre d'Art i Disseny New Talents Award Nominee 2026
23Jul2026 -
Who Decides What Matters? On the Responsibility of Choosing
19Jul2026 -
Juliette Lindup. Universiteit Stellenbosch University. New Talents Award Nominee 2026
14Jul2026 -
A masterpiece by Fouquet and Mucha for Pforzheim's Jewellery Museum. Ceremonial handover by Werner Wild Foundation
13Jul2026 -
Warwick Freeman, Hook Hand Heart Star. An Exhibition Review
09Jul2026 -
The Woman Sitting at her Dressing Table, the Mirrors Displayed
07Jul2026 -
Delegate Thinking: Jewellery for decision-making in the age of artificial intelligence by Isabelita Virtual and SpecialG...
02Jul2026 -
The Hidden Life of Jewellery: Storage as a Narrative Practice
30Jun2026 -
Poetry of Birds: The Life of a Motif Across Literature, Image, and Jewelry
25Jun2026 -
Hommage à A. Boetti (ordine e disordine) by Fumiko Gotô. A Future Classic in Contemporary Jewellery
24Jun2026 -
When Visibility Is Not Enough. On Choosing, Curating, and Creating Meaning
16Jun2026 -
Wendy Ramshaw: Jewellery as a Formal System
13Jun2026 -
Libro scalpo by Maria Lai. A Future Classic in Contemporary Jewellery
08Jun2026
















