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My work concentrates a lot on the cities, and the lights that contribute to the loneliness of the night. Jewelery allows me to cover several disciplines, I nurture painting, sculpture, the digital field and the creative aspects of the new technology.
Do you think the jewelry is being standardized? What is local and universal in your artistic work?
At first, the jewelry was used as an amulet to protect you from evils or to have good luck in life. With the passage of time, it was standardized, this happens largely due to industrialization and chain work leaving repressed the artisan, author, and artist and relegating it to a lower level.
Jewelry today is a great means of expression for many artists, allowing to combine different subjects, such as the Art Sampler.
An Art that you can wear or that can be exhibited in a gallery, expo, museum, etc.
My work concentrates a lot on the cities, and the lights that contribute to the loneliness of the night.
What do you expect when exposing your work to the public (for example, with an exhibition)?
That people enjoy the experience and above all, surprise showing the hidden mystery of some of my works.
Are there other areas besides jewelry, present in your work?
The last work, book, movie, city that has moved me was ...
In the latest work of the band Neurosis appears a song called A Season in the Sky and every time I hear it I end up with the creeps, the synthesizer arrangement is a pass.
A place, space, country whose creativity surprises me ...
Spaces, where you work with recycled materials and creativity, is the primary tool to give a new
Is there a designer, jeweler, artist that you appreciate a lot?
I like the work of Ramón Puig Cuyàs.
My work Holy.
Juanjo García Martín. Brooch: Holy, 2017
Methacrylate, wood, paper, gold leaf and electric basic
From series: Asphalt Seas
Do you read
On the Internet, I go inside and find what I need, and in books.
Do you talk about your work with other jewelry artists or with any other person?
For always with other artists, it is easier to talk about your work, or with people interested in it.
What is your first thought when you hear the word Future? What do you expect?
I hope to be happy and that my projects go forward.
I love to do more on my contemporary style and subcultural aesthetics. Herman Sun interviewed by Klimt0222Mar2019
I desire an equal creative relationship between material and me. Mujun Liu interviewed by Klimt0221Mar2019
Art is aimed at setting up emotional connection with people. Qian Wang interviewed by Klimt0218Mar2019
Wearability plays an important role in my work, but sometimes I make compromises. Dimitar Stankov inteviewed by Klimt0218Mar2019
Education is very important in a young market like ours. Interview with Atty Tantivit from Atta Gallery01Mar2019
Tradition as The Base, The Future as a Model. Cornelia Lutz and Frank Neidlein on Handwerk & Design in Munich. An interv...28Feb2019
For jewellery making I choose to use what surrounds me in my daily life. Maria Cristina Bellucci interviewed by Klimt0225Feb2019
I expect to amaze and intrigue, entice the person to wear my jewelry. Eleonora Ghilardi interviewed by Klimt0220Feb2019
Success is a Peculiar Concept. Interview with Elena and Chiaralice Rizzi From OhMyBlue12Feb2019
In this time I think we need to laud the amazing ability we have to access and communicate with our fellow jewellers. Ti...11Feb2019
Jewellery itself has no standards or is not shaped in a particular way. Yiping Li interviewed by Klimt0211Feb2019
I always appreciate the different cultural backgrounds, visible in the making of jewellery. Beppe Kessler interviewed by...04Feb2019
Every Activity Takes Jewellery Out Into the World and Brings New People Into the Gallery. Interview with Marie-José van...01Feb2019
Patina Gallery Goes to Europe for Munich Jewelry Week 201928Jan2019
It is like using English to tell a Chinese story. Stacey Huang interviewed by Klimt0223Jan2019