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My work concentrates a lot on the cities, and the lights that contribute to the loneliness of the night. Jewelery allows me to cover several disciplines, I nurture painting, sculpture, the digital field and the creative aspects of the new technology.
Do you think the jewelry is being standardized? What is local and universal in your artistic work?
At first, the jewelry was used as an amulet to protect you from evils or to have good luck in life. With the passage of time, it was standardized, this happens largely due to industrialization and chain work leaving repressed the artisan, author, and artist and relegating it to a lower level.
Jewelry today is a great means of expression for many artists, allowing to combine different subjects, such as the Art Sampler.
An Art that you can wear or that can be exhibited in a gallery, expo, museum, etc.
My work concentrates a lot on the cities, and the lights that contribute to the loneliness of the night.
What do you expect when exposing your work to the public (for example, with an exhibition)?
That people enjoy the experience and above all, surprise showing the hidden mystery of some of my works.
Are there other areas besides jewelry, present in your work?
The last work, book, movie, city that has moved me was ...
In the latest work of the band Neurosis appears a song called A Season in the Sky and every time I hear it I end up with the creeps, the synthesizer arrangement is a pass.
A place, space, country whose creativity surprises me ...
Spaces, where you work with recycled materials and creativity, is the primary tool to give a new
Is there a designer, jeweler, artist that you appreciate a lot?
I like the work of Ramón Puig Cuyàs.
My work Holy.
Juanjo García Martín. Brooch: Holy, 2017
Methacrylate, wood, paper, gold leaf and electric basic
From series: Asphalt Seas
Do you read
On the Internet, I go inside and find what I need, and in books.
Do you talk about your work with other jewelry artists or with any other person?
For always with other artists, it is easier to talk about your work, or with people interested in it.
What is your first thought when you hear the word Future? What do you expect?
I hope to be happy and that my projects go forward.
Through my jewellery I feel the responsibility and the need to reflect on social events, politic facts, or even caricatu...11Jul2019
I always believe that the warmth of handwork can't be replaced by any mechanical production. Zhihan Liu interviewed by K...09Jul2019
Not all is contemporary jewelry. Interview with Noel Guyomarc'h from Galerie Noel Guyomarc'h08Jul2019
Handmade is not an only technic for me is more like a research. Yujia Gao interviewed by Klimt0228Jun2019
My creative process is playful, full of amazement, joy. Francine Schloeth interviewed by Klimt0226Jun2019
In my work I always look for that hand made look, and obvious traces of every step on the creation of the piece. Raquel ...20Jun2019
I believe in the making is thinking. Tingting Chen interviewed by Klimt0220Jun2019
It's very important to determine where on the body it adds the most value. Els Vansteelandt interviewed by Klimt0220Jun2019
I therefore not only investigate its visual qualities but also explore it as a usable material. Yajie Hu interviewed by ...06Jun2019
Sara Barbanti, Joya 2019 Jury Member interviewed by Klimt0205Jun2019
My work is not taxidermy nor are animals yet they have a sense of the creature about them, a feeling of the unknown. Ann...30May2019
Pravu Mazumdar, Joya 2019 Jury Member interviewed by Klimt0221May2019
My jewelry acts as a communication device to bridge the tangible and intangible, digital and real. Xiangying Shi intervi...17May2019
We want to break the hierarchy between craft and art. Interview with Florance Xia and Noga Zhang Shahar from Froots & N...15May2019
The work of human sensitivity so far is superior to the sophistication of the machine. Youjin Um interviewed by Klimt0213May2019