Juanjo García Martín
Jeweller
Published: 11.12.2018
gmail.comBrooch: 5 lines for your heart and a red dot, 2018
Silver, copper, wood, acrylic, resin, electric circuit, 6 buttons, 12 leeds, button battery, a lot of heart.
12.5 x 6.5 x 3.7 cm
And although storms come
I will not fall off the horse
and if he throws me then I get up
because the bitterness is only lemon and gall
and the song stopped
and the heart stopped
and the crying stopped
when it started again
in his eternal walk.
I will not fall off the horse
and if he throws me then I get up
because the bitterness is only lemon and gall
and the song stopped
and the heart stopped
and the crying stopped
when it started again
in his eternal walk.
© By the author. Read Klimt02.net Copyright.
Brooch: 5 lines for your heart and a red dot, 2018
Silver, copper, wood, acrylic, resin, electric circuit, 6 buttons, 12 leeds, button battery, a lot of heart.
12.5 x 6.5 x 3.7 cm
Alternative view.
And although storms come
I will not fall off the horse
and if he throws me then I get up
because the bitterness is only lemon and gall
and the song stopped
and the heart stopped
and the crying stopped
when it started again
in his eternal walk.
I will not fall off the horse
and if he throws me then I get up
because the bitterness is only lemon and gall
and the song stopped
and the heart stopped
and the crying stopped
when it started again
in his eternal walk.
© By the author. Read Klimt02.net Copyright.
Brooch: 5 lines for your heart and a red dot, 2018
Silver, copper, wood, acrylic, resin, electric circuit, 6 buttons, 12 leeds, button battery, a lot of heart.
12.5 x 6.5 x 3.7 cm
Alternative view.
And although storms come
I will not fall off the horse
and if he throws me then I get up
because the bitterness is only lemon and gall
and the song stopped
and the heart stopped
and the crying stopped
when it started again
in his eternal walk.
I will not fall off the horse
and if he throws me then I get up
because the bitterness is only lemon and gall
and the song stopped
and the heart stopped
and the crying stopped
when it started again
in his eternal walk.
© By the author. Read Klimt02.net Copyright.
Brooch: Araña, 2018
Methacrylate, wood, silver, copper, alpaca.
5 x 3.4 x 1.8 cm
Como Líneas de simetría
creamos nuestro interior
Líneas que Se entrelazan
Copiando patrones mentales
Dejándonos atrapar en telas
de araña y algodón para no
tener que huir de ellos
Yel sentir de nuestro interior.
creamos nuestro interior
Líneas que Se entrelazan
Copiando patrones mentales
Dejándonos atrapar en telas
de araña y algodón para no
tener que huir de ellos
Yel sentir de nuestro interior.
© By the author. Read Klimt02.net Copyright.
Brooch: Araña, 2018
Methacrylate, wood, silver, copper, alpaca.
5 x 3.4 x 1.8 cm
Back view.
Como Líneas de simetría
creamos nuestro interior
Líneas que Se entrelazan
Copiando patrones mentales
Dejándonos atrapar en telas
de araña y algodón para no
tener que huir de ellos
Yel sentir de nuestro interior.
creamos nuestro interior
Líneas que Se entrelazan
Copiando patrones mentales
Dejándonos atrapar en telas
de araña y algodón para no
tener que huir de ellos
Yel sentir de nuestro interior.
© By the author. Read Klimt02.net Copyright.
Brooch: Disperso, 2018
Wood skateboard, copper, acrylics, resins, alpaca, paper.
5.8 x 3.4 x 1.8 cm
Elementos dispersados que se juntan en armonía para sentir un deseo de unidad.
© By the author. Read Klimt02.net Copyright.
Brooch: Disperso, 2018
Wood skateboard, copper, acrylics, resins, alpaca, paper.
5.8 x 3.4 x 1.8 cm
Back view.
Elementos dispersados que se juntan en armonía para sentir un deseo de unidad.
© By the author. Read Klimt02.net Copyright.
Brooch: MEZCOLANZA, 2018
Wood, silver, alpaca, brass, acrylics, methacrylate, resin.
8 x 7 x 2.5 cm
Y gira la vida en su rueda
Y va tarareando
con su Alegría y calma cotidiana.
Se veía allí el reflejo del ego
en la madera al crujir
en un cielo, lleno de cruces,
ventanas y pájaros
donde se marchita la fruta y
se marchita el pescado
Y también se marchitan
los recuerdos que no me has dao.
Al abrir la ventana entró el Olor a Mezcolanza.
Y va tarareando
con su Alegría y calma cotidiana.
Se veía allí el reflejo del ego
en la madera al crujir
en un cielo, lleno de cruces,
ventanas y pájaros
donde se marchita la fruta y
se marchita el pescado
Y también se marchitan
los recuerdos que no me has dao.
Al abrir la ventana entró el Olor a Mezcolanza.
© By the author. Read Klimt02.net Copyright.
Brooch: MEZCOLANZA, 2018
Wood, silver, alpaca, brass, acrylics, methacrylate, resin.
8 x 7 x 2.5 cm
Back view.
Y gira la vida en su rueda
Y va tarareando
con su Alegría y calma cotidiana.
Se veía allí el reflejo del ego
en la madera al crujir
en un cielo, lleno de cruces,
ventanas y pájaros
donde se marchita la fruta y
se marchita el pescado
Y también se marchitan
los recuerdos que no me has dao.
Al abrir la ventana entró el Olor a Mezcolanza.
Y va tarareando
con su Alegría y calma cotidiana.
Se veía allí el reflejo del ego
en la madera al crujir
en un cielo, lleno de cruces,
ventanas y pájaros
donde se marchita la fruta y
se marchita el pescado
Y también se marchitan
los recuerdos que no me has dao.
Al abrir la ventana entró el Olor a Mezcolanza.
© By the author. Read Klimt02.net Copyright.
Brooch: Molinos de Agua, 2018
Wood, copper, acrylic, enamel, silver, alpaca.
9 x 7 x 2.3 cm
En los momentos de locura y lucidez
Los cuatro molinos ya están girando
Uno se alimenta del otro
todos son uno
ellos
ruedan y Generan energía
transformando la vibración
en materia.
Don Quijote era
Un incomprendido de su tiempo
Cuatro molinos
Cuatro días
9 horas
Pilotando aviones
Con motores de papel
Los cuatro molinos ya están girando
Uno se alimenta del otro
todos son uno
ellos
ruedan y Generan energía
transformando la vibración
en materia.
Don Quijote era
Un incomprendido de su tiempo
Cuatro molinos
Cuatro días
9 horas
Pilotando aviones
Con motores de papel
© By the author. Read Klimt02.net Copyright.
Brooch: Molinos de Agua, 2018
Wood, copper, acrylic, enamel, silver, alpaca.
9 x 7 x 2.3 cm
Back view.
En los momentos de locura y lucidez
Los cuatro molinos ya están girando
Uno se alimenta del otro
todos son uno
ellos
ruedan y Generan energía
transformando la vibración
en materia.
Don Quijote era
Un incomprendido de su tiempo
Cuatro molinos
Cuatro días
9 horas
Pilotando aviones
Con motores de papel
Los cuatro molinos ya están girando
Uno se alimenta del otro
todos son uno
ellos
ruedan y Generan energía
transformando la vibración
en materia.
Don Quijote era
Un incomprendido de su tiempo
Cuatro molinos
Cuatro días
9 horas
Pilotando aviones
Con motores de papel
© By the author. Read Klimt02.net Copyright.
Brooch: Al Alba, 2018
Gold leaf 24k, river stone, silver 925, copper, a combination of woods, a basic electric circuit with LED light.
8 x 5.4 x 3.4 cm
At dawn
As if the night didn't exist
and the day got longer
into darkness and light
there I keep trying to grab
the crescent moon
at dawn I lean out
looking for
dreams which shelter me
in the inside of your cave.
As if the night didn't exist
and the day got longer
into darkness and light
there I keep trying to grab
the crescent moon
at dawn I lean out
looking for
dreams which shelter me
in the inside of your cave.
© By the author. Read Klimt02.net Copyright.
Brooch: Al Alba, 2018
Gold leaf 24k, river stone, silver 925, copper, a combination of woods, a basic electric circuit with LED light.
8 x 5.4 x 3.4 cm
Side view.
At dawn
As if the night didn't exist
and the day got longer
into darkness and light
there I keep trying to grab
the crescent moon
at dawn I lean out
looking for
dreams which shelter me
in the inside of your cave.
As if the night didn't exist
and the day got longer
into darkness and light
there I keep trying to grab
the crescent moon
at dawn I lean out
looking for
dreams which shelter me
in the inside of your cave.
© By the author. Read Klimt02.net Copyright.
Brooch: Al Alba, 2018
Gold leaf 24k, river stone, silver 925, copper, a combination of woods, a basic electric circuit with LED light.
8 x 5.4 x 3.4 cm
Alternative view.
At dawn
As if the night didn't exist
and the day got longer
into darkness and light
there I keep trying to grab
the crescent moon
at dawn I lean out
looking for
dreams which shelter me
in the inside of your cave.
As if the night didn't exist
and the day got longer
into darkness and light
there I keep trying to grab
the crescent moon
at dawn I lean out
looking for
dreams which shelter me
in the inside of your cave.
© By the author. Read Klimt02.net Copyright.
Brooch: Al Alba, 2018
Gold leaf 24k, river stone, silver 925, copper, a combination of woods, a basic electric circuit with LED light.
8 x 5.4 x 3.4 cm
On body.
At dawn
As if the night didn't exist
and the day got longer
into darkness and light
there I keep trying to grab
the crescent moon
at dawn I lean out
looking for
dreams which shelter me
in the inside of your cave.
As if the night didn't exist
and the day got longer
into darkness and light
there I keep trying to grab
the crescent moon
at dawn I lean out
looking for
dreams which shelter me
in the inside of your cave.
© By the author. Read Klimt02.net Copyright.
Brooch: Holy, 2017
Methacrylate, wood, paper, gold leaf and electric basic circuit with led diode, polymer clay, 925 silver and copper.
7.8 x 3 x 7.5 cm
Photo by: Juanjo García Martín
From series: Asphalt Seas
© By the author. Read Klimt02.net Copyright.
Brooch: Holy, 2017
Methacrylate, wood, paper, gold leaf and electric basic circuit with led diode, polymer clay, 925 silver and copper.
7.8 x 3 x 7.5 cm
Photo by: Juanjo García Martín
From series: Asphalt Seas
Alternative view.
Brooch / Lamp
Brooch / Lamp
© By the author. Read Klimt02.net Copyright.
Brooch: Añoranza, 2016
Wood, silver, copper, resin, methacrylate, Acrylic, polymer clay and paper.
11 x 2.5 x 7.5 cm
Photo by: Juanjo García Martín
From series: Asphalt Seas
© By the author. Read Klimt02.net Copyright.
Brooch: Always a Light, 2017
Silver, brass, resin, acrylic, small circuit leed.
5.2 x 2 x 9.5 cm
Photo by: Juanjo García Martín
From series: Asphalt Seas
© By the author. Read Klimt02.net Copyright.
Brooch: Butcher, 2016
Silver, paper, resin, acrylic, wood, gold, methacrylate, basic electric circuit with led diode and natural stone.
4.2 x 2.1 x 9.5 cm
Photo by: Juanjo García Martín
From series: Asphalt Seas
© By the author. Read Klimt02.net Copyright.
Brooch: Butcher, 2016
Silver, paper, resin, acrylic, wood, gold, methacrylate, basic electric circuit with led diode and natural stone.
4.2 x 2.1 x 9.5 cm
Photo by: Juanjo García Martín
From series: Asphalt Seas
Alternative view.
Brooch / lamp
Brooch / lamp
© By the author. Read Klimt02.net Copyright.
Brooch: High Time, 2016
Different types of wood, silver, acrylic, paper.
3 x 1.7 x 9.4 cm
Photo by: Juanjo García Martín
From series: Asphalt Seas
© By the author. Read Klimt02.net Copyright.
Brooch: Urban Landscape, 2018
Silver, copper, brass, wood, resin, acrylics.
6 x 1 x 5 cm
Photo by: Juanjo García Martín
From series: Asphalt Seas
© By the author. Read Klimt02.net Copyright.
Ring: Heads or Tails, 2016
Wood, 925 silver, ink, sand and paper.
4.5 x 1.7 x 9.5 cm
Photo by: Juanjo García Martín
From series: Asphalt Seas
© By the author. Read Klimt02.net Copyright.
Ring: Heads or Tails, 2016
Wood, 925 silver, ink, sand and paper.
4.5 x 1.7 x 9.5 cm
Photo by: Juanjo García Martín
From series: Asphalt Seas
Backside view.
© By the author. Read Klimt02.net Copyright.
Brooch: Churches and Birds, 2016
Recycled skateboard wood, Resin, Paper, Silver, Blackboard.
4.8 x 1.7 x 9.5 cm
Photo by: Juanjo García Martín
From series: Asphalt Seas
© By the author. Read Klimt02.net Copyright.
Necklace: Invented Place, 2017
Acrylic, resin, methacrylate, led circuit, electric motor, paper, copper, wood, silver and lithium button batteries.
4.5 x 7 x 20 cm
Photo by: Juanjo García Martín
From series: Asphalt Seas
Necklace / Object.
© By the author. Read Klimt02.net Copyright.
Necklace: Invented Place, 2017
Acrylic, resin, methacrylate, led circuit, electric motor, paper, copper, wood, silver and lithium button batteries.
4.5 x 7 x 20 cm
Photo by: Juanjo García Martín
From series: Asphalt Seas
Alternative view
© By the author. Read Klimt02.net Copyright.
Invented place by Juanjo Garcia Martin
Juanjo García Martín
2018
© By the author. Read Klimt02.net Copyright.
Juanjo García Martín
2018
© By the author. Read Klimt02.net Copyright.
Brooch: 7 Balconies, 2018
Wood, silver, Paper cuttings, Brass, copper, resin.
11 x 1.5 x 6.8 cm
Photo by: Juanjo García Martín
From series: Asphalt Seas
© By the author. Read Klimt02.net Copyright.
Juanjo Garcia Martin is a jeweler of Spanish art. He lives and works in Malaga. His artistic approach combines different disciplines that he has been practicing indiscriminately from an early age: painting, music and art jewelry.
A self-taught artist, who is not afraid of experimentation, especially in his search for materials, whose diversity is impressive. His latest collection of unique pieces, entitled Mares de Asfalto explores the theme of the urban environment: the city, of course, but also the worlds it houses, its buildings, streets, towers, inhabitants, all make endless layers of colors and parallels stories, crossed by the lines and volumes characteristic of urban architecture
Statement
Collection “Asphalt Seas”I have always felt a special fondness for creating rings, although in the period of these last years the language of my work was transmitted through the appearance of the brooch. This allowed me to be able to introduce a concept in the form of a plane, with ideas that are transformed into a canvas, telling stories with a more poetic language.
The idea of this language revolves around the cities, and everything that they shelter, its buildings, its streets, the agglomerations of people creating infinite prescriptions of colors, the cultural variety that builds parallel histories, and the line with the volume that Are always present, along with the signs of the passage of time in their gray facades, where in the end the individual moves on manufactured summits, as a unitary being, driven through asphalt seas.
... Caught in nearby cities moments where everyone is unitary and the individual moves seeking poetry in the plains of asphalt and its opaque colors of prefabricated tops to accommodate everyone in a set of unit blocks ...
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