I always believe that the warmth of handwork can't be replaced by any mechanical production. Zhihan Liu interviewed by Klimt02
Interview
/
Artists
中文版-ChineseVersion
Published: 09.07.2019
Object: Gorgeous 2, 2019
Brass wire, Asian natural lacquer.
65 x 58 x 11 cm
Photo by: KC Studio
From series: Accompany
© By the author. Read Klimt02.net Copyright.
I would say there is more aboriginality in my work. When studying abroad, you will find that your motherland is far more important to you, even beyond your imagination. So in the process of artistic creating, you will unconsciously reflect this homesick in works.
-
The technical discoveries, frustrations and outcomes continually engage and challenge me. Interview with Helen Aitken-Ku...
27May2022 -
There has been a cultural shift in the use of traditional materials, focusing on sustainability by using waste materials...
27May2022 -
Encounters: A reflection on the nature of time, Legnica Jewelry Festival SILVER. Interview with Felicia Mülbaier by Ann...
24May2022 -
Time-critical statements in my jewellery is a must for me. Interview with Kirsten Plank
23May2022 -
Contemporary jewelry has two main characteristics: transferring the concept and expansion of materials. Interview with B...
17May2022 -
Networking is important from the training stage, as a teacher I have understood and practiced it with my students. Inter...
16May2022 -
The Search for Unconscious Beauty. Interview with Stefania Lucchetta and Giulia Savino by Waldemar Kerschbaumer
09May2022 -
Contemporary jewellery helps us think, look and question beyond jewellery, ornamentation, beauty, preciousness... Interv...
06May2022 -
I am excited about blurring the lines between art, science, and some sort of mystical something or other. Interview with...
05May2022 -
My creative process is low-tech, it is traditional and ancient, each piece is crafted of porcelain by hand. Interview wi...
06Apr2022 -
As a newer educator in the field, I see the new accessibility to virtual education and opportunities as a great benefit ...
04Apr2022 -
My designs only consist of the necessary elements to achieve a goal. Interview with Lars Joosten, winner of the New Tale...
31Mar2022 -
What I enthuse the most is the astonishment that a piece of art arises in me. Interview with Stefano Fronza by Klimt02
25Mar2022 -
How much contemporary jewelry can be commercialized defines where the dead-end is. Interview with Xiaohe Shen by Klimt02
18Mar2022 -
Aquatic Creatures in the Lair of the White Rabbit. Anna Paola Cibin and Stefano Prina interviewed by Waldemar Kerschbaum...
28Feb2022
