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Goldschmitte 2018 skyscraper.
LAO Workshops 2018 skyscraper.

Popeye loves Olive Art Space

Gallery  /  AthensJewelryWeek2018
Published: 03.04.2018
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Statement

Popeye Loves Olive is an Art Space sited next to the most vivid square, in the heart of the historical center of Athens, dedicated to Contemporary Jewelry and the Art of Tattooing.
During the five years of its presence, the space had been well known for its provocative and underground events, parties, performances and the promotion of the most innovative jewelry artists from around the globe.
It has been a meeting place for the art world of Athens and its unique combination of jewelry and tattoos is attracting, not only the Greek scene, but also the international crowd that makes Popeye loves Olive, one of a kind and a must - visit space in Greece.

 

Artist list

Jordi Aparicio, Isabelle Busnel, Raluca Buzura, Xenia Deimezi, Aggelica Diplari, Gili Doliner, Joanna Grigoriou, Jonathan Hens, Christine Jalio, Aggelos Konstantakatos, Erato Kouloubi, Ioli Livada, Jorge Manilla, Yakinthi Oikonomou, Konstantinos Papadoukas, Liana Pattihis, Antria Prasinou, Aliki Stroumpouli, Niki Stylianou, Artemis Valsamaki, Anna Vlahos, Yiota Vogli, Marina Zachou

Hours

Tuesday to Saturday 12 - 8pm

Events      View / hide events

2018:
Fair  23 May 2018 - 30 May 2018  Athens Jewelry Week 2018.
Exhibition  21 May 2018 - 05 Jun 2018  The After Joya Effect V.
Exhibition  26 Apr 2018 - 29 Apr 2018  Hidden Curriculum at Melting Point.
Exhibition  08 Mar 2018 - 11 Mar 2018  Hidden Curriculum.
2017:
Exhibition  18 May 2017 - 06 Jun 2017  The After Joya Effect IV.
2016:
Fair  29 Jun 2016 - 03 Jul 2016  Athens Jewelry Week 2016.
2015:
Exhibition  22 May 2015 - 20 Jun 2015  6000 Fragments – The Floating Islands.
View of the space.
View of the space

© By the author. Read Klimt02.net Copyright.
Opening of Jee Hye Kwon exhibition.
Opening of Jee Hye Kwon exhibition

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Erato Kouloubi, Manager of the gallery.
Erato Kouloubi, Manager of the gallery

© By the author. Read Klimt02.net Copyright.
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