Zhenghong Wang
Jeweller
Published: 28.05.2019
- Mail:
- 1507881746
qq.com
Object: Samsara, 2018
Fish scale, mirror, thread, 925 sliver.
18 x 18 x 6 cm
Photo by: Zongquan Ling
Weigh (fish) – scratch (fish scale) – throw (fish scale) – wash (fish scale) – bask (fish scale) – drill (fish scale) – sew (fish scale) – chant (fish)– weigh (fish scale): Nine steps.
© By the author. Read Klimt02.net Copyright.
Object: Samsara, 2018
Fish scale, mirror, thread, 925 sliver.
18 x 18 x 6 cm
Photo by: Zongquan Ling
Detail view.
Weigh (fish) – scratch (fish scale) – throw (fish scale) – wash (fish scale) – bask (fish scale) – drill (fish scale) – sew (fish scale) – chant (fish)– weigh (fish scale): Nine steps.
© By the author. Read Klimt02.net Copyright.
East, South, West and North. Samsara by Zhenghong Wang
Zongquan Ling
2019
© By the author. Read Klimt02.net Copyright.
Zongquan Ling
2019
© By the author. Read Klimt02.net Copyright.
Object: Samsara, 2018
Fish scale, mirror, thread, 925 sliver.
Photo by: Zongquan Ling
Weigh (fish) – scratch (fish scale) – throw (fish scale) – wash (fish scale) – bask (fish scale) – drill (fish scale) – sew (fish scale) – chant (fish)– weigh (fish scale): Nine steps.
© By the author. Read Klimt02.net Copyright.
Object: Samsara, 2018
Fish scale, mirror, thread, 925 sliver.
Photo by: Zongquan Ling
Detail view.
Weigh (fish) – scratch (fish scale) – throw (fish scale) – wash (fish scale) – bask (fish scale) – drill (fish scale) – sew (fish scale) – chant (fish)– weigh (fish scale): Nine steps.
© By the author. Read Klimt02.net Copyright.
Necklace: The Heart of Sutra, 2018
Silver, paper.
© By the author. Read Klimt02.net Copyright.
Necklace: Landscape, 2015
Speciality paper, mirror, cotton thread, 925 sliver.
70 x 3 cm
From series: Landscape
© By the author. Read Klimt02.net Copyright.
Necklace: Landscape, 2015
Speciality paper, mirror, cotton thread, 925 sliver.
70 x 3 cm
From series: Landscape
Detail view.
© By the author. Read Klimt02.net Copyright.
Brooch: Landscape, 2015
Silver, paper, mirror.
7 x 8.8 x 5.2 cm
From series: Landscape
Alternative view.
© By the author. Read Klimt02.net Copyright.
Brooch: Landscape, 2015
Speciality paper, mirror, cotton thread, 925 sliver.
9.2 x 9.2 x 4.9 cm
From series: Landscape
© By the author. Read Klimt02.net Copyright.
Piece: Body as Landscape, 2012-2013
Metal, mirror, stones, 925 sliver.
8 x 10 x 10 cm
From series: Body as Landscape
© By the author. Read Klimt02.net Copyright.
Piece: Body as Landscape, 2012-2013
Metal, mirror, stones, 925 sliver.
8 x 10 x 10 cm
From series: Body as Landscape
Jewellery in context.
© By the author. Read Klimt02.net Copyright.
Brooch: Body as Landscape, 2012-2013
Metal, mirror, stones, 925 sliver.
7 x 4.5 x 6.2 cm
From series: Body as Landscape
© By the author. Read Klimt02.net Copyright.
Brooch: Body as Landscape, 2012-2013
Metal, mirror, stones, 925 sliver.
7 x 4.5 x 6.2 cm
From series: Body as Landscape
Jewellery in context.
© By the author. Read Klimt02.net Copyright.
Brooch: Body as landscape, 2012-2013
Metal, mirror, stones, 925 sliver.
8 x 8 x 4.6 cm
From series: Body as Landscape
© By the author. Read Klimt02.net Copyright.
Brooch: Body as Landscape, 2012-2013
Metal, mirror, stones, 925 silver.
7.6 x 3.2 x 5.6 cm
From series: Body as Landscape
© By the author. Read Klimt02.net Copyright.
Brooch: Red memory 3, 2012
925 silver, souvenir.
9 x 9 x 2.5 cm
From series: Red Memory
© By the author. Read Klimt02.net Copyright.
Neckpiece: Red Memory 2, 2010
925 silver, souvenir, stethoscope.
70 x 3.5 cm
Photo by: Zhenghong Wang
From series: Red Memory
© By the author. Read Klimt02.net Copyright.
Necklace: Red memory 1, 2008
925 silver, souvenir, lava.
25 x 6 x 3.2 cm
Photo by: Zhenghong Wang
From series: Red Memory
© By the author. Read Klimt02.net Copyright.
Necklace: Coffee and Tea, 2008
Gold, 925Ag alloys.
75 x 4.5 cm
Photo by: Zhenghong Wang
From series: Coffee and Tea
© By the author. Read Klimt02.net Copyright.
Necklace: Coffee and Tea, 2008
Gold, 925Ag alloys.
75 x 4.5 cm
Photo by: Zhenghong Wang
From series: Coffee and Tea
On body.
© By the author. Read Klimt02.net Copyright.
Necklace: Coffee and Tea, 2008
Gold, 925Ag alloys.
75 x 4.5 cm
Photo by: Zhenghong Wang
From series: Coffee and Tea
Alternative view.
© By the author. Read Klimt02.net Copyright.
Necklace: Coffee and Tea, 2008
Gold, 925Ag alloys.
65 x 1.8 cm
Photo by: Zhenghong Wang
From series: Coffee and Tea
© By the author. Read Klimt02.net Copyright.
Necklace: Coffee and Tea, 2008
Gold, 925Ag alloys.
65 x 1.8 cm
Photo by: Zhenghong Wang
From series: Coffee and Tea
Alternative view.
© By the author. Read Klimt02.net Copyright.
Necklace: Coffee and Tea, 2008
Gold, 925Ag alloys.
65 x 1.8 cm
Photo by: Zhenghong Wang
From series: Coffee and Tea
On body.
© By the author. Read Klimt02.net Copyright.
Necklace: Coffee and Tea, 2008
Gold, 925Ag alloys.
65 x 4 cm
Photo by: Zhenghong Wang
From series: Coffee and Tea
© By the author. Read Klimt02.net Copyright.
Necklace: Coffee and Tea, 2008
Gold, 925Ag alloys.
65 x 4 cm
Photo by: Zhenghong Wang
From series: Coffee and Tea
On body.
© By the author. Read Klimt02.net Copyright.
Brooch: Coffee and Tea, 2008
Gold, 925Ag alloys.
12 x 12 x 4.2 cm
Photo by: Zhenghong Wang
From series: Coffee and Tea
© By the author. Read Klimt02.net Copyright.
Object: Coffee and Tea, 2008
925 Ag, coffee powder, glass, silica gel.
11 x 4.5 x 3.8 cm
Photo by: Zhenghong Wang
© By the author. Read Klimt02.net Copyright.
Brooch: Lilywater, 2007
925Ag alloys, topaz.
9 x 8 x 0.6 cm
Photo by: Zhenghong Wang
© By the author. Read Klimt02.net Copyright.
Brooch: Lilywater, 2007
925Ag alloys, topaz.
9 x 8 x 0.6 cm
Photo by: Zhenghong Wang
On body.
© By the author. Read Klimt02.net Copyright.
Zhenghong (Viviane) Wang completed a five-year undergraduate degree at the China Academy of Art in 1993-1998 and obtained a bachelor's degree. Her graduation work was collected by China's first contemporary sculpture hall, Qingdao Sculpture Museum. After completing the master's degree in the fifth studio of the sculpture department in 2001-2004, she stayed on to teach. In November 2004, she went to the Royal Academy of Fine Arts in Antwerp, Belgium. After completing her five years of study, she returned to the China Academy of Art to establish a jewelry studio. Now she is the deputy dean, professor, master and academic leader of.from the College of Crafts, China Academy of Art.
Statement
Landscape, 2015After the completion of the body as a year after the completion of the landscape, I continued to complete the series of dialogues with mountains and rivers. The material language is more abundant in this series, retaining the original mirror material, adding paper materials and calligraphy. Combine the flat body and the three-dimensional landscape for a series of creations. It is hoped that there will be an interaction with the viewer. The dialogue formed between the mountain and the mirror guides the viewer into the depths of the work and carries out meditation.
Body as Landscape
’Body as a mountain‘ is an artistic research topic which has been studied and thought about in recent ten years. This research topic is characterized by a long span of time and its extensive content which the overall thinking of a range of issues and from Chinese traditional culture and public art research. All of those are based on philosophic and deep-rooted expression and reflection on body, wearable objects and landscape.
One of my major research directions through my lifework is putting issues of ‘body, landscape and works’ into my research. And it has been a thinking way that going on in my works. Although my artworks are deeply rooted in Chinese traditional idea – 'body as landscape', there is a connecting bridge between the daily life of art and contemporary global environment. Therefore, the curriculum I planned and my research in the past are jointly presenting the evolutional relationship between traditional Chinese heritage and contemporary art. My point is that through the curriculum I will connect sculpture and contemporary jewelry art together through wearable sculpture works.
Red Memories
Gij, a teacher at the Royal Academy of Fine Arts in Antwerp, asked me what is the feeling of this generation for Mao?
I answered it with my work.
Coffee and Tea
In November 2004, I got a coffee cup with her grandmother from her grandmother... her story... my life...
Lilywater
The fall of Antwerp is often spent in the rain. Excessive drizzle makes me feel homesick from time to time. I think of the scene of walking around the West Lake with an umbrella in the rainy season. Because of excessive homesickness, I want to pass the emotions into the work. As the ancient capital of the Southern Song Dynasty, Hangzhou has a description of the West Lake. The lotus leaf on the lake is often the subject of literati. I used this method to make a small piece of corrugated technique and use gold-plated techniques to complete the part. The three movable umbrellas that can be rotated by the wind...
CV 
Events
Publications
- Mail:
- 1507881746qq.com
newsletter
Get the latest information about the international Jewellery Scene sent directly to your mailbox every week. View previous issues
-
Andrea MAXA Halmschlager
Vienna, Austria -
Orsolya Kecskés
Budapest, Hungary -
Carolyn Young
Waterloo, Canada -
Namkyung Lee
Seoul, South Korea -
Elvira Cibotti
Buenos Aires, Argentina -
Sonia Beauchesne
Deschambault, Canada -
Emilie Le Dez
Berlin, Germany -
Olga Kazakova
Moscow, Russian Federation -
Linda van Niekerk
Tasmania, Australia -
Aya Iwata
Tokyo, Japan -
Asako Takahashi
Toyama, Japan -
Jieun Park
Seoul, South Korea -
Sébastien Carré
Strasbourg, France -
Patricia Iglesias
Punta Arenas, Chile -
Nicole Baert
Kortrijk, Belgium
