Luzia Vogt

Jeweller

Published: 07.05.2021

: Basel
SWITZERLAND

: Website Luzia Vogt

Mail:: infoluziavogt.ch

Luzia Vogt
Earrings: Mariposa, 2020
Glass, PVC, gold 585.
4 x 7 x 2.5 cm
Photo by: Luzia Vogt
Unique piece
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Earrings: Mariposa, 2020
Glass, PVC, gold 585.
3.5 x 6 x 2.5 cm
Photo by: Luzia Vogt
Unique piece
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Earrings: Mariposa, 2021
Glass, PVC, gold 585.
4 x 7 x 2.5 cm
Photo by: Luzia Vogt
Unique piece
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Earrings: Mariposa, 2020
Glass, PVC, gold 585.
3 x 5.5 x 2.5 cm
Photo by: Luzia Vogt
Unique piece
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Earrings: Mariposa, 2021
Glass, PVC, gold 585.
4 x 7 x 2.5 cm
Photo by: Luzia Vogt
Unique piece
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Plate: Angerichtet, 2017
Porcelain plate.
Photo by: Kathrin Koschitzky
Unique piece
Luzia Vogt at Steinbeisser Event with the Chef: Yoji-Tokuyoshi.
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Plate: Angerichtet, 2017
Porcelain (partly sandblasted).
21 x 17 cm
Photo by: Luzia Vogt
Unique piece
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Plate: Angerichtet, 2017
Porcelain (partly sandblasted).
23 x 16 cm
Photo by: Luzia Vogt
Unique piece
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Object: Angerichtet, 2017
Porcelain (partly sandblasted).
16 x 15 cm
Photo by: Luzia Vogt
Plate / Bowl
Unique piece
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Object: Angerichtet, 2017
Porcelain (partly sandblasted).
16 x 15 cm
Photo by: Luzia Vogt
Unique piece
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Necklace: Candy I, 2014
Rose quartz, chalcedony, serpentine, synthetic material.
6 x 6 x 4cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Necklace: Candy II, 2014
Obsidian, cocholong, agate, amethyst, synthetic material.
6 x 7 x 1.5 cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Necklace: Candy IV, 2014
Chalcedony, agate, cocholong, aquamarine, lavender jade, synthetic material.
7.5 x 5.5 x 3 cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Piece: Zuckerdose, 2013
Bone China porcelain, Carrara marble
ø 9.5 cm Height: 13 cm
Sugar Container
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Piece: Zuckerdose, 2013
Bone China porcelain
ø 13 cm Height: 14 cm
Sugar Container
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Brooch: fast - fast (English - German), 2013
Synthetic material, silver 925, steel
8 x 7 x 4.2 cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Brooch: but - but (English - French), 2013
Synthetic material, silver 925, steel
7.5 x 7.5 x 4 cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Earrings: Exzess, 2013
Wood synthetic material, gold 585
3 x 4.7 x 3.5 cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Earrings: Exzess, 2013
Wood synthetic material, gold 585
3 x 5.2 x 3.6 cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Brooch: Zuckerblume 5, 2014
Synthetic material, silver 925, steel
6.5 x 7 x 3.5 cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Bracelet: Zuckerkristalle # 6, 2014
Synthetic material (SLS, PA)
ø 7 x 5.3 cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Bracelet: Zuckerkristalle # 7, 2014
Synthetic material (SLS, PA)
ø 7 x 4 cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Bracelet: Zuckerkristalle # 8, 2014
Synthetic material (SLS, PA)
ø 7 x 5.3 cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Bracelet: Zucker (sugar – azùcar), 2014
Synthetic material (SLS, PA)
ø 7 x 3.5 cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Bracelet: Zucker, 2014
Synthetic material (SLS, PA)
ø 7 x 3.5 cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Brooch: Untitled, 2008
Synthetic material (orange rose comb), 750 gold
5 x 5.4 x 3.8 cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Brooch: Untitled, 2005
Synthetic material (black and white comb), 585 gold
Black: Ø 8.2 x 3 cm : White: Ø 4 x 3.7 cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Brooch: Segment I, 2010
Wood synthetic material, silver 925
3.5 x 3 x 2.7 cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Brooch: Segment III, 2010
Wood synthetic material, silver 925
4.9 x 3.5 x 2.8 cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Brooch: Segment IV, 2010
Wood synthetic material, silver 925
2.9 x 3.4 x 2.8 cm
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Necklace: Exemplar V, 2009
Silver 925, porcelain
Pendant: 5.1 x 4.1 x 1.3 cm
From series: Entdeckter Garten
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Necklace: Exemplar VI, 2009
Silver 925, porcelain
Pendant: 8.4 x 4.7 x 1.8 cm
From series: Entdeckter Garten
© By the author. Read Klimt02.net Copyright.

Luzia Vogt
Necklace: Exemplar VII, 2009
Silver 925, porcelain
Pendant: 7.4 x 5.5 x 1.7 cm
From series: Entdeckter Garten
© By the author. Read Klimt02.net Copyright.

Luzia Vogt is a Swiss jewellery artist living and practicing in Basel, Switzerland. As a technically trained jeweller, Vogt developed a conceptual understanding for jewellery through her studies with the Department of Jewellery and Hollowware at the University of Pforzheim in Germany. Her artistic practice explores how life is a cycle of giving and taking, development and change through the 'found object'. Vogt's work has received international recognition through a strong catalogue of solo exhibtions and juried group exhibitions.

Statement

Life is a cycle of giving and taking, development and change. The found object, a discard from the utilitarian world lays idle awaiting destruction, renewal or metamorphosis. A leftover is a reminder of a person’s presence, a witness of passed time. Found objects attract my perception. They trigger my curiosity and play with my imagination. Leftovers disturb routines, habits and orders.

The transformation of these found objects as well as everyday patterns are starting points for my work. The alternating process of experimentation and reflection leads me to the final piece. I respond to used everyday objects and fragments with intuition. I let them disturb my daily life routines, habits and rituals. Common ways of looking at things and values in society are being questioned.