Eine Ordnung des Glanzes by Suska Mackert
Exhibition
/
12 Sep 2014
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25 Oct 2014
Published: 19.09.2014
galerie-spektrum.de
Suska Mackert’s work questions the double life of jewels, which makes them objects that belong everywhere, and yet always remain out of place. In her project of creating a two dimensional museum of jewelry (Eine Ordnung des Glanzes), she works with the literal edge of jewelry, researches its traces, and invites us to think about multiple paths and lines of connections between jewels, images, gestures.
Artist list
Suska Mackert
Obverses. //Around, but Never at the Centre:
Weaving an Atlas of Jewels and Gestures
Jewelry is situated at the border between private and public, between being worn and being placed in the glass box of the museum. It is something that belongs to the realm of the private; but it is also a detail that is the visible focal point in the performance of public and political rituals of power. Suska Mackert’s work questions the double life of jewels, which makes them objects that belong everywhere, and yet always remain out of place. In her project of creating a two dimensional museum of jewelry (Eine Ordnung des Glanzes), she works with the literal edge of jewelry, researches its traces, and invites us to think about multiple paths and lines of connections between jewels, images, gestures.
Alena Alexandrova, 2014
>> A catalogue is published for the exhibition, order a copy at Galerie Spektrum
Weaving an Atlas of Jewels and Gestures
Jewelry is situated at the border between private and public, between being worn and being placed in the glass box of the museum. It is something that belongs to the realm of the private; but it is also a detail that is the visible focal point in the performance of public and political rituals of power. Suska Mackert’s work questions the double life of jewels, which makes them objects that belong everywhere, and yet always remain out of place. In her project of creating a two dimensional museum of jewelry (Eine Ordnung des Glanzes), she works with the literal edge of jewelry, researches its traces, and invites us to think about multiple paths and lines of connections between jewels, images, gestures.
Alena Alexandrova, 2014
>> A catalogue is published for the exhibition, order a copy at Galerie Spektrum
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