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Give it time

Exhibition  /  24 Mar 2018  -  17 Jun 2018
Published: 15.03.2018
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Intro
The exhibition Tendenser opens for the 43th time. The exhibition series has been shown at Galleri F 15 since 1971. With few exceptions, the public has been able to visit the gallery every year to see works that represent developments and changes in the arts and crafts field. The series has since 2016 been displayed every other year.

Artist list

Karin Roy Andersson, Unndór Egill Jónsson, Sophie Hanagarth, Aslaug M. Juliussen, Sonja Löfgren, Jenny Nordberg, Daniel Peltz, Silo Studio, Kari Steihaug, TEXAS, Sissi Westerberg, Mikkel Wettre, Felieke van der Leest
We expect objects to which the label ‘craft’ is applied to be distinguished by the care, attention, dexterity, and, ultimately the freedom to expand as much time as is needed in making them. Romantics, from John Ruskin on, bemoan elements of modern life, such as standardisation, repeatability, or the division of labour that interfere with this mode of production. Yet craftspeople can’t escape time and are continually subject to its dictates: to deliver work on time, to hurry up, to fit their work around other commitments, and even take time out.  For this thematically-led iteration of Tendenser (2018) the aim is to explore the various ways in which craft is experienced in time, drawing attention to daily rhythms, the momentary, and the ongoing. With a view to get behind the finished, pristine object, the exhibition foregrounds process, the experience (or phenomenology) of making, and the complexity of exercising skilled labour in challenging economic environments. In addition, the title of the exhibition is intended to implicate the viewer: how much time do audiences have to spend with the exhibits. Like many craftspeople, viewers too are under time pressure. The exhibition will be arranged around familiar units of time from works that capture the instantaneous ‘moment’ of production, to those that document and explore the daily rhythms of contemporary making, including breaks and diversions. The exhibition will then move onto longer units of time: the materiality of Scandanavian seasonality and works that remain unfinished.

Hours

Tuesday - Sunday, 11 am to 5 pm.
Entrance: 50 NOK. Free admission on Sundays.
Every Sunday at 2 pm, Guides tour.

Opening

24th of March. Saturday, 2 pm.
Karin Roy Andersson. Necklace: A Constant Grinding, 2011. Gum base, softeners, sweeteners, flavourings, potato flour, pearl silk, silver.. Photo by: Karin Roy Andersson. Karin Roy Andersson
Necklace: A Constant Grinding, 2011
Gum base, softeners, sweeteners, flavourings, potato flour, pearl silk, silver.
Photo by: Karin Roy Andersson
© By the author. Read Klimt02.net Copyright.
Karin Roy Andersson. Necklace: A Constant Grinding II, 2011. Gum base, softeners, sweeteners, flavourings, potato flour, pearl silk, silver.. Photo by: Karin Roy Andersson. Karin Roy Andersson
Necklace: A Constant Grinding II, 2011
Gum base, softeners, sweeteners, flavourings, potato flour, pearl silk, silver.
Photo by: Karin Roy Andersson
© By the author. Read Klimt02.net Copyright.
Karin Roy Andersson. Necklace: A Constant Grinding III, 2011. Gum base, softeners, sweeteners, flavourings, potato flour, pearl silk, silver.. Karin Roy Andersson
Necklace: A Constant Grinding III, 2011
Gum base, softeners, sweeteners, flavourings, potato flour, pearl silk, silver.
© By the author. Read Klimt02.net Copyright.
Karin Roy Andersson. Necklace: A Constant Grinding V, 2018. Gum base, softeners, sweeteners, flavourings, paper, pearl silk.. Photo by: Karin Roy Andersson. Karin Roy Andersson
Necklace: A Constant Grinding V, 2018
Gum base, softeners, sweeteners, flavourings, paper, pearl silk.
Photo by: Karin Roy Andersson
© By the author. Read Klimt02.net Copyright.
Aslaug M. Juliussen. Installation: Multiple Stitches - sight in absence, 2018. Photo by: Kjell Ove Storvik. Aslaug M. Juliussen
Installation: Multiple Stitches - sight in absence, 2018
Photo by: Kjell Ove Storvik
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Aslaug M. Juliussen. Installation: Multiple Stitches - sight in absence, 2018. Photo by: Kjell Ove Storvik. Detail view.. Aslaug M. Juliussen
Installation: Multiple Stitches - sight in absence, 2018
Photo by: Kjell Ove Storvik

Detail view.

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Aslaug M. Juliussen. Installation: Multiple Stitches - sight in absence, 2018. Photo by: Kjell Ove Storvik. Detail view.. Aslaug M. Juliussen
Installation: Multiple Stitches - sight in absence, 2018
Photo by: Kjell Ove Storvik

Detail view.

© By the author. Read Klimt02.net Copyright.
Daniel Peltz. Video Installation: Seeking an Any Thing a product from the Performing Labor Product Line, 2016. HD video of underwater excavation re-enactment.. Daniel Peltz
Video Installation: Seeking an Any Thing a product from the Performing Labor Product Line, 2016
HD video of underwater excavation re-enactment.
© By the author. Read Klimt02.net Copyright.
Daniel Peltz. Video Installation: Any Thing a product from the Performing Labor Product Line, 2016. Glass, metal, vinyl recording extracted from a youtube ecotourism video.. Daniel Peltz
Video Installation: Any Thing a product from the Performing Labor Product Line, 2016
Glass, metal, vinyl recording extracted from a youtube ecotourism video.
© By the author. Read Klimt02.net Copyright.
Daniel Peltz. Video Installation: Seeking an Any Thing a product from the Performing Labor Product Line, 2017. HD video of underwater excavation re-enactment.. Daniel Peltz
Video Installation: Seeking an Any Thing a product from the Performing Labor Product Line, 2017
HD video of underwater excavation re-enactment.
© By the author. Read Klimt02.net Copyright.
Kari Steihaug. From the series Archive: the Unfinished Ones (nr 1808)
. Collected 195 objects between 1998-2018.
. Courtesy: Nasjonalmuseet. Photo: Espen Tollefsen. .
Kari Steihaug. From the series Archive: the Unfinished Ones (nr 1808)
Collected 195 objects between 1998-2018.
Courtesy: Nasjonalmuseet. Photo: Espen Tollefsen. 

© By the author. Read Klimt02.net Copyright.
Kari Steihaug. From the serie Archive: the Unfinished Ones (nr 0058).
. Collected 195 objects between 1998-2018.
. Courtesy: Nasjonalmuseet. Photo: Espen Tollefsen. .
Kari Steihaug. From the serie Archive: the Unfinished Ones (nr 0058).
Collected 195 objects between 1998-2018.
Courtesy: Nasjonalmuseet. Photo: Espen Tollefsen. 

© By the author. Read Klimt02.net Copyright.
Sissi Westerberg. Object: Break Blower, 2017. Glass, latex, vinyl tube, pneumatic valts, air-compressor.. Photo by: Ian Hobbs. Timer programmed according to glass workers break schedule.. Sissi Westerberg
Object: Break Blower, 2017
Glass, latex, vinyl tube, pneumatic valts, air-compressor.
Photo by: Ian Hobbs
Timer programmed according to glass workers break schedule.
© By the author. Read Klimt02.net Copyright.
Sissi Westerberg. Object: Break Blowers, 2017. Glass, latex, vinyl tube, pneumatic valts, air-compressor.. Photo by: Daniel Peltz. Timer programmed according to glass workers break schedule.. Sissi Westerberg
Object: Break Blowers, 2017
Glass, latex, vinyl tube, pneumatic valts, air-compressor.
Photo by: Daniel Peltz
Timer programmed according to glass workers break schedule.
© By the author. Read Klimt02.net Copyright.
Sissi Westerberg. Object: Break blowers, 2017. A product from the Performing Labor Product Line 2017.
. HD video from an installation in the Reijmyre Glasbruk, Rejmyre, Sweden.. Sissi Westerberg
Object: Break blowers, 2017
A product from the Performing Labor Product Line 2017.
HD video from an installation in the Reijmyre Glasbruk, Rejmyre, Sweden.
© By the author. Read Klimt02.net Copyright.
Sissi Westerberg. Object: Break blowers, 2017. A product from the Performing Labor Product Line 2017.
. HD video from an installation in the Reijmyre Glasbruk, Rejmyre, Sweden.. Sissi Westerberg
Object: Break blowers, 2017
A product from the Performing Labor Product Line 2017.
HD video from an installation in the Reijmyre Glasbruk, Rejmyre, Sweden.
© By the author. Read Klimt02.net Copyright.
Felieke van der Leest. Bracelet: Prairie Pioneer, 2012. Textile (cotton, polyester/polyamide, viscose, felt), plastic animal, 14kt gold, silver, glass beads, leather, (brass, iron).
.  . 15 x 10 x 10 cm. Prairie dog can turn around and his paws can move up and down, toes of claw can be bend to adjust to the arm.. Felieke van der Leest
Bracelet: Prairie Pioneer, 2012
Textile (cotton, polyester/polyamide, viscose, felt), plastic animal, 14kt gold, silver, glass beads, leather, (brass, iron).
 
15 x 10 x 10 cm
Prairie dog can turn around and his paws can move up and down, toes of claw can be bend to adjust to the arm.
© By the author. Read Klimt02.net Copyright.
Felieke van der Leest. Bracelet: Prairie Pioneer, 2012. Textile (cotton, polyester/polyamide, viscose, felt), plastic animal, 14kt gold, silver, glass beads, leather, (brass, iron).
.  . 15 x 10 x 10 cm. Detail view.Prairie dog can turn around and his paws can move up and down, toes of claw can be bend to adjust to the arm.. Felieke van der Leest
Bracelet: Prairie Pioneer, 2012
Textile (cotton, polyester/polyamide, viscose, felt), plastic animal, 14kt gold, silver, glass beads, leather, (brass, iron).
 
15 x 10 x 10 cm

Detail view.
Prairie dog can turn around and his paws can move up and down, toes of claw can be bend to adjust to the arm.
© By the author. Read Klimt02.net Copyright.
Appreciate APPRECIATE