HEAR, Haute école des arts du Rhin. MA Degree Show 2018
Exhibition
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SchoolsDegreeShow2018
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28 Jun 2018
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01 Jul 2018
Published: 16.07.2018
HEAR, Haute école des arts du Rhin
- Mail:
- laurent.doucelance
hear.fr
- Phone:
- +33 (0)3 69 06 37 75
The recent postgraduates of HEAR from Strasbourg campus kindly invite you to their final graduation show. The notion of the object goes beyond the artist’s book and jewellery. Through the use of diverse materials and high-level know-how, students discover unexpected forms and expressions and produce new aesthetic approaches.
Artist list
Morgane Beyrend, Marine Chevanse, Claire Pontié, Cannelle Preira, Jamila WallentinBracelet: Peaux de mémoire, 2018
Crystal paste.
15 x diam.15cm
Photo by: Morgane Beyrend
« Peau de mémoire » is a set of crystal bracelets, each one made with skin prints from various women of the same family. The layers are wrapped around each other, forming a single object. This project reflects on heritage and intergenerational transfer.
© By the author. Read Klimt02.net Copyright.
Necklace: Paisaïa, 2018
Paper, linen thread, dyed cotton tape.
20 x 25 x 2.5 cm
Photo by: Marine Chevanse
« It is energy contained in the environment wich forms the portrait of the person » Donna Haraway.
I wonder about the impalpable energies from Basque traditions and sport. To feel filled with an elusive energy, experience it, observe it, extract and convert it. To feel a look, a movement, an impulse, to cling to it, but what is left of it?
I wonder about the impalpable energies from Basque traditions and sport. To feel filled with an elusive energy, experience it, observe it, extract and convert it. To feel a look, a movement, an impulse, to cling to it, but what is left of it?
© By the author. Read Klimt02.net Copyright.
Object: Bijou indiscret III, 2018
Enamelled copper.
7.5 x 13 x 1.5 cm
Photo by: Sophie Hanagarth
In some of the themes that I develop in my work, which are linked to hunting and nature, I explore the more or less violent construction of relations of seduction and the eroticization of bodies. In the series the “Bijoux Indiscrets”, a hidden part of the body reclaims its place in plain sight, playing a provocative game of seduction.
© By the author. Read Klimt02.net Copyright.
Object: Handschmeichler, 2018
Agate, quartz.
4 x 6.5 x 4 cm
Photo by: Cannelle Preira
What is accessory? Observe the micro-gestures of people around us, focus on a special ray of light, pick and collect the negligible details of everyday life.
Jewellery is an accessory. It’s the medium that I choose to create and share those minute moments and sensations which give some colors to everyday life; this by interrogating the intimate links of complicity which are developed between the individual and the jewellery object.
This complicity goes notably through touching.
Here, it's about transporting and touching or playing with a stone always available. The cut stone just fits between the fingers. The area in contact with the fingers is polished, while the outside remains rough.
Jewellery is an accessory. It’s the medium that I choose to create and share those minute moments and sensations which give some colors to everyday life; this by interrogating the intimate links of complicity which are developed between the individual and the jewellery object.
This complicity goes notably through touching.
Here, it's about transporting and touching or playing with a stone always available. The cut stone just fits between the fingers. The area in contact with the fingers is polished, while the outside remains rough.
© By the author. Read Klimt02.net Copyright.
Object: Compagnon 1, 2017
Core-object, silk, cotton and polyester thread, water-based vinyl glue.
Photo by: Florence Lehmann
Where does form come from?
I question the origin of shapes and I observe a gradual emergence of artefacts.
The repetition of gestures leads to a detachment of consciousness that helps to a reciprocity of action with materials: a way to arouse astonishment in making.
I question the origin of shapes and I observe a gradual emergence of artefacts.
The repetition of gestures leads to a detachment of consciousness that helps to a reciprocity of action with materials: a way to arouse astonishment in making.
© By the author. Read Klimt02.net Copyright.
HEAR, Haute école des arts du Rhin
- Mail:
- laurent.doucelancehear.fr
- Phone:
- +33 (0)3 69 06 37 75
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