Back

JAMES: Jewellery and metal Enquiry show

Exhibition  /  29 Feb 2008  -  02 Mar 2008
Published: 27.02.2008
Atelier Klarastrasse
Management:
Dr. Jivan Astfalck
Piece: Cloning by Patrick McMillan.. 2007 Patrick McMillan
Piece: Cloning, 2007
© By the author. Read Klimt02.net Copyright.

Intro
The variety of materials, manufacturing techniques and processes available to an artist or designer in this field is far larger and of much greater potential than is indicated by the term ‘jewellery and silversmithing’

Artist list

Christine Graf, Jessica Worley, Kathryn Partington, Lisa Juen, Patrick McMillan, Toni Mayner
Birmingham City University, Institute of Art and Design

MA Jewellery, Silversmithing & Related Products


is the overall title of the course. This is however a very limited and traditional description when one considers the wide variety of products that are within the province of the designer who has knowledge and expertise in the area of personal ornaments, body signification and decorative metal objects. The variety of materials, manufacturing techniques and processes available to an artist or designer in this field is far larger and of much greater potential than is indicated by the term ‘jewellery and silversmithing’ and has some affinities with industrial design, fashion design, fine art and sculpture and is often informed by intellectual engagements like general philosophy, conceptualisation or critical theory.

Our course philosophy addresses the existing and potential relationships within this sector, and educates its students to recognize, identify, understand and operate within this diversity. The philosophy of the course is embodied within a structured project programme that requires students to address vocational and academic research in design by applying their developing abilities and interests to a wide range of issues. Design experiences include ideas generation focused through strategies for concept development, the analysis of design problems and reflection on the relationships between personal objectives, cultural values, market identities, prototyping techniques and new technologies, thus enhancing knowledge and understanding, as well as facilitating the formation of professional studio methodologies.