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Koonstfack School - Master Programme Crafts.

Season of the Surreal by Betsy Youngquist

Exhibition  /  02 Nov 2018  -  03 Dec 2018
Published: 26.09.2018
Season of the Surreal by Betsy Youngquist.
Patina Gallery
Management:
Ivan Barnett, Allison Buchsbaum Barnett
Betsy Youngquist. Sculpture: Zeus with Probes, 2018. Antique doll parts, glass beads, stones.. Zeus: 5 x 7 x 7 cm Probes: 4 x 2.5 x 2.5 cm. Photo by: Larry Sanders. Betsy Youngquist
Sculpture: Zeus with Probes, 2018
Antique doll parts, glass beads, stones.
Zeus: 5 x 7 x 7 cm Probes: 4 x 2.5 x 2.5 cm
Photo by: Larry Sanders
© By the author. Read Klimt02.net Copyright.

Intro
Patina Gallery is venturing into the hypnagogic world of Betsy Youngquist. Her mixed media sculpture will be featured in Patina’s new exhibition, Season of the Surreal. The exhibition will open at Patina on Friday, November 2nd. There will be an opening reception and an opportunity to meet the artist at the gallery from 5:00-7:00 pm.

Artist list

Betsy Youngquist
Her figures play within a fantasia of the imaginative and the peculiar, which continuously question our senses. Her pieces embody interesting juxtaposition; a rabbit body combined with a doll face, or an octopus figure with doll eyes and a mouth. The structures work to bring different narratives together in order to enrich the work and also the viewer’s experience. All of my work belongs in the same world. A world where we are “off” on the surface, judged perhaps, yet underneath we are pure gold. I know I am making a friend when I make a creature. I start with the eyes, getting to know them, and then they show me what they want to become, says Youngquist.

Her exploratory nature is what grabbed the attention of Patina curators, Allison and Ivan Barnett. On a trip to New Orleans the couple came upon her sculptures unexpectedly in the French Quarter. Enamored with the detail and eccentricity, they considered showing her work in an exhibition. Upon making the offer, Youngquist readily accepted.

Surrealism, the term coined by writer Andre Breton in his Manifesto du Surrealism is based on a belief in the superior reality. Much like the significant movement of the early 1920s and 30s, Youngquist’s Season of the Surreal presents to us a divergent reverie and asks the viewer to evaluate and reassess their own inspirations and understanding of art and life. Youngquist adds, Being a surrealist helps me explore and dance in the energy of the interconnectedness of all things. Somehow we are all a continuum that transcends time and space. That possibility is reinforced through the creative endeavor.


About Betsy Youngquist:
1965 born in Rockford, IL. At a young age, Youngquist was introduced to the Northwest United States and Western Canada, introducing her to First Nations, American Indian and Intuit artwork and people. Her early encounter in these areas influenced her love of beads and her respect for mythological and spiritual understandings through art. She admires cultures where art is a sacred creation and acts to bridge the spiritual with the mundane. Supernatural experiences heavily influence the subjects in Youngquist’s art. She continues to explore the metaphysical through her work, believing, our bodies are the vehicle of interface between the physical and our spiritual source.
 

Opening

Friday, Nov. 2nd, 5 pm - 7 pm.
Betsy Youngquist. Object: Androcles and the Cat, 2008. Antique doll parts, glass beads.. 12 x 22 x 8 cm. Photo by: Larry Sanders. Betsy Youngquist
Object: Androcles and the Cat, 2008
Antique doll parts, glass beads.
12 x 22 x 8 cm
Photo by: Larry Sanders
© By the author. Read Klimt02.net Copyright.
Betsy Youngquist. Sculpture: Lost Rider, 2014 and 2018. Antique human glass eyes, antique porcelain doll parts, glass beads and stones both contemporary and vintage, sections of antique beaded purses.. 18 x 13 x 5. Photo by: Larry Sanders. Betsy Youngquist
Sculpture: Lost Rider, 2014 and 2018
Antique human glass eyes, antique porcelain doll parts, glass beads and stones both contemporary and vintage, sections of antique beaded purses.
18 x 13 x 5
Photo by: Larry Sanders
© By the author. Read Klimt02.net Copyright.
Betsy Youngquist. Sculpture: Eye Shine, 2017. Brazilian quartz crystal, antique glass eye, vintage African metal and glass beads, coral, hematite, contemporary and vintage class beads and stones.. 6 x 6 x 4 cm. Photo by: Larry Sanders. Betsy Youngquist
Sculpture: Eye Shine, 2017
Brazilian quartz crystal, antique glass eye, vintage African metal and glass beads, coral, hematite, contemporary and vintage class beads and stones.
6 x 6 x 4 cm
Photo by: Larry Sanders
© By the author. Read Klimt02.net Copyright.
Betsy Youngquist. Sculpture: Octopussy, 2018. Antique glass eyes and porcelain doll parts, glass beads and stones both vintage and contemporary, coral, turquoise, pearls, garnets, hematite, sugilite, abalone.. 20 x 22 x 12 cm. Photo by: Jason Kruppa. From series: Surf and Turf. Betsy Youngquist
Sculpture: Octopussy, 2018
Antique glass eyes and porcelain doll parts, glass beads and stones both vintage and contemporary, coral, turquoise, pearls, garnets, hematite, sugilite, abalone.
20 x 22 x 12 cm
Photo by: Jason Kruppa
From series: Surf and Turf
© By the author. Read Klimt02.net Copyright.
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