Uncanny Pleasures by Märta Mattsson
Exhibition
/
30 Jun 2015
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04 Jul 2015
Published: 01.07.2015
walka.comPiece: Wings, 2015
Cicada wings, crushed stone, glitter, resin, silver
Brooches and earrings
© By the author. Read Klimt02.net Copyright.
Märta Mattsson is attracted by things that other people find strange or are even repulsed by. Her jewellery deals with the tension that lies between attraction and repulsion. On this solo exhibition the artist presents dead creatures transformed into jewellery pieces.
Artist list
Märta Mattsson
Uncanny Pleasures
Sometimes I see beauty in things that other people find strange or are even repulsed by. I become fascinated when there is something you do not want to see and the feeling you get when you do not want to look at something, yet you still do. My jewellery deals with the tension that lies between attraction and repulsion. I take seemingly inappropriate materials, making ordinary and familiar objects seem extraordinary and unfamiliar.
In the 18th century many new breeds of animals and plants were discovered and it was the main era of cabinets of curiosities. People collected rarities because it gave them the feeling of being in the presence of something extraordinary and marvellous. The cabinets of curiosities were not meant to sympathize with the creatures on display, only marvel over their oddity. In a world where not many new and exotic breeds are discovered I use dead creatures in my pieces to evoke wonder. The creatures are transformed and reborn; given a new life as objects of astonishment. / Märta Mattsson
Project sponsored by Iaspis
Sometimes I see beauty in things that other people find strange or are even repulsed by. I become fascinated when there is something you do not want to see and the feeling you get when you do not want to look at something, yet you still do. My jewellery deals with the tension that lies between attraction and repulsion. I take seemingly inappropriate materials, making ordinary and familiar objects seem extraordinary and unfamiliar.
In the 18th century many new breeds of animals and plants were discovered and it was the main era of cabinets of curiosities. People collected rarities because it gave them the feeling of being in the presence of something extraordinary and marvellous. The cabinets of curiosities were not meant to sympathize with the creatures on display, only marvel over their oddity. In a world where not many new and exotic breeds are discovered I use dead creatures in my pieces to evoke wonder. The creatures are transformed and reborn; given a new life as objects of astonishment. / Märta Mattsson
Project sponsored by Iaspis
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