BravasXDentro Instagram Live Interviews: Rolando Báez
Lectures
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11 Jun 2020
Published: 08.06.2020

This year, Joya Brava turns 10! One decade of collaborative work, projects, dreams, exhibitions, journeys, friendship and learning. We have significantly contributed to the creation of a new Chilean Jewelry, spreading the word of our work and creators from this far Latin American land. But these achievements would not have been possible without the support of our mentors, teachers and partners who have come along all this way with us in an unprecedented adventure of collective self-managed learning.
BravasXDentro Interviews is a compilation of Instagram live interviews where one of our members invites one of our tutors to a casual live interview where you can join and interact.
All lives will be uploaded to InstagramTV for people to watch any time. Interviews will be held in Spanish.
Our fourth guest will be Rolando Báez, interviewed by Vania Ruiz through Instagram @joyabravachile account.
Date: 08.06.2020
Time: 5 pm Mexico/Colombia; 6 pm Chile; 7 pm Argentina/Brazil; 12 pm Spain.
About Rolando Báez:
Rolando was Joya Brava’s first tutor and curator, leading the project and exhibition “Baroque persistence: Soul, Body and Ornament”, presented in Santiago de Chile, Rancagua and Barcelona in 2013.
Rolando Baez is an art historian specialized in Andean visual culture matters. He establishes relationships between these images with gender studies and miscegenation to understand the phenomenon of identity in the Latin American popular world.
For more than 20 years Rolando has worked as a curator in different cultural institutions as Museo de La Merced, National History Museum, and the National Archive in Chile. His curated exhibitions include “Baroque persistence: Soul, Body and Ornament” (Centro Cultural Las Condes 2013), “Virgins, Martyrs and Holy Women”( Centro Cultural Palacio La Moneda 2015), Glories of Alejandro Farnesio: Images of the Spanish Empire in America” (Universidad San Sebastián, 2017); "Piensa en mi (Think about me): chronicle about the bolero and the sentimental song in Chile” (Centro Cultural Palacio La Moneda, 2018) and “Witchcraft in colonial Chile: imagery and archives" (National Archive, 2019). His publications include "Virgins, martyrs and holy women: religious images in the Chilean visual culture" (2015) and "It was our joy fulfilled: collection of glass domes of the Museo La Merced" (2016).
All lives will be uploaded to InstagramTV for people to watch any time. Interviews will be held in Spanish.
Our fourth guest will be Rolando Báez, interviewed by Vania Ruiz through Instagram @joyabravachile account.
Date: 08.06.2020
Time: 5 pm Mexico/Colombia; 6 pm Chile; 7 pm Argentina/Brazil; 12 pm Spain.
About Rolando Báez:
Rolando was Joya Brava’s first tutor and curator, leading the project and exhibition “Baroque persistence: Soul, Body and Ornament”, presented in Santiago de Chile, Rancagua and Barcelona in 2013.
Rolando Baez is an art historian specialized in Andean visual culture matters. He establishes relationships between these images with gender studies and miscegenation to understand the phenomenon of identity in the Latin American popular world.
For more than 20 years Rolando has worked as a curator in different cultural institutions as Museo de La Merced, National History Museum, and the National Archive in Chile. His curated exhibitions include “Baroque persistence: Soul, Body and Ornament” (Centro Cultural Las Condes 2013), “Virgins, Martyrs and Holy Women”( Centro Cultural Palacio La Moneda 2015), Glories of Alejandro Farnesio: Images of the Spanish Empire in America” (Universidad San Sebastián, 2017); "Piensa en mi (Think about me): chronicle about the bolero and the sentimental song in Chile” (Centro Cultural Palacio La Moneda, 2018) and “Witchcraft in colonial Chile: imagery and archives" (National Archive, 2019). His publications include "Virgins, martyrs and holy women: religious images in the Chilean visual culture" (2015) and "It was our joy fulfilled: collection of glass domes of the Museo La Merced" (2016).
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