Letizia Maggio
Jeweller
Published: 09.07.2018
virgilio.itNecklace: Forget me (K)not, 2017
Silver, Japanese silk, linum thread.
5 x 0.5 x 7 cm
Photo by: Alice Brazzit
From series: Forget me (K)not
© By the author. Read Klimt02.net Copyright.
Neckpiece: Untitled, 2018
Medical bandage, silver, silk, foam.
10 x 1 x 6 cm
Photo by: Alice Brazzit
© By the author. Read Klimt02.net Copyright.
Necklace: Disclosure, 2018
Silver, ecoglass.
8 x 0.3 x 3.5 cm
Photo by: Lucia Baldini
From series: Disclosure Collection
© By the author. Read Klimt02.net Copyright.
Neckpiece: Untitled, 2018
Silver, silk, cotton, foam.
12.5 x 1 x 9 cm
Photo by: Alice Brazzit
From series: NTN
© By the author. Read Klimt02.net Copyright.
Neckpiece: Untitled, 2018
Polyester, silver, silk, foam.
7 x 1 x 7 cm
Photo by: Alice Brazzit
From series: NTN
© By the author. Read Klimt02.net Copyright.
Necklace: Untitled, 2018
Silver, silk, cotton.
10 x 1 x 9 cm
Photo by: Alice Brazzit
From series: NTN
© By the author. Read Klimt02.net Copyright.
Brooch: Untitled, 2018
Silver, silk, foam.
7 x 1 x 7 - 4 x 1 x 5 cm
Photo by: Alice Brazzit
From series: NTN
© By the author. Read Klimt02.net Copyright.
Ring: More Truths, 2018
Silver, ecoglass.
2 x 0.3 x 4 cm
Photo by: Alice Brazzit
From series: More Truths
© By the author. Read Klimt02.net Copyright.
Pin: Friends for Friends, 2017
Brass, silver, gold, steel, acrylic paint.
5 x 0.5 x 6 cm
Photo by: Lucia Baldini
From series: Friends for Friends
© By the author. Read Klimt02.net Copyright.
Ring: Second Noble Truth, 2016
Oxidized silver, gold.
2 x 0.5 x 4 cm
Photo by: Marco Auber
From series: 5 Noble Truths
© By the author. Read Klimt02.net Copyright.
Collar: Move Me, 2015
Silver, limoges porcelain, luster gold.
Photo by: Marco Auber
© By the author. Read Klimt02.net Copyright.
Based in the North East of Italy, I graduated in English literature and started my career as a teacher. I have enjoyed teaching for years, while keeping an eye on contemporary jewelry which I was fond of. I fell in love with ceramics after attending a course run by talented Paola Paronetto. I wanted to learn more and more, so I attended courses and seminars at Pandora School and at La Meridiana International school of ceramics in Tuscany with well known studio potters. All I learnt was immediately transferred to jewelry making. My Limoges porcelain collections soon became quite successful but I wanted to learn some metalsmithing so I attended a six-month course in Padua. A workshop run by Gabi Veit on the lost wax technique finally led me to a turning point. Porcelain still is my favourite material, but at present, I’m enjoying continuous experimentation of new materials to use with metals.
Statement
I love making jewelry. And I love to communicate with other people. So the two things perfectly match. I create pieces which are expected to give a start to a conversation with the viewer ( possibly the wearer ). I'm permanently in need of something new: new shapes, new design, new materials, new relationsihps. So I enjoy the thrill of constant research and I accept to run the risk of taking the wrong way at times. I also try to always feature irony in my work ( and in my life as well ).CV 
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