Letizia Maggio
Jeweller
/
Klimt02MemberAtMJW2019
MunichJewelleryWeek2019
Published: 07.01.2019
virgilio.itNecklace: Forget Me (K)not, 2018
Textile, silk thread, oxidised silver, gold.
From series: Adagio Uno
This necklace is indeed a textile element that gives the two brooches the opportunity to be displayed. The three pieces can then be worn separately, or maybe the brooches can be adjusted to the wearer's taste and creative mood and be set elsewhere on the neckpiece.
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Ring: Miracle Booster, 2018
Silver, mosaic discarded virtreous tiles.
From series: Miracle Booster
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Ring: Miracle Booster, 2018
Silver, mosaic discarded virtreous tiles.
From series: Miracle Booster
Alternative view.
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Necklace: Forget me (K)not, 2017
Silver, Japanese silk, linum thread.
5 x 0.5 x 7 cm
Photo by: Alice Brazzit
From series: Forget me (K)not
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Neckpiece: Untitled, 2018
Medical bandage, silver, silk, foam.
10 x 1 x 6 cm
Photo by: Alice Brazzit
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Necklace: Disclosure, 2018
Silver, ecoglass.
8 x 0.3 x 3.5 cm
Photo by: Lucia Baldini
From series: Disclosure Collection
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Neckpiece: Untitled, 2018
Silver, silk, cotton, foam.
12.5 x 1 x 9 cm
Photo by: Alice Brazzit
From series: NTN
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Neckpiece: Untitled, 2018
Polyester, silver, silk, foam.
7 x 1 x 7 cm
Photo by: Alice Brazzit
From series: NTN
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Necklace: Untitled, 2018
Silver, silk, cotton.
10 x 1 x 9 cm
Photo by: Alice Brazzit
From series: NTN
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Brooch: Untitled, 2018
Silver, silk, foam.
7 x 1 x 7 - 4 x 1 x 5 cm
Photo by: Alice Brazzit
From series: NTN
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Ring: More Truths, 2018
Silver, ecoglass.
2 x 0.3 x 4 cm
Photo by: Alice Brazzit
From series: More Truths
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Pin: Friends for Friends, 2017
Brass, silver, gold, steel, acrylic paint.
5 x 0.5 x 6 cm
Photo by: Lucia Baldini
From series: Friends for Friends
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Ring: Second Noble Truth, 2016
Oxidized silver, gold.
2 x 0.5 x 4 cm
Photo by: Marco Auber
From series: 5 Noble Truths
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Collar: Move Me, 2015
Silver, limoges porcelain, luster gold.
Photo by: Marco Auber
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Based in the North East of Italy, I graduated in English literature and started my career as a teacher. I have enjoyed teaching for years, while keeping an eye on contemporary jewelry which I was fond of. I fell in love with ceramics after attending a course run by talented Paola Paronetto. I wanted to learn more and more, so I attended courses and seminars at Pandora School and at La Meridiana International school of ceramics in Tuscany with well known studio potters. All I learnt was immediately transferred to jewelry making. My Limoges porcelain collections soon became quite successful but I wanted to learn some metalsmithing so I attended a six-month course in Padua. A workshop run by Gabi Veit on the lost wax technique finally led me to a turning point. Porcelain still is my favourite material, but at present, I’m enjoying continuous experimentation of new materials to use with metals.
Statement
I love making jewelry. And I love to communicate with other people. So the two things perfectly match. I create pieces which are expected to give a start to a conversation with the viewer ( possibly the wearer ). I'm permanently in need of something new: new shapes, new design, new materials, new relationsihps. So I enjoy the thrill of constant research and I accept to run the risk of taking the wrong way at times. I also try to always feature irony in my work ( and in my life as well ).CV 
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