Lydia Hirte
Jeweller
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MunichJewelleryWeek2023
MunichJewelleryWeek2024
Published: 04.07.2025
Bio
Lydia Hirte was exposed to author's jewellery during her internship with a master of silversmithing. Following the renowned jewellery design programme at Pforzheim University, she quickly realised that she preferred to explore materials that were not yet well-represented in jewellery, and move away from traditional approaches. During her studies, she worked with Japanese paper on wire and even sausage strings. Lydia then became a freelance jewellery designer. To be more efficient in her experimentation, she decided to work with cost-effective models made from bristol card. In a moment of play with a bundle of these forms, she accessed a new creative space in which paper showed a stunning amount of deformation when under tension.Statement
My artistic work with drawing cards mainly revolves around spatiality, direction, and movement. I am always aiming to link wearability with sculptural form. While working with the material, I use both its flexibility and stability. It is essential for me to generate resistance and feel the physical power of this bundled material. This determines my research and artistic search.-
Felicia Li
Beijing, China -
Yiota Vogli
Athens, Greece -
Babette von Dohnanyi
Hamburg, Germany -
Liana Pattihis
London, United Kingdom -
Alain Roggeman
Brussels, Belgium -
Elvira Cibotti
Buenos Aires, Argentina -
Jeanine van der Linde
Kloetinge, Netherlands -
May Gañán
Madrid, Spain -
Misato Seki
Kanagawa, Japan -
Shu Wang
New York, United States -
Carmen López
Sevilla, Spain -
Diogo Alves
Lisbon, Portugal -
Veronica Mijelshon
New York, United States -
Aleksandra Dedic
Sicevo, Serbia -
Eva Fernandez Martos
Nottingham, United Kingdom