Lydia Hirte
Jeweller
Published: 22.05.2026
Bio
Lydia Hirte was exposed to author's jewellery during her internship with a master of silversmithing. Following the renowned jewellery design programme at Pforzheim University, she quickly realised that she preferred to explore materials that were not yet well-represented in jewellery, and move away from traditional approaches. During her studies, she worked with Japanese paper on wire and even sausage strings. Lydia then became a freelance jewellery designer. To be more efficient in her experimentation, she decided to work with cost-effective models made from bristol card. In a moment of play with a bundle of these forms, she accessed a new creative space in which paper showed a stunning amount of deformation when under tension.Statement
My artistic work with drawing cards mainly revolves around spatiality, direction, and movement. I am always aiming to link wearability with sculptural form. While working with the material, I use both its flexibility and stability. It is essential for me to generate resistance and feel the physical power of this bundled material. This determines my research and artistic search.-
Tobias Birgersson
Stockholm, Sweden -
Ruudt Peters
Amsterdam, Netherlands -
Philip Sajet
Amsterdam, Netherlands -
Patrícia Domingues
Idar Oberstein, Germany -
Georg Dobler
Berlin, Germany -
Felieke van der Leest
Øystese, Norway -
Gabrijela Kozarić Budiša
Zagreb, Croatia -
Martina Dempf
Berlin, Germany -
Beppe Kessler
Amsterdam, Netherlands -
Svetlana Kisselev
Nogent-sur-Marne, France -
Kristyna Spanihelova
Horní Becva, Czech Republic -
Yue Huang
Lagos, Portugal -
Helen Clara Hemsley
Copenhagen, Denmark -
Mette Saabye
Copenhagen, Denmark -
Kirsten Plank
Plattling, Germany













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