Lydia Hirte
Jeweller
Published: 22.05.2026
Bio
Lydia Hirte was exposed to author's jewellery during her internship with a master of silversmithing. Following the renowned jewellery design programme at Pforzheim University, she quickly realised that she preferred to explore materials that were not yet well-represented in jewellery, and move away from traditional approaches. During her studies, she worked with Japanese paper on wire and even sausage strings. Lydia then became a freelance jewellery designer. To be more efficient in her experimentation, she decided to work with cost-effective models made from bristol card. In a moment of play with a bundle of these forms, she accessed a new creative space in which paper showed a stunning amount of deformation when under tension.Statement
My artistic work with drawing cards mainly revolves around spatiality, direction, and movement. I am always aiming to link wearability with sculptural form. While working with the material, I use both its flexibility and stability. It is essential for me to generate resistance and feel the physical power of this bundled material. This determines my research and artistic search.-
Robert Baines
Nutfield, Australia -
Kat Bracco
Brisbane, Australia -
Eden Herman Rosenblum
Hadera, Israel -
Lucy Sarneel
Amsterdam, Netherlands -
Lien De Clercq
Antwerp, Belgium -
Claus Bury
Hanau, Germany -
Alain Roggeman
Brussels, Belgium -
Miku Saeki
Tokyo, Japan -
Peter Hoogeboom
Amsterdam, Netherlands -
Fumiko Gotô
Basel, Switzerland -
Philipp Spillmann
Oslo, Norway -
Andrea Ortiz
New York, United States -
Caroline Broadhead
London, United Kingdom -
Eunhee Cho
Seoul, South Korea -
Heidemarie Herb
Perugia, Italy













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