Lydia Hirte
Jeweller
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MunichJewelleryWeek2023
MunichJewelleryWeek2024
Published: 21.04.2025
Bio
Lydia Hirte was exposed to author's jewellery during her internship with a master of silversmithing. Following the renowned jewellery design programme at Pforzheim University, she quickly realised that she preferred to explore materials that were not yet well-represented in jewellery, and move away from traditional approaches. During her studies, she worked with Japanese paper on wire and even sausage strings. Lydia then became a freelance jewellery designer. To be more efficient in her experimentation, she decided to work with cost-effective models made from bristol card. In a moment of play with a bundle of these forms, she accessed a new creative space in which paper showed a stunning amount of deformation when under tension.Statement
My artistic work with drawing cards mainly revolves around spatiality, direction, and movement. I am always aiming to link wearability with sculptural form. While working with the material, I use both its flexibility and stability. It is essential for me to generate resistance and feel the physical power of this bundled material. This determines my research and artistic search.-
Herman Hermsen
Oosterbeek, Netherlands -
Enric Majoral
Barcelona, Spain -
Qianying Zhu
New York, United States -
Helen Clara Hemsley
Copenhagen, Denmark -
Claudia Steiner
Vienna, Austria -
Dorothea Prühl
Halle, Germany -
Benedict Haener
Luzern, Switzerland -
Jeanine van der Linde
Kloetinge, Netherlands -
Annie Sibert
Strasbourg, France -
Wendy Ramshaw
London, United Kingdom -
May Gañán
Madrid, Spain -
Sabrina Guerrera
Feignies, France -
Camilla Prasch
Copenhagen, Denmark -
Margit Hart
Vienna, Austria -
Annarita Bianco
Avellino, Italy