Marilena Karagkiozi
Jeweller
Published: 04.11.2018
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Ring: no one called us to the land, 2018
Dried plant, plaster, resin, acrylics, silver.
5 x 4 x 9 cm
From series: Time
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Ring: no one told you when to run, you missed the starting gun, 2018
Bronze handle, coral, silver, vintage pen nibs.
10 x 6 x 11 cm
From series: Time
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Brooch: there is time to kill today, 2018
Paper cutting blades, silver, plaster, resin, acrylics.
7 x 2 x 5 cm
From series: Time
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Brooch: there is time to kill today, 2018
Paper cutting blades, silver, plaster, resin, acrylics.
7 x 2 x 5 cm
From series: Time
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Shoulder Piece: an echo of a distant time, 2018
Aluminum, salt, plastic earbud, silver, sponge, plaster, iron nail.
4 x 4 x 16 cm
From series: Time
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Shoulder Piece: an echo of a distant time, 2018
Aluminum, salt, plastic earbud, silver, sponge, plaster, iron nail.
4 x 4 x 16 cm
From series: Time
The piece on Body.
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Brooch: no one crosses there alive, 2018
Plaster, sponge, resin, acrylics, silver.
1 x 5 x 8 cm
From series: Time
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Brooch: something stirs and something tries, 2018
Dried plant, plaster, acrylics, silver, resin, iron nails, aluminium.
6 x 5 x 16 cm
From series: Time
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Shoulder Piece: everything is green and submarine, 2018
Sponge, acrylics, resin, iron, salt, copper, silver.
7 x 7 x 8 cm
From series: Time
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Ring: Mind the Wasp!, 2018
Silver, stainless steel, bronze, copper.
8 x 3 x 3 cm
From series: Time
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Ring: Mind the Wasp!, 2018
Silver, stainless steel, bronze, copper.
8 x 3 x 3 cm
From series: Time
Side view.
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Earrings: Of metal and salt, 2018
Gold plated silver.
3 x 1 cm
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Earrings: Of metal and salt, 2018
Gold plated silver.
3 x 1 cm
Side view.
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Object: Συμπόσιο- Symposium Untangled, 2018
Sterling silver, brass.
8 x 20 cm
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Object: Συμπόσιο- Symposium Untangled, 2018
Sterling silver, brass.
8 x 20 cm
Component of the piece.
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Object: Συμπόσιο- Symposium Untangled, 2018
Sterling silver, brass.
8 x 20 cm
The piece in use.
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Object: Συμπόσιο- Symposium Untangled, 2018
Sterling silver, brass.
8 x 20 cm
The piece as a necklace.
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Necklace: Triptych, 2015
Cement, salt crystals, pigments, old iron handmade nails, steel, old machine part.
From series: Organic Cement
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Pendant: Berlin's Blockshhh..., 2014
Cement, bronze, marble, ceramic, iron.
Photo by: Fabio Commizoli
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Ring: Alien Grape, 2015
Cement, salt crystals, pigments, old iron handmade nails.
From series: Organic Cement
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Bracelet: Last Pain, 2016
Steel, fabric, plastic, acrylics.
From series: Katharsis
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Pendant: Trapped miners project, 2010
Ceramics and silver.
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Brooch: A Beautiful Fear, 2016
Silver, old iron handmade nails, cement, fabric, pigments.
From series: Katharsis
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Brooch: Stab the Unfair, 2016
Plastic, steel and cotton t-shirt.
From series: Katharsis
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Necklace: Triptych Detail, 2015
Old machine part
From series: Organic Cement
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Ring: Alien Grape Anatomy, 2017
Cement, salt crystals, pigments, bronze, silver.
© By the author. Read Klimt02.net Copyright.
Body piece: Body Piece, 2017
Nappa leather, screws, silver, white howlite.
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Body piece: Body Piece, 2017
Nappa leather, screws, silver, white howlite.
Front view
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Ring: Crafted Space, 2010
Ceramics and silver
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Sculpture: Cement Dead Nature, 2015
Cement, salt crystals, dead plants.
Photo by: Fabio Commizoli
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Sculpture: DNA sculpture, 2009
Ceramics and silver
Photo by: Fabio Commizoli
© By the author. Read Klimt02.net Copyright.
Sculpture: Urbanoids by Urban Fiction, 2012
Plywood and aluminum
© By the author. Read Klimt02.net Copyright.
Since childhood, I have had the passion of collecting and observing. Texture, colours, volume, reflections, smell, taste, where some of my criteria to keep or toss my findings. I used to create new objects using the found ones and I never outgrew that characteristic. I needed to understand my creative process and become technically skilled in order to transform my artefacts into quality pieces. My studies in History, Archaeology & History of Art (National Kapodistrian University of Athens) shaped my knowledge of human and material history. At the same time, I was having, design, classic and contemporary jewellery seminars. I moved to Italy in 2013 and since then I have shown my art at several juried competitions and have been awarded the Bronze A’ Design Award as a member of the Urban Fiction design team and with a Special Mention from the Italian association of contemporary jewellery (AGC) at the competition Jewels in Ferment 2016. I don’t always see limits between different disciplines as I restlessly experiment on new art practices.
Statement
In my work IEmbrace both traditional as well as modern techniques and find great inspiration in the ensuing dialogues that my art reflects.
Love transforming simple objects into art and the surprise caused by the unexpected.
Charge objects and surfaces with human personalities and traits.
Generate new materials with a child’s curiosity, weighed down by time melancholy
---------
The outcome is
Contradictory, personal and political, a cry for freedom.
I Don’t always see limits between different disciplines as I restlessly experiment on new art practices.
Try to push the limits of how jewellery is still produced and perceived as an "object" and how it is connected to a limited understanding of beauty.
CV 
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