Bernd Munsteiner: Reflections In Stone
Published: 27.02.2013
Christianne Weber
- Editor:
- Wilhelm Lindemann
- Edited by:
- Arnoldsche Art Publishers
- Edited at:
- Stuttgart
- Edited on:
- 2013
- Technical data:
- 224 pages, hardback with dust jacket, 219 colour illustrations, text in German and English, 30.5 x 20 cm
- ISBN / ISSN:
- 3-89790-203-9
Out of print
Bernd Munsteiner’s intensive preoccupation with gemstones, however, has certainly not been unlucky for him. During a career spanning more than forty years, he has brought forth a rich œuvre with which he is represented worldwide in public and private collections.
Dramatic legends often grow up around gemstones, especially diamonds. Some precious stones – as conventional wisdom has it – are cursed, such as the ‘Hope Diamond’, the world’s biggest blue diamond. Most of its unfortunate owners suf-fered dire fates – perhaps because the stone was originally stolen from a Hindu temple. Jean-Baptiste Tavernier, who presented the valuable Indian stone to King Louis XIV of France, was – as the story goes – torn by marauding dogs not long afterwards and many later owners of this ill-starred gemstone were ruined or died unnatural deaths.
Far from these popular superstitions associated with gemstones – and just as re-mote from the glitzy world of stones featuring in jewellery, facet-cutting and the conventional market valuation of stones by carat and purity – the artist Bernd Munsteiner (*1943) is on an entirely different plane with his very serious search for a new understanding of minerals. In the 1960s Munsteiner began to centre on natural mineral formations in his sculpture and was the first contemporary artist to do so. In his eyes, inclusions and ‘impurities’ in crystals are what constitute the individual qualities of gemstones (rock crystal, aquamarine, citrine, etc) so his artistic quest starts with them. At first his pictures, objects and sculptures were made from agate but he later turned to transparent crystals. Hitherto unknown visual spaces are opened up to viewers – not least through the transparency of the material. Magical ‘landscapes’ in stone are enlarged into surfaces on to which the psyche can project.
Bernd Munsteiner’s intensive preoccupation with gemstones, however, has certainly not been unlucky for him. During a career spanning more than forty years, he has brought forth a rich œuvre with which he is represented worldwide in public and private collections.
Far from these popular superstitions associated with gemstones – and just as re-mote from the glitzy world of stones featuring in jewellery, facet-cutting and the conventional market valuation of stones by carat and purity – the artist Bernd Munsteiner (*1943) is on an entirely different plane with his very serious search for a new understanding of minerals. In the 1960s Munsteiner began to centre on natural mineral formations in his sculpture and was the first contemporary artist to do so. In his eyes, inclusions and ‘impurities’ in crystals are what constitute the individual qualities of gemstones (rock crystal, aquamarine, citrine, etc) so his artistic quest starts with them. At first his pictures, objects and sculptures were made from agate but he later turned to transparent crystals. Hitherto unknown visual spaces are opened up to viewers – not least through the transparency of the material. Magical ‘landscapes’ in stone are enlarged into surfaces on to which the psyche can project.
Bernd Munsteiner’s intensive preoccupation with gemstones, however, has certainly not been unlucky for him. During a career spanning more than forty years, he has brought forth a rich œuvre with which he is represented worldwide in public and private collections.
Christianne Weber
- Editor:
- Wilhelm Lindemann
- Edited by:
- Arnoldsche Art Publishers
- Edited at:
- Stuttgart
- Edited on:
- 2013
- Technical data:
- 224 pages, hardback with dust jacket, 219 colour illustrations, text in German and English, 30.5 x 20 cm
- ISBN / ISSN:
- 3-89790-203-9
Out of print
-
A Tale of Multiple Worlds. Synthesis Possibilities on Colours and Preciousness. An Exhibition Catalogue
-
Martin Kargruber. From the inside out …
-
J 01 Tereza Seabra
-
Elisa Helland-Hansen. Pleasure and Use
-
15th Westerwald Prize 2024
-
Attai Chen. All the World’s a Stage
-
Masterworks from the 80s & 90s. A Curated Selection by Hannah Gallery from María Luisa Samaranch's Private Collection
-
Bizarre Beauty. The Art of William Harper
-
Gabi Dziuba & Friends
-
Elisabeth Holder. From Jewellery to Contextual Art
-
Elisabeth Von Krogh. Retrospective / Prospective: Ceramics 1972–2024
-
New Earrings: 400+ Designs in Contemporary Jewellery
-
Magnificence of Rococo. Kaendler's Meissen Porcelain Figures
-
Abracadabra by Juliette Lepage Boisdron
-
Observations from a Distance by Karin Johansson