Dongyi Wu
Jeweller
/
MJW-SchmuckTalente2018
Published: 07.06.2018
gmail.comNecklace: Impression, 2018
Foam, plastic.
35 x 20 x 4 cm
Photo by: Dongyi Wu
© By the author. Read Klimt02.net Copyright.
Brooch: Passerby 2, 2018
Fabric, copper, leather, clay, acrylic pigment, plastic, sterling silver.
10.1 x 12.7 x 3.2 cm
Photo by: Elizabeth Torgerson-Lamark
© By the author. Read Klimt02.net Copyright.
Body piece: Horizon3, 2017
Paper, paper pulp, acrylic pigment, steel, glue, plastic, string.
96.5 x 71.1 x 38.1 cm
Photo by: Elizabeth Torgerson-Lamark
Awarded at: Enjoia't Award 2017
© By the author. Read Klimt02.net Copyright.
Body piece: Horizon3, 2017
Paper, paper pulp, acrylic pigment, steel, glue, plastic, string.
96.5 x 71.1 x 38.1 cm
Photo by: Elizabeth Torgerson-Lamark
Awarded at: Enjoia't Award 2017
Alternative view.
© By the author. Read Klimt02.net Copyright.
Body piece: Horzion2, 2015
Steel, plastic, Korean paper, glue,
73.7 × 97.8 × 24.1 cm
Photo by: Elizabeth Torgerson-Lamark
Model: Julia Manson
© By the author. Read Klimt02.net Copyright.
Body piece: Horizon1, 2015
Paper, paper pulp, copper, acrylic pigment.
78.7 × 95.3 ×19 cm
Photo by: Elizabeth Torgerson-Lamark
Model: Yoonjee Kwak
© By the author. Read Klimt02.net Copyright.
Brooch: Access to Unknown Worlds 2, 2017
Sterling silver, nickel silver, plastic, clay, wax thread.
8.89 x 9.4 x 4 cm
Photo by: Kanghong Zhong
© By the author. Read Klimt02.net Copyright.
Necklace: Access to Unknown Worlds 1, 2017
Plastic, concrete, clay, wax thread, yarn.
124.5 x 35.6 x 6.4 cm
Photo by: Kanghong Zhong
Model: Julia Manson
© By the author. Read Klimt02.net Copyright.
Brooch: Dream, 2017
Sterling silver, nickel silver, yarn.
6.6 x 121.9 x 6 cm
Photo by: Kanghong Zhong
Model: Julia Manson
© By the author. Read Klimt02.net Copyright.
Brooch: Passerby, 2017
Cotton fabric, sterling silver, copper, wool felt, leather.
10.1 x 12.7 x 5 cm
Photo by: Elizabeth Torgerson-Lamark
© By the author. Read Klimt02.net Copyright.
Brooch: Passerby, 2017
Cotton fabric, sterling silver, copper, wool felt, leather.
10.1 x 12.7 x 5 cm
Photo by: Elizabeth Torgerson-Lamark
On body.
© By the author. Read Klimt02.net Copyright.
Necklace: No Longer Human1, 2017
Wood, acrylic pigment, sterling silver, nickel, balloon, wool felt, leather cord.
47 x 12 x 4.5 cm
Photo by: Elizabeth Torgerson-Lamark
© By the author. Read Klimt02.net Copyright.
Necklace: No Longer Human 3, 2017
Clay, paper, fabric, copper, acrylic sheet, photo, sand, spray paint.
38.1 x 20.3 x 2.5 cm
Photo by: Dongyi Wu
© By the author. Read Klimt02.net Copyright.
Necklace: No Longer Human 2, 2017
Paper, fabric, stone, acrylic sheets, photo, artificial grass, copper, rubber cord
76.2 x 27.3 x 4.4 cm
Photo by: Elizabeth Torgerson-Lamark
© By the author. Read Klimt02.net Copyright.
Dongyi Wu was born and raised in Bengbu and then she moved to Xiamen, China. she completed her undergraduate study of the major of jewelry art design at Beijing Institute of Fashion Technology. After finished her graduate study at Rochester Institute of Technology, then she continued to explore her art at Rochester as a studio resident. Her works have been continually shown in America, China and Europe. The recent exhibition shown her works is the Schmuck 2018. Her recent achievement is the Finalist at Enjoia’t 2017 Student Category. Her works are featured in the AUTOR Magazine #5- The Reciprocity, which is the latest publication shown her pieces.
Inspired by the subconscious, my jewelry art often influenced by psychology and surrealist art. I like to express particular types of emotions of feelings by narrating life scene or details. I believe that motivation of expressing is more important than the purpose of expressing. For me, rather than solving problems, it is more important to raise questions in the process of expressing emotions.
Moreover, I especially have interest in the relationship between jewelry pieces and human bodies. I believe human bodies not only provide jewelry pieces with a place but also an essential part of art pieces. I enjoy the interaction between art pieces with emotions or actions delivering by human bodies.
Moreover, I especially have interest in the relationship between jewelry pieces and human bodies. I believe human bodies not only provide jewelry pieces with a place but also an essential part of art pieces. I enjoy the interaction between art pieces with emotions or actions delivering by human bodies.
CV 
Events
Publications
newsletter
Get the latest information about the international Jewellery Scene sent directly to your mailbox every week. View previous issues
-
Rebecca Wilson
Musselburgh, United Kingdom -
Lyndsay Rice
Calgary, Canada -
Dania Chelminsky
Tel Aviv, Israel -
Hind ElHafez
Cairo, Egypt -
Anna Talbot
Oslo, Norway -
Yong Joo Kim
Providence, United States -
Helen Clara Hemsley
Copenhagen, Denmark -
Montserrat Lacomba
Girona, Spain -
Beppe Kessler
Amsterdam, Netherlands -
Juanjo García Martín
Malaga, Spain -
Heng Lee
Kaohsiung City, Taiwan, R.O.C. -
Felieke van der Leest
Øystese, Norway -
Jana Machatova
Stupava, Slovakia -
Peter Machata
Stupava, Slovakia -
Julia deVille
Melbourne, Australia
