Dongyi Wu
Jeweller
/
MunichJewelleryWeek2018
Published: 05.11.2019
Necklace: Tired 3, 2019
Gloves, fabric, rubber, cotton, sterling silver, copper, aluminium cans, sewing thread, rubber cord.
23 x 190.5 x 11.5 cm
Photo by: Shelby Guevara
From series: Tired
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Necklace: Tired 3, 2019
Gloves, fabric, rubber, cotton, sterling silver, copper, aluminium cans, sewing thread, rubber cord.
23 x 190.5 x 11.5 cm
Photo by: Shelby Guevara
From series: Tired
Detail view.
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Necklace: Tired 1, 2019
Gloves, fabric, rubber, cotton, sterling silver, aluminium cans, sewing thread, rubber cord, plastic.
60 x 41 x 8.9 cm
From series: Tired
Left photo by Shelby Guevara, right photo by Dongyi Wu.
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Brooch: Tired 2, 2019
Gloves, fabric, rubber, cotton, sterling silver, aluminium cans, sewing thread, rubber cord, copper.
28.2 x 18.3 x 7.6 cm
From series: Tired
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Brooch: Access to Unknown Worlds 3, 2019
Copper, brass, plastic, clay, wax thread, stainless steel.
15.2 x 7.6 x 7 cm
Photo by: Dongyi Wu
From series: Access to Unknown Worlds
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Brooch: Access to Unknown Worlds 2, 2017
Sterling silver, nickel silver, plastic, clay, wax thread.
8.89 x 9.4 x 4 cm
Photo by: Kanghong Zhong
From series: Access to Unknown Worlds
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Necklace: Access to Unknown Worlds 1, 2017
Plastic, concrete, clay, wax thread, yarn.
124.5 x 35.6 x 6.4 cm
Photo by: Kanghong Zhong
From series: Access to Unknown Worlds
Model: Julia Manson
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Brooch: Passerby 5-1, 2018
Fabric, plastic, rubber, cotton, sterling silver, stainless steel.
12.7 x 8.3 x 3.2 cm
Photo by: Dongyi Wu
From series: Passerby
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Brooch: Passerby 5-1, 2018
Fabric, plastic, rubber, cotton, sterling silver, stainless steel.
12.7 x 8.3 x 3.2 cm
Photo by: Dongyi Wu
From series: Passerby
On body.
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Brooch: Passerby 5-2, 2018
Fabric, plastic, rubber, cotton, shoelace, elastic cord, sterling silver, stainless steel.
15.24 x 7.62 x 3.81 cm
Photo by: Dongyi Wu
From series: Passerby
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Brooch: Passerby 5-2, 2018
Fabric, plastic, rubber, cotton, shoelace, elastic cord, sterling silver, stainless steel.
15.24 x 7.62 x 3.81 cm
Photo by: Dongyi Wu
From series: Passerby
On body.
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Brooch: Passerby 5-3, 2018
Fabric, plastic, rubber, cotton, sterling silver, stainless steel.
8.2 x 8.3 x 2.5 cm
Photo by: Dongyi Wu
From series: Passerby
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Brooch: Passerby 5-3, 2018
Fabric, plastic, rubber, cotton, sterling silver, stainless steel.
8.2 x 8.3 x 2.5 cm
Photo by: Dongyi Wu
From series: Passerby
On body.
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Necklace: Passerby 5, 2018
Electronic wire, fabric, plastic, rubber, measuring tape, shoelace, cotton.
78.1 x 24.1 x 5 cm
Photo by: Dongyi Wu
From series: Passerby
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Brooch: Passerby 2, 2018
Fabric, copper, leather, clay, acrylic pigment, plastic, sterling silver.
10.1 x 12.7 x 3.2 cm
Photo by: Elizabeth Torgerson-Lamark
From series: Passerby
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Brooch: Passerby, 2017
Cotton fabric, sterling silver, copper, wool felt, leather.
10.1 x 12.7 x 5 cm
Photo by: Elizabeth Torgerson-Lamark
From series: Passerby
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Brooch: Passerby, 2017
Cotton fabric, sterling silver, copper, wool felt, leather.
10.1 x 12.7 x 5 cm
Photo by: Elizabeth Torgerson-Lamark
From series: Passerby
On body.
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Brooch: Plug in with a stone heart, 2018
Clay, pencil, plastic, sterling silver, stainless steel.
19.5 x 6.5 x 5.5 cm
Photo by: Dongyi Wu
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Brooch: Plug in with a stone heart, 2018
Clay, pencil, plastic, sterling silver, stainless steel.
19.5 x 6.5 x 5.5 cm
Photo by: Dongyi Wu
On body.
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Necklace: Key ring without key, 2018
Canvas, plastic, steel, electric wire, cash.
33 x 24.9 x 4 cm
Photo by: Dongyi Wu
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Necklace: Eternal Dream, 2018
Fabric, sterling silver, copper, clay, sand, plastic sheets.
50.8 x 12.7 x 3.18 cm
Photo by: Dongyi Wu
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Necklace: Eternal Dream, 2018
Fabric, sterling silver, copper, clay, sand, plastic sheets.
50.8 x 12.7 x 3.18 cm
Photo by: Dongyi Wu
On body.
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Necklace: No Longer Human 4, 2017
Acrylic sheets, photo, cardboard, sterling silver, fine silver, acrylic pigment, rubber, steel wire, copper.
66 x 20.3 x 3.8 cm
Photo by: Dongyi Wu
From series: No Longer Human
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Necklace: No Longer Human 3, 2017
Clay, paper, fabric, copper, acrylic sheet, photo, sand, spray paint.
38.1 x 20.3 x 2.5 cm
Photo by: Dongyi Wu
From series: No Longer Human
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Necklace: No Longer Human 2, 2017
Paper, fabric, stone, acrylic sheets, photo, artificial grass, copper, rubber cord
76.2 x 27.3 x 4.4 cm
Photo by: Elizabeth Torgerson-Lamark
From series: No Longer Human
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Necklace: No Longer Human1, 2017
Wood, acrylic pigment, sterling silver, nickel, balloon, wool felt, leather cord.
47 x 12 x 4.5 cm
Photo by: Elizabeth Torgerson-Lamark
From series: No Longer Human
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Body piece: Horizon 3, 2017
Paper, paper pulp, acrylic pigment, steel, glue, plastic, string.
96.5 x 71.1 x 38.1 cm
Photo by: Elizabeth Torgerson-Lamark
Awarded at: Enjoia't Award 2017
From series: Horizon
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Body piece: Horizon 3, 2017
Paper, paper pulp, acrylic pigment, steel, glue, plastic, string.
96.5 x 71.1 x 38.1 cm
Photo by: Elizabeth Torgerson-Lamark
Awarded at: Enjoia't Award 2017
From series: Horizon
Alternative view.
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Body piece: Horzion 2, 2015
Steel, plastic, Korean paper, glue,
73.7 × 97.8 × 24.1 cm
Photo by: Elizabeth Torgerson-Lamark
From series: Horizon
Model: Julia Manson
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Body piece: Horizon 1, 2015
Paper, paper pulp, copper, acrylic pigment.
78.7 × 95.3 ×19 cm
Photo by: Elizabeth Torgerson-Lamark
From series: Horizon
Model: Yoonjee Kwak.
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Brooch: Dream, 2017
Sterling silver, nickel silver, yarn.
6.6 x 121.9 x 6 cm
Photo by: Kanghong Zhong
Model: Julia Manson
© By the author. Read Klimt02.net Copyright.

Dongyi Wu was born and raised in Bengbu and then she moved to Xiamen, China. She completed her undergraduate study at the Beijing Institute of Fashion Technology. After finished her graduate study at Rochester Institute of Technology, then she continued to explore her art at Rochester as a studio resident. Now she is currently living and working in San Antonio, US. Her works have been continually shown in America, China and Europe. Dongyi was finalists for the Lydon Emerging Artist Program (LEAP) in 2019 and ENJOIA'T 2017 Contemporary Jewellery Award in Spain. Dongyi was chosen to speak at the 48th annual Society of North American Goldsmiths conference in Chicago as an Early Career Artist in 2019. Her works are featured in the AUTOR Magazine #6: The Beauty Issue.
Inspired by the subconscious, my jewelry art often influenced by psychology and surrealist art. I like to express particular types of emotions of feelings by narrating life scene or details. I believe that motivation of expressing is more important than the purpose of expressing. For me, rather than solving problems, it is more important to raise questions in the process of expressing emotions.
Moreover, I especially have interest in the relationship between jewelry pieces and human bodies. I believe human bodies not only provide jewelry pieces with a place but also an essential part of art pieces. I enjoy the interaction between art pieces with emotions or actions delivering by human bodies.
Moreover, I especially have interest in the relationship between jewelry pieces and human bodies. I believe human bodies not only provide jewelry pieces with a place but also an essential part of art pieces. I enjoy the interaction between art pieces with emotions or actions delivering by human bodies.
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