JiChang Chai

Jeweller / MunichJewelleryWeek2019 Klimt02MemberAtMJW2019

Published: 25.02.2020

Jichang Chai

: Shanghai
CHINA

: Wesbite JiChang Chai

Mail:: 13402079842163.com

JiChang Chai
Ring: Escape Plan: New LAND, 2020
Brass, glass, tophus, shell pearl.
10 x 10 x 5 cm
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JiChang Chai
Pendant: Escape from Moon, 2019
Copper, plastic, artificial pearl, glass.
12 x 5 x 3.5 cm
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JiChang Chai
Brooch: Fish Fishing, 2019
Brass, artificial pearl, shell pearl, agate.
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JiChang Chai
Brooch: Seem to be Loong (Chinese Dragon) - Head, 2019
Brass, artificial pearl, shell pearl, moonstone, rubber, vintage china fragment.
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JiChang Chai
Pendant: Seem to be Loong (Chinese Dragon) - Invisible, 2019
Brass, artifical pearl, shell pearl, vintage china fragment.
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JiChang Chai
Brooch: Summer Christmas, 2018
Acrylic, brass, artificial pearl.
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JiChang Chai
Brooch: Rabbit fron Sun City, 2018
Acrylic, brass, artificial pearls.
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JiChang Chai
Brooch: Indiscriminated Bombing, 2016
Aluminium, brass, found object.
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JiChang Chai
Pendant: Dessage, 2015
Found Object, aluminium, brass.
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JiChang Chai
Brooch: Conqueror, 2015
Found object, aluminium, copper, resin.
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JiChang Chai
Pendant: Jungle Law, 2015
Copper, aluminium, silver
9 x 11 x 2.5 cm
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JiChang Chai
Pendant: Jungle Law, 2015
Copper, aluminium, silver
9 x 11 x 2.5 cm

Back view.

JiChang Chai
Brooch: LightHouse, 2015
Aluminum, cooper, Fimo
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JiChang Chai
Brooch: Taste of Ukiyoe, 2014
Aluminium, copper, agate
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Jichang Chai
Brooch: Welcome on Board, 2014
Aluminum, copper, nature screens
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Jichang Chai
Brooch: Hard Breath, 2013
Brass, found object, CZ.
9 x 3 x 2 cm
From series: Ruin
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Jichang Chai
Brooch: Temple, 2013
Plastic, brass, CZ, wood, 24K Gold leaf, pebble.
8 x 2 x 3 cm
From series: Ruins
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Jichang Chai
Pendant: Armless, 2013
Found objects, aluminium, CZ, Brass, pebble
5 x 4 x 2 cm
Ruin series
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Jichang Chai
Pendant: Heavy Metal, 2013
Brass, aluminium, CZ, pebble.
7 x 4 x 3 cm
From series: Ruins
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Jichang Chai
Ring: Deadline, 2013
Brass, CZ, copper, pebble.
4.5 x 2.5 x 1 cm
From series: Ruins
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Jichang Chai
Ring: Good Harvest, 2012
Silver, 14Kgold plate, olivine
3 x 2 x 1.2/0.6 cm
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Jichang Chai
Brooch: No.3, 2012
Brass, resin, found object.
6 x 4 x 2 cm
From series: Time
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JiChang Chai
Brooch: Experiment, 2011
Silver, acryl resin, ink, tree branch.
6 x 6.3 x 3 cm
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JiChang Chai
Pendant: Chaos, 2011
Silver, acryl resin, brass.
10,6 x 8 cm
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JiChang Chai
Ring: Waiting, 2011
Silver, acryl resin, brass.
11,6 x x4 cm
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JiChang Chai
Brooch: Rule, 2011
Silver, acryl resin, brass.
13,2 x 9 cm
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JiChang Chai
Brooch: Big Fish, 2011
Silver, acryl resin, tree branch, fimo, brass.
7,3 x 3 cm
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JiChang Chai
Pendant: Wild Kitte, 2011
Silver, acryl resin, sapphire.
3,5 x 3,5 cm
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JiChang Chai
Brooch: Golden Bird, 2011
Resin, silver, Acrylic, metal
6,8 x 3,5 cm
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JiChang Chai. Ring: Nicotine, 2011. Silver, acryl resin, glass, bamboo..

JiChang Chai
Brooch: The Babel, 2011
Silver, acryl resin, brass.
7.2 x 4.8 cm
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JiChang Chai
Ring: Hide and Seek, 2012
Silver, 24k gold plated.
4 x 2.2 cm
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JiChang Chai
Brooch: Mr Trees, 2011
Silver, acryl resin, ink, tree branch.
8 x 3 cm
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Jichang Chai was born in Shanghai, China, he studied fine jewellery ND skill Course in Birmingham City University School of Jewellery, and graduated from BCU MA in 2011. Jichang won four times “Goldsmith Award” in UK and published works on British VOGUE, Aesthetica and lots of professional journals. He is a contemporary jewellery activist for the new generation in China. Meanwhile, he is also doing fine jewellery, craft education and being a curator. At present, he is director of Art and Crafts major, in TongJi University Zhejiang Collage.

Statement

I am a straightforward person, do not like complex and conceal, even if somewhile we have to do it.
My concept of creating is to first grasp the creative motivation and passion than translate into a scene, replacement and decorate some or other moment. Shape, color, material, I want every part and element all speaking in my work. Work is always more powerful than language.
The composition of the picture always the first thing I think about in my work, I consider a total effect is the earliest point to catch people’s eyes. From my own aesthetical perspective I like plump formation and succinct line, sometimes I am extreme because contrast can increase work’s dramatic effect that is the second point what I care, fine detail can increase work’s difficulty and atmosphere can give work more space of view and admire.

CV

Events

Publications

APPRECIATE

From the Fashionable World to the New Communities.

Jichang Chai

: Shanghai
CHINA

: Wesbite JiChang Chai

Mail:: 13402079842163.com

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