Katia Rabey
Jeweller
Published: 20.05.2019
gmail.comNecklace: Judgements, 2019
Silver, pearls, thread, 3d-printed plastic, perspex, steel, leather cord, paint.
Made after a photograph by Rosea Lake.
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Brooch: Breaking point, 2016
Rubber, alpaca, steel.
From series: The 80s
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Brooch: Almost there, 2017
Rubber, alpaca.
From series: The 80s
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Pendant: Harris, 2017
Plastic, silver, zircon.
From series: Journey to Jibbiard
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Earrings: Phelia & Ophelia, 2017
Plastic, silver, sapphires.
From series: Journey to Jibbiard
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Ring: Thompson, 2017
Plastic, rhodium-plated silver, zircon.
From series: Journey to Jibbiard
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Ring: Thompson, 2017
Plastic, rhodium-plated silver, zircon.
From series: Journey to Jibbiard
Open
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Necklace: Cold Medal: For keeping your cool in front of utter idiocy, 2015
Perspex, alpaca, steel screws, plastic tubes, PVC, corn syrup with pigment.
From series: Cold Medals
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Bracelet: Fire Safety Net Watch, 2016
Sterling silver, watch mechanism, steel springs, screws, burlap, paint.
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Pendant: Ice Breaker, 2017
Silver, steel, Perspex, rubber cord.
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Ring: The Rocket, 2016
Aluminium, Swarovski crystal.
From series: Space Invaders
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Pendant: Garfunkel, 2016
Ceramic, rosewood, brass.
From series: Robots
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Brooch: Tub, 2018
Ceramic, silver, sapphire, ruby, zircon, steel.
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Katia Rabey (born in 1989) graduated from university in Moscow as a specialist in literature and languages studies in 2012; she then took a short intensive course in illustration in British Higher School of Art and Design (Moscow) and then moved to Israel where she got into Jewelry Design department of Shenkar college of engineering and design, graduating in 2017. She now lives in Moscow, where she combines jewellery making with educational and curatorial projects.
Statement
My name is Katia Rabey and I graduated from Jewelry Design department at Shenkar college of engineering, design and arts in 2017. In my previous degree I studied literature, and later I took a short course in illustration, both of those things came back to me as I was exploring my personal language in jewelry. I realized that even when making wearable objects I prefer to tell stories, often using graphic language, with clear shapes and bright colors. I enjoy kinetics and movement and I like when objects have faces, literal or implied. My tools of choice are CAD and a sense of humor, but I also like to work manually both with precious and not-so-precious materials.CV 
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