Mara Colecchia
Jeweller
Published: 22.12.2020
- Mail:
- mara
maracole.com
Necklace: Pool Party N.1, 2020
Japanese seed beads size 11, silly straws, marbled lucite spheres.
28 x 10 x 5 cm
From series: Pool Party Collection
© By the author. Read Klimt02.net Copyright.
Necklace: Pool Party N.1, 2020
Japanese seed beads size 11, silly straws, marbled lucite spheres.
28 x 10 x 5 cm
From series: Pool Party Collection
Photo by: Janvi Photo
On body.
On body.
© By the author. Read Klimt02.net Copyright.
Necklace: Pool Party N.6, 2020
Japanese seed beads size 11, silly straws, Swarovski pearls, marbled lucite spheres, resin beads.
20 x 17.8 x 7.5 cm
From series: Pool Party Collection
© By the author. Read Klimt02.net Copyright.
Necklace: Pool Party N.7, 2020
Japanese seed beads size 11, silly straws, gold plated chain, marbled lucite spheres.
20 x 10 x 5 cm
Photo by: Janvi Photo
From series: Party Pool Collection
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Necklace: Pool Party N.9, 2020
Japanese seed beads size 11, silly straws, Swarovski pearls, marbled lucite spheres, resin beads.
24.4 x 12.7 x 7.6 cm
From series: Pool Party Collection
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Necklace: Beetle, 2020
Japanese seed beads size 11, marbled lucite spheres size 18, nylon thread.
From series: Symmetries Collection
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Necklace: Arcadia, 2020
Japanese seed beads size 11, marbled lucite spheres size 20, nylon thread.
From series: Symmetries Collection
© By the author. Read Klimt02.net Copyright.
Necklace: Arcadia, 2020
Japanese seed beads size 11, marbled lucite spheres size 20, nylon thread.
From series: Symmetries Collection
Photo by: Janvi Photo
On body.
On body.
© By the author. Read Klimt02.net Copyright.
Necklace: Montezuma Collar, 2019
Japanese seed beads size 11, marbled lucite spheres size 20, nylon thread.
From series: Montezuma Collection
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Necklace: Wiener werkstatte, 2019
Japanese seed beads size 11, marbled lucite 4 spheres size 26, nylon thread.
From series: Montezuma Collection
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Necklace: Wiener werkstatte, 2019
Japanese seed beads size 11, marbled lucite 4 spheres size 26, nylon thread.
From series: Montezuma Collection
Detail view.
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Necklace: Emperor's Groove, 2019
Japanese seed beads size 11, marbled lucite spheres size 20 and 18, nylon thread.
From series: Symmetries Collection
© By the author. Read Klimt02.net Copyright.
Necklace: Emperor's Groove, 2019
Japanese seed beads size 11, marbled lucite spheres size 20 and 18, nylon thread.
From series: Symmetries Collection
Detail view.
© By the author. Read Klimt02.net Copyright.
Necklace: Odalische, 2019
Japanese seed beads size 11, marbled lucite spheres size 20 and 18, nylon thread.
From series: Symmetries Collection
© By the author. Read Klimt02.net Copyright.
Necklace: Orange Swirls, 2019
Japanese seed beads size 11, marbled lucite spheres size 22, nylon thread.
From series: Rose Swirls Collection
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Necklace: Orange Swirls, 2019
Japanese seed beads size 11, marbled lucite spheres size 22, nylon thread.
From series: Rose Swirls Collection
Detail view.
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Necklace: Pool Party N.9, 2019
Straws, seed beads, lucite and resin beads, glass beads, magnets.
From series: Pool Party Collection
© By the author. Read Klimt02.net Copyright.
Necklace: Pool Party N.10, 2019
Straws, seed beads, lucite and resin beads, glass beads, magnets.
From series: Pool Party Collection
© By the author. Read Klimt02.net Copyright.
Necklace: Pool Party N.10, 2019
Straws, seed beads, lucite and resin beads, glass beads, magnets.
From series: Pool Party Collection
Detail view.
© By the author. Read Klimt02.net Copyright.
Necklace: Pool Party N.10, 2019
Straws, seed beads, lucite and resin beads, glass beads, magnets.
From series: Pool Party Collection
Photo by: Janvi Photo
On body.
© By the author. Read Klimt02.net Copyright.
Self-taught artist Mara Colecchia (Maracole) was born in Italy in the mid-seventies, and in 2009 she relocated to Southern California, where she explored wearable art and had many artistic pursuits. Since January 2018, Maracole works exclusively with seed beads, which she waves using a dimensional bead weaving technique called CRAW, and designs intricate forms that take from pre-Colombian and modern art. Maracole showed her beaded jewelry for the first time at an international contest at Artistar Jewels 2019 and was a finalist at the contest Arte Y Joya 2020.
Statement
I fell in love with Japanese seed beads in January 2018, while the Thomas fire was destroying a big chunk of southern California and, in particular, the area around the Los Padres National Forest, where I had just relocated. I sensed that the energy of the fire cleared something old and made room for something new to grow; like magic, a new perspective opened up in my artistic practice, as I had never considered seed beads as a medium. I had an authentic revelation when I explored the weaving technique called CRAW, cubic right-angle weave, that allows building fractal structures based on the repetition of a small cubic cell made of 8 seed beads. Being a sculptor at heart, I felt a natural proclivity for dimensional bead weaving because I approached this medium as a way to sculpt with seed-beads.Working with minuscule seed beads forces a weaver to be methodical and attentive: a small mistake can turn into a minor or, at times, a big design's complication. That said, this technique is extremely time consuming and favorites the creation of a meditative state of mind. This peculiar quality of bead-weaving I look at when I begin a new project because, in this case, the practice is also the message. Slow fashion, labor-intense artisanal skills, quality of work, and the lasting of a piece of jewelry are the values that I stick with. The longer it takes to make, the longer it will last, the more beautiful it will look.
I have been fascinated by pre-Colombian art since a young age and have unconsciously tried to emulate the geometrical fluidity of some Aztec inscriptions. I also have a taste for minimal art and, in particular, the design of some eminent artists from the Bauhaus movement. All those inputs are combined in my esthetics, plus a daring color combination, which is typical of pop art.
As in my initial production, I had pursued a minimal, geometrical type of forms, but lately, my artistic research has expanded to include elements of pop culture, such as straws, to create unusual visual inputs, based on the assumption that everything can be "beaded on". I am also putting aside for a moment the typical geometrical symmetry of my necklaces to allow more chaotic forms to generate crowded lines, chunky, excessive, or not harmonious esthetics. In fact, I find it beneficial to explore opposite concepts, such as composed/ geometrical versus redundant/chaotic, to avoid stagnancy. At times, we need to stretch our creative band in both directions.
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