Mara Colecchia
Jeweller
Published: 10.08.2021
- Mail:
- mara
maracole.com
Self-taught artist Mara Colecchia (Maracole) was born in Italy in the mid-seventies, and in 2009 she relocated to Southern California, where she explored wearable art and had many artistic pursuits. Since January 2018, Maracole works exclusively with seed beads, which she waves using a dimensional bead weaving technique called CRAW, and designs intricate forms that take from pre-Colombian and modern art. Maracole showed her beaded jewelry for the first time at an international contest at Artistar Jewels 2019 and was a finalist at the contest Arte Y Joya 2020.
Statement
I fell in love with Japanese seed beads in January 2018, while the Thomas fire was destroying a big chunk of southern California and, in particular, the area around the Los Padres National Forest, where I had just relocated. I sensed that the energy of the fire cleared something old and made room for something new to grow; like magic, a new perspective opened up in my artistic practice, as I had never considered seed beads as a medium. I had an authentic revelation when I explored the weaving technique called CRAW, cubic right-angle weave, that allows building fractal structures based on the repetition of a small cubic cell made of 8 seed beads. Being a sculptor at heart, I felt a natural proclivity for dimensional bead weaving because I approached this medium as a way to sculpt with seed-beads.Working with minuscule seed beads forces a weaver to be methodical and attentive: a small mistake can turn into a minor or, at times, a big design's complication. That said, this technique is extremely time consuming and favorites the creation of a meditative state of mind. This peculiar quality of bead-weaving I look at when I begin a new project because, in this case, the practice is also the message. Slow fashion, labor-intense artisanal skills, quality of work, and the lasting of a piece of jewelry are the values that I stick with. The longer it takes to make, the longer it will last, the more beautiful it will look.
I have been fascinated by pre-Colombian art since a young age and have unconsciously tried to emulate the geometrical fluidity of some Aztec inscriptions. I also have a taste for minimal art and, in particular, the design of some eminent artists from the Bauhaus movement. All those inputs are combined in my esthetics, plus a daring color combination, which is typical of pop art.
As in my initial production, I had pursued a minimal, geometrical type of forms, but lately, my artistic research has expanded to include elements of pop culture, such as straws, to create unusual visual inputs, based on the assumption that everything can be "beaded on". I am also putting aside for a moment the typical geometrical symmetry of my necklaces to allow more chaotic forms to generate crowded lines, chunky, excessive, or not harmonious esthetics. In fact, I find it beneficial to explore opposite concepts, such as composed/ geometrical versus redundant/chaotic, to avoid stagnancy. At times, we need to stretch our creative band in both directions.
On sale at 
Events
- Mail:
- maramaracole.com
newsletter
Get the latest information about the international Jewellery Scene sent directly to your mailbox every week. View previous issues
-
Tereza Seabra
Lisbon, Portugal -
Rita Soto
Santiago, Chile -
Julia deVille
Melbourne, Australia -
Matilde Mozzanega
London, United Kingdom -
María Blondet
San Juan, Puerto Rico -
Myung Urso
Rochester, United States -
Lily Kanellopoulou
Athens, Greece -
Fabiana Gadano
Buenos Aires, Argentina -
Rita Besnyoi
Budapest, Hungary -
Teresa Faris
Madison, United States -
Jin Ah Jo
Melbourne, Australia -
Yajing Yao
Savannah, United States -
Martin Grosman
Jablonec nad Nisou, Czech Republic -
Anna Watson
Brighton, United Kingdom -
Elvira Cibotti
Buenos Aires, Argentina
