7 new pieces showing shadows or auras represented by cut out drawings from metal sheet, a personages of a narrative with self reflecting contents.
Marina Sheetikoff
Jeweller
Published: 29.05.2017
Neckpieces: Shade 1 and Shade 6, 2016
Niobium, silk, organic latex, bark of rubber tree.
6 x 78 x 3 cm and 11 x 147 x 3 cm
From series: Shade
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Neckpiece: Shade 2, 2016
Niobium, silk, organic latex, bark of rubber tree.
20 x 150 x 5 cm
From series: Shade
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Neckpiece: Shade 3, 2016
Niobium, silk, organic latex, bark of rubber tree.
22x 137 x5 cm
From series: Shade
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Neckpiece: Shade 4, 2016
Niobium, silk, organic latex, bark of rubber tree.
6 x 150 x 2 cm
From series: Shade
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Neckpiece: Shade 5, 2016
Niobium, silk, organic latex, bark of rubber tree.
18 x 137 x 4 cm
From series: Shade
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Necklace: The Chain Necklaces, 2015
Niobium
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Necklace: The Chain Necklaces, 2015
Niobium
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Necklace: The Chain Necklaces, 2015
Niobium
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Necklace: The Chain Necklaces, 2015
Niobium
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Piece: Figa & pepper, balangandan, 2015
Niobium
Amulet & bracelets
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Piece: Broca, 2016
Niobium
Part of: 1:11 exhibition at SNBA –Lisbon, PT
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Neckpiece: Aura, 2015
Niobium, cristal, adapted slides projector
Part of: Re-trato exhibition (grupo Broca)
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Brooch: Profile, 2014
Black ironwood, niobium, 18k yellow gold rivets, pearl, silver
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Brooch: Profile, 2015
Black ironwood, niobium, silver and gold rivets
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Ring: Conversation With Agate, 2013
Silver, niobium, agate
Two profiles riveted are on either side of the pivoting agate stone to create an imaginary conversation.
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Necklace: Area Spider, 2014
Niobium, 18k yellow gold rivets, pearl
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Piece: Detour, 2015
Silver, partially gold plated, paint, brooches contain magnets
Set of 7 rings and 2 brooches
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Earrings: Cipó, 2011
Piece of wood from atlantic forest, silver, gold wire
10x1 cm
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Necklace: Cipó, 2011
Piece of wood from atlantic forest, silver, gold wire
18x5 cm
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Ring: Cipó, 2011
Piece of wood from atlantic forest, silver
3x2x2.5 cm
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Brooch: Fence, 2013
Copper, gold
Selected for La Frontera Exhibition at Franz Mayer Museum, Mexico City, Mexico and Velvet da Vincy Gallery , San Francisco, California, USA.
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Bangle: Still Life, 2012
Silver, leaf
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Ring: Still life 1, 2012
Silver, leaf
4x3x14 cm
Photo by Fernando Laszlo
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Ring: Still life 2, 2012
Silver, leaf
9x7x10 cm
Photo by Fernando Laszlo
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Armband: Still life 1, 2012
Silver, leaf
15x3x15 cm
Photo by Fernando Laszlo
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Ring: Profile, 2012
Niobium
Set of 4 rings with singular faces on profile
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Ring: Profile, 2015
Niobium
Set of 5 rings with singular faces on profile
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Bangle: Zoom, 2010
Silver, nióbium
8x8x9 cm
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Ring: Zoom, 2010
Silver, nióbium
6x2x5 cm
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Ring: Cut Out 3, 2009
Nióbium
1x2.5 cm
Photo by Fernando Laszlo
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Bangle: Cut Out, 2010
Nióbium, stainless steel
10x2.5 cm
Photo by Fernando Laszlo
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Bangle: Cut Out, 2010
Nióbium, stainless steel
9.5x5 cm
Photo by Fernando Laszlo
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Neckpiece: Choker, 2002
Silver
Exhibited at Casa das Rosas, Sao Paulo, Brazil
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Bracelet: Handcuff, 2001
Stainless steel
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Piece: An Eye On The Forehead, 2001
Gold, ophthalmological prosthesis
Photo by: Fernando Laszlo
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Piece: An Eye On The Forehead, 2001
gold, odontological resin
3,5 x 2,5 x 2 cm
Photo by: Fernando Laszlo
Bienal 50 years, São Paulo, Brazil
Ear piercing
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Piece: An Eye On The Forehead, 2001
White gold, teeth, acrylic
Photo by: Fernando Laszlo
Bienal 50 years, São Paulo, Brazil
Eye brow piercing
Eye brow piercing
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Piece: An Eye On The Forehead, 2001
Gold, porcelain tooth
2 x 0,7 cm
Photo by: Fernando Laszlo
Bienal 50 years, São Paulo, Brazil
Tongue piercing
Tongue piercing
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An Eye On The Forehead
This work questions the transformations offered by transgenic advances.
Installation view. 4 pillars, illuminated inside, each one showing one piercing. 4 Light boxes with images of faces wearing the pieces on the wall. Bienal 50 years, São Paulo, Brazil, 2001
Photos by Fernando Laszlo
This work questions the transformations offered by transgenic advances.
Installation view. 4 pillars, illuminated inside, each one showing one piercing. 4 Light boxes with images of faces wearing the pieces on the wall. Bienal 50 years, São Paulo, Brazil, 2001
Photos by Fernando Laszlo
© By the author. Read Klimt02.net Copyright.
Chain Project
Idealised and curated by Marina Sheetikoff, 2013
This project brings together the work of 65 contemporary jewellers from 20 countries into one object; a chain.
This large chain, uniting them all, composed of lengths of 15 cm smaller chains made by each participating member, celebrates the diversity in materials and methods of working; each chain becomes a metaphorical link in this new larger one. The resulting piece is 12 metres long and composed of a variety of raw materials, including concrete, paper, silicone, gold, silver and organic matter.
Idealised and curated by Marina Sheetikoff, 2013
This project brings together the work of 65 contemporary jewellers from 20 countries into one object; a chain.
This large chain, uniting them all, composed of lengths of 15 cm smaller chains made by each participating member, celebrates the diversity in materials and methods of working; each chain becomes a metaphorical link in this new larger one. The resulting piece is 12 metres long and composed of a variety of raw materials, including concrete, paper, silicone, gold, silver and organic matter.
© By the author. Read Klimt02.net Copyright.
Statement
In Shade collection, the presence of what is absent, suggested by the negative pictorial silhouette cutted from niobium sheet and attached to long lines of silk thread with natural látex collected direclty from trees stems, creates composition of a drained drawing.Shadows or auras represented by cut out drawings from metal sheet are personages of a narrative with self reflecting contents. Night on the forest, peregrination and the incertitude of life, guides my inspiration to this work. The sensations of textures, and images representing figures invites the wearer to built it’s own relation to the piece
It will be shown at “ Vinte e três” exhibition - Contemporary Jewelery in Ibero –America -SNBA Sociedade Naconal de Belas Artes, Lisbon, Portugal.
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By creating pieces related to the body, I'm developing communication signs. My pieces are result of ideas with narrative contents. Having nature as depart inspiration, I found in the metallic niobium a relation to the highlights of colors in nature as sunset, rainbow, insects and plants. Niobium metal improved presence in my studio on the lasts years, and mostly of my pieces, are made with or in combination with it.
By making jewelry, I found a field where I can manage the process of construction, lining up crafts techniques, digital design, industrial production, and experimentation to create my own language to reach into new territories of expression.
CV 
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7 new pieces showing shadows or auras represented by cut out drawings from metal sheet, a personages of a narrative with self reflecting contents.
Photo: Renata Siqueira Bueno
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uol.com.br
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