Marina Sheetikoff
Jeweller
Published: 12.08.2020
- Mail:
- marinashetikoff
gmail.com
- Phone:
- 55 11 971815633
Earrings: Disco, 2019
Niobium
3.8 x 4.5 xm
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Earrings: Disco, 2019
Niobium
3.8 x 4.5 xm
On model.
Photo Pedro Fonseca, courtesy Alice Floriano Gallery.
Photo Pedro Fonseca, courtesy Alice Floriano Gallery.
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Brooch: Lavender brooch, 2019
Zinc, niobium, steel wire.
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Necklace: Capuchin necklace, 2019
Zinc, laiton, niobium, black rhodium plated chain, seeds.
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Necklace: Grape necklace, 2019
Zinc, niobium, rose gold platedchain, seeds.
Photo by: Pedro Fonseca
On model.
Courtesy Alice Floriano Gallery.
Courtesy Alice Floriano Gallery.
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Necklace: Ficus necklace, 2019
Zinc, niobium, rose gold plated chain, seeds.
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Pendant: Head of lies, 2018
Bronze, iron wire.
1 x 1 x 0.8 cm
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Pendant: Head of lies, 2018
Bronze, iron wire.
1 x 1.5 x 0.8 cm
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Pendant: Head of lies, 2018
Bronze, iron wire.
1 x 1.5 x 0.8 cm
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Necklace: Rose Stem, 2018
Brass, leather.
20 x 2 x 2 cm
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Brooch: Arrow, 2018
Gold, silver.
13 x 0.7 cm
Photo by: Marcelo Zocchio
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Set: Cartography, 2018
Silver, gold, agate stone.
20 x 10 x 4 cm
Photo by: Marcelo Zocchio
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Set: Cartography, 2018
Silver, gold, agate stone.
20 x 10 x 4 cm
Photo by: Marcelo Zocchio
On body.
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Head Piece: Thorns, 2018
Brass
Photo by: Marcelo Zocchio
Created for the theatre play Ultimaestação by Elmano Sancho, Almada Festival, Portugal.
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Neckpiece: Memória, 2018
Find wood model, silver, gold, iron, crystal stone.
90 x 10 x 4 cm
Photo by: Marcelo Zocchio
Part of: 2nd Latin American Contemporary Jewellery Biennial 2018
Brazil and other Latin American Countries suffered from the brutality of torture during the military dictatorship. This recent and painful past is represented in my jewelry piece memória. That comes to endorse the desire for a world without fear, with social justice, respect for human rights, freedom of expression, without violence and without the abuse of authority.
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Dry Fern, brooch and eye
Niobium, washi paper in the acrylic display box.
17cm x 21cm x 5cm
Year 2017
Niobium, washi paper in the acrylic display box.
17cm x 21cm x 5cm
Year 2017
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Dry Herb of Grace leaves, earrings and two stones of citron quatrz
Niobium, washi paper, acrylic display box.
17cm x 21cm x 5cm
Year 2017
Niobium, washi paper, acrylic display box.
17cm x 21cm x 5cm
Year 2017
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Mapped leaf + Fractions of Nature (partial exhibition view)
Niobium, metal chain covered with silk thread.
Year 2017
Niobium, metal chain covered with silk thread.
Year 2017
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Fractions of Nature (partial exhibition view)+ dry twig and necklace
Niobium, metal chain covered with silk thread, washi paper, acrylic display box.
19.5cm x 45cm x7cm
Year 2017
Niobium, metal chain covered with silk thread, washi paper, acrylic display box.
19.5cm x 45cm x7cm
Year 2017
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Double profile piece
Niobium, washi paper, acrylic display box + Night Shadows (view of the exhibition).
Year 2017
Niobium, washi paper, acrylic display box + Night Shadows (view of the exhibition).
Year 2017
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Silver plummet detail + Tip of The Day (view of the exhibition).
Year 2017
Year 2017
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Overview of the exhibition, Galery Alice Floriano, São Paulo, SP, Brazil August 2017.
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Neckpiece: Shade 3, 2016
Niobium, silk, organic latex, bark of rubber tree.
22x 137 x5 cm
From series: Nigh Shadows
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Neckpiece: Shade 4, 2016
Niobium, silk, organic latex, bark of rubber tree.
6 x 150 x 2 cm
From series: Nigh Shadows
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Necklace: The Chain Necklaces, 2015
Niobium
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Necklace: The Chain Necklaces, 2015
Niobium
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Necklace: The Chain Necklaces, 2015
Niobium
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Piece: Figa & pepper, balangandan, 2015
Niobium
Amulet & bracelets
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Piece: Broca, 2016
Niobium
Part of: 1:11 exhibition at SNBA –Lisbon, PT
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Neckpiece: Aura, 2015
Niobium, cristal, adapted slides projector.
Part of: Re-trato exhibition (grupo Broca)
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Brooch: Profile, 2014
Black ironwood, niobium, 18k yellow gold rivets, pearl, silver.
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Brooch: Profile, 2015
Black ironwood, niobium, silver and gold rivets
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Ring: Conversation With Agate, 2013
Silver, niobium, agate.
Two profiles riveted are on either side of the pivoting agate stone to create an imaginary conversation.
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Necklace: Area Spider, 2014
Niobium, 18k yellow gold rivets, pearl
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Piece: Detour, 2015
Silver, partially gold plated, paint, brooches contain magnets
Set of 7 rings and 2 brooches
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Necklace: Cipó, 2011
Piece of wood from atlantic forest, silver, gold wire
18x5 cm
Marina, Sheetikoff
Necklace: Cipó, 2011
Piece of wood from atlantic forest, silver, gold wire
18x5 cm
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Ring: Cipó, 2011
Piece of wood from atlantic forest, silver
3x2x2.5 cm
Marina, Sheetikoff
Ring: Cipó, 2011
Piece of wood from atlantic forest, silver
3x2x2.5 cm
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Brooch: Fence, 2013
Copper, gold
Selected for La Frontera Exhibition at Franz Mayer Museum, Mexico City, Mexico and Velvet da Vincy Gallery , San Francisco, California, USA.
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Bangle: Still Life, 2012
Silver, leaf
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Ring: Still life 1, 2012
Silver, leaf
4x3x14 cm
Photo by Fernando Laszlo
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Ring: Still life 2, 2012
Silver, leaf
9x7x10 cm
Photo by Fernando Laszlo
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Bracelet: Still life 1, 2012
Silver, leaf
15x3x15 cm
Photo by Fernando Laszlo
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Ring: Profile, 2012
Niobium
Set of 4 rings with singular faces on profile
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Bangle: Zoom, 2010
Silver, nióbium
8x8x9 cm
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Ring: Zoom, 2010
Silver, nióbium
6x2x5 cm
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Ring: Cut Out 3, 2009
Nióbium
1x2.5 cm
Photo by Fernando Laszlo
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Bangle: Cut Out, 2010
Nióbium, stainless steel
10x2.5 cm
Photo by Fernando Laszlo
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Bangle: Cut Out, 2010
Nióbium, stainless steel
9.5x5 cm
Photo by Fernando Laszlo
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Neckpiece: Choker, 2002
Silver
Exhibited at Casa das Rosas, Sao Paulo, Brazil
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Bracelet: Handcuff, 2001
Stainless steel
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Piece: An Eye On The Forehead, 2001
Gold, ophthalmological prosthesis
Photo by: Fernando Laszlo
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Piece: An Eye On The Forehead, 2001
White gold, teeth, acrylic
Photo by: Fernando Laszlo
Bienal 50 years, São Paulo, Brazil
Eye brow piercing
Eye brow piercing
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Piece: An Eye On The Forehead, 2001
Gold, porcelain tooth
2 x 0,7 cm
Photo by: Fernando Laszlo
Bienal 50 years, São Paulo, Brazil
Tongue piercing
Tongue piercing
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An Eye On The Forehead
This work questions the transformations offered by transgenic advances.
Installation view. 4 pillars, illuminated inside, each one showing one piercing. 4 Light boxes with images of faces wearing the pieces on the wall. Bienal 50 years, São Paulo, Brazil, 2001
Photos by Fernando Laszlo
This work questions the transformations offered by transgenic advances.
Installation view. 4 pillars, illuminated inside, each one showing one piercing. 4 Light boxes with images of faces wearing the pieces on the wall. Bienal 50 years, São Paulo, Brazil, 2001
Photos by Fernando Laszlo
© By the author. Read Klimt02.net Copyright.
Chain Project
Idealised and curated by Marina Sheetikoff, 2013
This project brings together the work of 65 contemporary jewellers from 20 countries into one object; a chain.
This large chain, uniting them all, composed of lengths of 15 cm smaller chains made by each participating member, celebrates the diversity in materials and methods of working; each chain becomes a metaphorical link in this new larger one. The resulting piece is 12 metres long and composed of a variety of raw materials, including concrete, paper, silicone, gold, silver and organic matter.
Idealised and curated by Marina Sheetikoff, 2013
This project brings together the work of 65 contemporary jewellers from 20 countries into one object; a chain.
This large chain, uniting them all, composed of lengths of 15 cm smaller chains made by each participating member, celebrates the diversity in materials and methods of working; each chain becomes a metaphorical link in this new larger one. The resulting piece is 12 metres long and composed of a variety of raw materials, including concrete, paper, silicone, gold, silver and organic matter.
© By the author. Read Klimt02.net Copyright.
Statement
By creating pieces related to the body, I'm developing communication signs. My pieces are the result of ideas with narrative contents. Having nature as depart inspiration, I found in the metallic niobium a relation to the highlights of colors in nature as sunset, rainbow, insects and plants. Niobium metal improved presence in my studio in the lasts years and most of my pieces are made with or in combination with it.By making jewelry, I found a field where I can manage the process of construction, lining up crafts techniques, digital design, industrial production, and experimentation to create my own language to reach into new territories of expression.
CV 
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- Mail:
- marinashetikoffgmail.com
- Phone:
- 55 11 971815633
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