Myung Urso
Jeweller
Published: 21.12.2018
aol.comBrooch: Plateau VII, 2018
Hand-dyed cotton, Asian ink, thread, gesso, sterling silver, lacquer.
8.5 x 7.5 x 2 cm
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Necklace: Plateau I, 2018
Cotton, Asian ink, thread, gesso, sterling silver, lacquer.
9 x 57 x 1cm
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Necklace: Plateau I, 2018
Cotton, Asian ink, thread, gesso, sterling silver, lacquer.
9 x 57 x 1cm
Detail.
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Necklace: Plateau II, 2018
Cotton, Asian ink, thread, beads, sterling silver, Lacquer.
8 x 55 x 0.5 cm
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Necklace: Skyscape, 2018
Cotton, ink, thread, beads, sterling silver, lacquer.
12 x 54 x 1.3 cm
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Brooch: Elevation, 2018
Cotton, asian ink, thread, gesso, sterling silver, lacquer.
9.5 x 5 x 2.5 cm
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Brooch: Plateau I, 2018
Cotton, asian ink, thread, gesso, sterling silver, lacquer.
8.2 x 7 x 2 cm
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Brooch: Plateau II, 2018
Cotton, asian ink, thread, gesso, sterling silver, lacquer.
7.5 x 8.5 x 1.5 cm
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Brooch: Plateau III, 2018
Cotton, asian ink, thread, gesso, sterling silver, lacquer.
9.5 x 8 x 1 cm
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Brooch: Plateau VI, 2018
Cotton, asian ink, thread, gesso, sterling silver, lacquer.
11.5 x 7.5 x 2.2 cm
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Brooch: Scape, 2018
Cotton, asian ink, thread, gesso, sterling silver, lacquer.
8 x 8 x 1.3 cm
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Brooch: Synonym I, 2018
Paper pulp, silver, card case.
10 x 9 x 4 cm
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Brooch: Synonym II, 2018
Oil paper, paper pulp, silver.
11 x 9 x 2 cm
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Brooch: Synonym II, 2018
Oil paper, paper pulp, silver.
11 x 9 x 2 cm
Top view
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Brooch: Synonym III, 2018
Oil paper, paper pulp, silver.
10 x 10 x 2 cm
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Brooch: Synonym IV, 2018
Mixed Media.
x 8.5 x 1 cm
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Brooch: Synonym V, 2018
Mixed Media.
8.5 x 10.5 x 3 cm
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Brooch: Boolm, 2017
Mixed media.
8.5 x 9.5 x 2 cm
Photo by: Myung Urso
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Brooch: Still Life, 2017
Mixed media.
8 x 9 x 1.5 cm
Photo by: Myung Urso
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Brooch: Site I, 2016
Recycled paper pulp basket, pigment, silver.
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Brooch: Site II, 2016
Recycled paper pulp basket, pigment, silver.
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Brooch: Aquarius I, 2017
Recycled paper pulp basket, pigment, silver.
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Brooch: Site V, 2017
Recycled paper pulp basket, pigment, silver.
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Brooch: Site IV, 2017
Recycled egg carton, pigment, silver.
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Brooch: Brood I, 2017
Paper pulp, carton, sand, acrylic paint, silver.
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Brooch: Site IV, 2017
Recycled paper pulp basket, sand, acrylic paint, silver.
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Brooch: Window, 2016
Recycled paper egg carton, sand, acrylic paint, silver.
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Brooch: Chamber, 2017
Pulp basket, sand, marble dust, acrylic paint, silver.
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Brooch: Space II, 2017
Recycled egg carton, pigment, silver.
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Brooch: Space III, 2017
Recycled paper pulp basket, pigment, silver.
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Brooch: Oak Tree, 2017
Recycled paper pulp basket, pigment, silver.
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Brooch: Garden, 2017
Recycled egg carton, pigment, silver.
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Brooch: Fence, 2017
Recycled paper pulp basket, pigment, silver.
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Brooch: Rampart, 2017
Recycled paper pulp basket, pigment, silver.
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Brooch: Adobe, 2017
Recycled egg carton, pigment, silver.
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Necklace: Ruin, 2017
Recycled paper pulp basket, pigment, silver.
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Brooch: Flora, 2017
Silver, mixed media, acrylic paint.
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Brooch: Flora, 2017
Silver, mixed media, acrylic paint.
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Brooch: Flora, 2017
Silver, mixed media, acrylic paint.
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Brooch: Flora, 2017
Silver, freshwater pearl, mixed media, acrylic paint.
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Brooch: Flora, 2017
Silver, freshwater pearl, mixed media, acrylic paint.
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Brooch: Flora, 2017
Silver, mixed media, acrylic paint.
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Brooch: Flora, 2017
Silver, mixed media, acrylic paint.
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Brooch: Flora, 2016
Silver, mixed media, acrylic paint.
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Brooch: Flora, 2016
Silver, mixed media, acrylic paint.
© By the author. Read Klimt02.net Copyright.
Brooch: Flora, 2016
Silver, mixed media, acrylic paint.
© By the author. Read Klimt02.net Copyright.
Brooch: Flora, 2016
Silver, mixed media, acrylic paint.
© By the author. Read Klimt02.net Copyright.
Myung Urso was born in South Korea and currently living and working in the USA as a contemporary jewelry artist.
Statement
My approach to creating my artwork very much relies on my personal instinctual aesthetic. Asian calligraphy, which I have been practicing since a young age affects and leads my work to be more painterly and sculptural.These recent jewelries' ("Elevation", "Plateau" series and "Scape") forms are a result of my travelling to the southern part of South Korea where the rocky landscapes and volcanic mountains left an impression on me. Applying Asian ink and sewing techniques on fabric reflect my very first materials and techniques from when I first started making jewelry. After a decade of jewelry making experiences, I felt the need to look back to my first starting point as a way to begin my next decade.
CV 
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