Nanna Grønborg
Jeweller
Published: 02.05.2014
Statement
My jewellery is a body related tool used to comment on problems arising from the collision of manmade and the conditions of nature. This collision, in combination with the ongoing fusion of cultures fascinates me and it affects my work as my own life is a cultural combination.I use theoretical tools like semiotics and the science of perception to reflect on these topics with a touch of irony.
The contradictions between the rational and the intuitive, between what we see and what we make of it feed my jewellery universe. My investigation of the interrelationships between objects and the imagination is an ongoing process.
My way of working is drawing on diverse methods, which help me to be aware of every decision including those which deliberately allow for chance. I strive to reach a subtle, sometimes minimalist aesthetic in my work, leaving it to the beholder to decode its message. It should irritate as much as stimulate reflection.
Nanna Grønborg
-
Ji Young Kim
Paju, South Korea -
Youjin Um
Seoul, South Korea -
Harold O'Connor
Salida, United States -
Olivia Wolf-Yamamura
Berlin, Germany -
Javier Úbeda
Barcelona, Spain -
Margo Nelissen
Veenendaal, Netherlands -
Anja Eichler
Berlin, Germany -
Fumiko Gotô
Basel, Switzerland -
Eva Fernandez Martos
Nottingham, United Kingdom -
Khajornsak Nakpan
Nonthaburi, Thailand -
Yiota Vogli
Athens, Greece -
Anne Luz Castellanos
Buenos Aires, Argentina -
Benedict Haener
Luzern, Switzerland -
So Young Park
New York, United States -
Thea Clark
Greensboro, United States