Nanna Grønborg
Jeweller
Published: 02.05.2014
nanna-gronborg.com
Nanna GrønborgNecklace: Untitled, 2012
Porcelain, gold, string
17 x 28 x 3 cm
© By the author. Read Klimt02.net Copyright.
Nanna GrønborgNecklace: Untitled, 2012
Porcelain, glaze, silver, string
4,5 x 9,5 x 4,5 cm
© By the author. Read Klimt02.net Copyright.
Nanna GrønborgNecklace: Untitled, 2012
Porcelain, silver, string
4 x 7 x 3 cm
© By the author. Read Klimt02.net Copyright.
Nanna GrønborgNecklace: Untitled, 2012
Porcelain, glaze, string
4,5 x 6,5 x 4,5 cm
© By the author. Read Klimt02.net Copyright.
Nanna GrønborgBrooch: Untitled, 2012
Porcelain, glaze, silver, steel
6,5 x 7 x 4,5 cm
© By the author. Read Klimt02.net Copyright.
Nanna GrønborgBrooch: Untitled, 2012
Porcelain, glaze, silver, steel
5 x 9 x 4 cm
© By the author. Read Klimt02.net Copyright.
Nanna GrønborgBrooch: Untitled, 2012
Porcelain, glaze, silver, steel
9 x 6 x 3 cm
© By the author. Read Klimt02.net Copyright.
Nanna GrønborgBrooch: Mutomorph II, 2012
Porcelain, silver, steel
10 x 6 x 4 cm
© By the author. Read Klimt02.net Copyright.
Nanna GrønborgBrooch: Mutomorph IV, 2012
Porcelain, silver, steel
8,5 x 5,5 x 5 cm
© By the author. Read Klimt02.net Copyright.
Statement
My jewellery is a body related tool used to comment on problems arising from the collision of manmade and the conditions of nature. This collision, in combination with the ongoing fusion of cultures fascinates me and it affects my work as my own life is a cultural combination.I use theoretical tools like semiotics and the science of perception to reflect on these topics with a touch of irony.
The contradictions between the rational and the intuitive, between what we see and what we make of it feed my jewellery universe. My investigation of the interrelationships between objects and the imagination is an ongoing process.
My way of working is drawing on diverse methods, which help me to be aware of every decision including those which deliberately allow for chance. I strive to reach a subtle, sometimes minimalist aesthetic in my work, leaving it to the beholder to decode its message. It should irritate as much as stimulate reflection.
Nanna Grønborg
CV 
Events
newsletter
Get the latest information about the international Jewellery Scene sent directly to your mailbox every week. View previous issues
-
Myung Urso
Rochester, United States -
Teresa Faris
Madison, United States -
Laura Deakin
Victoria, Australia -
Jason Stein
Charlotte, United States -
Dian Chen
London, United Kingdom -
2Roses
Tustin, United States -
Lena Lindahl
Gothenburg, Sweden -
Gian Luca Bartellone
Bolzano, Italy -
Stefania Lucchetta
Bassano del Grappa, Italy -
Natsumi Kaihara
Tokyo, Japan -
Jaewon Um
Seoul, South Korea -
Zhi Ying
Hangzhou, China -
Eva Skärlund
Linghem, Sweden -
Qiang Li
London, United Kingdom -
Yong Joo Kim
Providence, United States
