Nanna Grønborg
Jeweller
/
MunichSchmuckFair2025
Published: 02.05.2014
nanna-gronborg.comStatement
My jewellery is a body related tool used to comment on problems arising from the collision of manmade and the conditions of nature. This collision, in combination with the ongoing fusion of cultures fascinates me and it affects my work as my own life is a cultural combination.I use theoretical tools like semiotics and the science of perception to reflect on these topics with a touch of irony.
The contradictions between the rational and the intuitive, between what we see and what we make of it feed my jewellery universe. My investigation of the interrelationships between objects and the imagination is an ongoing process.
My way of working is drawing on diverse methods, which help me to be aware of every decision including those which deliberately allow for chance. I strive to reach a subtle, sometimes minimalist aesthetic in my work, leaving it to the beholder to decode its message. It should irritate as much as stimulate reflection.
Nanna Grønborg
CV 
Events
newsletter
Get the latest information about the international Jewellery Scene sent directly to your mailbox every week. View previous issues
-
Felicia Li
Beijing, China -
Yiota Vogli
Athens, Greece -
Babette von Dohnanyi
Hamburg, Germany -
Liana Pattihis
London, United Kingdom -
Alain Roggeman
Brussels, Belgium -
Elvira Cibotti
Buenos Aires, Argentina -
Jeanine van der Linde
Kloetinge, Netherlands -
May Gañán
Madrid, Spain -
Misato Seki
Kanagawa, Japan -
Shu Wang
New York, United States -
Carmen López
Sevilla, Spain -
Diogo Alves
Lisbon, Portugal -
Veronica Mijelshon
New York, United States -
Aleksandra Dedic
Sicevo, Serbia -
Eva Fernandez Martos
Nottingham, United Kingdom
