Nanna Grønborg
Jeweller
/
Klimt02MemberMJW2018
Published: 02.05.2014
nanna-gronborg.com
Nanna GrønborgNecklace: Untitled, 2012
Porcelain, gold, string
17 x 28 x 3 cm
© By the author. Read Klimt02.net Copyright.
Nanna GrønborgNecklace: Untitled, 2012
Porcelain, glaze, silver, string
4,5 x 9,5 x 4,5 cm
© By the author. Read Klimt02.net Copyright.
Nanna GrønborgNecklace: Untitled, 2012
Porcelain, silver, string
4 x 7 x 3 cm
© By the author. Read Klimt02.net Copyright.
Nanna GrønborgNecklace: Untitled, 2012
Porcelain, glaze, string
4,5 x 6,5 x 4,5 cm
© By the author. Read Klimt02.net Copyright.
Nanna GrønborgBrooch: Untitled, 2012
Porcelain, glaze, silver, steel
6,5 x 7 x 4,5 cm
© By the author. Read Klimt02.net Copyright.
Nanna GrønborgBrooch: Untitled, 2012
Porcelain, glaze, silver, steel
5 x 9 x 4 cm
© By the author. Read Klimt02.net Copyright.
Nanna GrønborgBrooch: Untitled, 2012
Porcelain, glaze, silver, steel
9 x 6 x 3 cm
© By the author. Read Klimt02.net Copyright.
Nanna GrønborgBrooch: Mutomorph II, 2012
Porcelain, silver, steel
10 x 6 x 4 cm
© By the author. Read Klimt02.net Copyright.
Nanna GrønborgBrooch: Mutomorph IV, 2012
Porcelain, silver, steel
8,5 x 5,5 x 5 cm
© By the author. Read Klimt02.net Copyright.
Statement
My jewellery is a body related tool used to comment on problems arising from the collision of manmade and the conditions of nature. This collision, in combination with the ongoing fusion of cultures fascinates me and it affects my work as my own life is a cultural combination.I use theoretical tools like semiotics and the science of perception to reflect on these topics with a touch of irony.
The contradictions between the rational and the intuitive, between what we see and what we make of it feed my jewellery universe. My investigation of the interrelationships between objects and the imagination is an ongoing process.
My way of working is drawing on diverse methods, which help me to be aware of every decision including those which deliberately allow for chance. I strive to reach a subtle, sometimes minimalist aesthetic in my work, leaving it to the beholder to decode its message. It should irritate as much as stimulate reflection.
Nanna Grønborg
CV 
Publications
Events
newsletter
Get the latest information about the international Jewellery Scene sent directly to your mailbox every week. View previous issues
-
Eleonora Ghilardi
Lodi, Italy -
Yichen Dong
London, United Kingdom -
Sari Liimatta
Lappeenranta, Finland -
Irene Palomar
Buenos Aires, Argentina -
Geraldine Fenn
Johannesburg, South Africa -
Ariel Lavian
Shoresh, Israel -
Simeon Shomov
Sofia, Bulgaria -
Marion Delarue
Paris, France -
Julia deVille
Melbourne, Australia -
Arata Fuchi
Florence, Italy -
Teresa Faris
Madison, United States -
Estela Saez Vilanova
Girona, Spain -
Gabriele Kutschera
Vienna, Austria -
Harold O'Connor
Salida, United States -
Yiping Li
Beijing, China
