Nanna Grønborg
Jeweller
/
MunichSchmuckFair2025
MunichSchmuckFair2026
Published: 02.05.2014
Statement
My jewellery is a body related tool used to comment on problems arising from the collision of manmade and the conditions of nature. This collision, in combination with the ongoing fusion of cultures fascinates me and it affects my work as my own life is a cultural combination.I use theoretical tools like semiotics and the science of perception to reflect on these topics with a touch of irony.
The contradictions between the rational and the intuitive, between what we see and what we make of it feed my jewellery universe. My investigation of the interrelationships between objects and the imagination is an ongoing process.
My way of working is drawing on diverse methods, which help me to be aware of every decision including those which deliberately allow for chance. I strive to reach a subtle, sometimes minimalist aesthetic in my work, leaving it to the beholder to decode its message. It should irritate as much as stimulate reflection.
Nanna Grønborg
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Robert Baines
Nutfield, Australia -
Kat Bracco
Brisbane, Australia -
Eden Herman Rosenblum
Hadera, Israel -
Lucy Sarneel
Amsterdam, Netherlands -
Lien De Clercq
Antwerp, Belgium -
Claus Bury
Hanau, Germany -
Alain Roggeman
Brussels, Belgium -
Miku Saeki
Tokyo, Japan -
Peter Hoogeboom
Amsterdam, Netherlands -
Fumiko Gotô
Basel, Switzerland -
Philipp Spillmann
Oslo, Norway -
Andrea Ortiz
New York, United States -
Caroline Broadhead
London, United Kingdom -
Eunhee Cho
Seoul, South Korea -
Heidemarie Herb
Perugia, Italy













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