Nanna Grønborg
Jeweller
Published: 02.05.2014
Statement
My jewellery is a body related tool used to comment on problems arising from the collision of manmade and the conditions of nature. This collision, in combination with the ongoing fusion of cultures fascinates me and it affects my work as my own life is a cultural combination.I use theoretical tools like semiotics and the science of perception to reflect on these topics with a touch of irony.
The contradictions between the rational and the intuitive, between what we see and what we make of it feed my jewellery universe. My investigation of the interrelationships between objects and the imagination is an ongoing process.
My way of working is drawing on diverse methods, which help me to be aware of every decision including those which deliberately allow for chance. I strive to reach a subtle, sometimes minimalist aesthetic in my work, leaving it to the beholder to decode its message. It should irritate as much as stimulate reflection.
Nanna Grønborg
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Robin Shelton
Wilmington, United Kingdom -
Stephania Curreli
Alghero, Italy -
Martina Dempf
Berlin, Germany -
Deniz Turan
London, United Kingdom -
Ana Petrova
Lom, Bulgaria -
Jill Baker Gower
Lisle, United States -
Ariel Lavian
Jerusalem, Israel -
Eric de Gésincourt
Capbreton, France -
Esther Brinkmann
Bienne, Switzerland -
Eva Eisler
Prague, Czech Republic -
Bas Bouman
Haarlem, Netherlands -
Xenia Deimezi
Athens, Greece -
Valérie Hangel
Carouge, Switzerland -
Anne Luz Castellanos
Buenos Aires, Argentina -
Benedict Haener
Luzern, Switzerland