Nanna Grønborg
Jeweller
/
MunichSchmuckFair2025
MunichSchmuckFair2026
Published: 02.05.2014
Statement
My jewellery is a body related tool used to comment on problems arising from the collision of manmade and the conditions of nature. This collision, in combination with the ongoing fusion of cultures fascinates me and it affects my work as my own life is a cultural combination.I use theoretical tools like semiotics and the science of perception to reflect on these topics with a touch of irony.
The contradictions between the rational and the intuitive, between what we see and what we make of it feed my jewellery universe. My investigation of the interrelationships between objects and the imagination is an ongoing process.
My way of working is drawing on diverse methods, which help me to be aware of every decision including those which deliberately allow for chance. I strive to reach a subtle, sometimes minimalist aesthetic in my work, leaving it to the beholder to decode its message. It should irritate as much as stimulate reflection.
Nanna Grønborg
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Felieke van der Leest
Øystese, Norway -
Gabrijela Kozarić Budiša
Zagreb, Croatia -
Martina Dempf
Berlin, Germany -
Beppe Kessler
Amsterdam, Netherlands -
Svetlana Kisselev
Nogent-sur-Marne, France -
Kristyna Spanihelova
Horní Becva, Czech Republic -
Yue Huang
Lagos, Portugal -
Helen Clara Hemsley
Copenhagen, Denmark -
Mette Saabye
Copenhagen, Denmark -
Kirsten Plank
Plattling, Germany -
Babette Boucher
Varen, France -
Joël Faivre-Chalon
Montpellier, France -
Catarina Silva
Lisbon, Portugal -
Heidemarie Herb
Perugia, Italy -
Tamara Marbl Joka
Oslo, Norway













nanna-gronborg.com





