Nanna Grønborg
Jeweller
/
MunichSchmuckFair2025
Published: 02.05.2014
Statement
My jewellery is a body related tool used to comment on problems arising from the collision of manmade and the conditions of nature. This collision, in combination with the ongoing fusion of cultures fascinates me and it affects my work as my own life is a cultural combination.I use theoretical tools like semiotics and the science of perception to reflect on these topics with a touch of irony.
The contradictions between the rational and the intuitive, between what we see and what we make of it feed my jewellery universe. My investigation of the interrelationships between objects and the imagination is an ongoing process.
My way of working is drawing on diverse methods, which help me to be aware of every decision including those which deliberately allow for chance. I strive to reach a subtle, sometimes minimalist aesthetic in my work, leaving it to the beholder to decode its message. It should irritate as much as stimulate reflection.
Nanna Grønborg
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Sotiria Vasileiou
Kalamata, Greece -
Meira Rauta
Helsinki, Finland -
Attai Chen
Munich, Germany -
Kristyna Spanihelova
Horní Becva, Czech Republic -
Phillipa Gee
Auckland, New Zealand -
Sharon Massey
Indiana, United States -
May Gañán
Madrid, Spain -
Marianne Anselin
Perpezac le Blanc, France -
Ana Margarida Carvalho
Lisbon, Portugal -
Iris Tsante
Athens, Greece -
Harold O'Connor
Salida, United States -
Alain Roggeman
Brussels, Belgium -
Tamara Marbl Joka
Oslo, Norway -
Shahrzad Motallebi
Chicago, United States -
Sophie Rose
Silkeborg, Denmark














nanna-gronborg.com





