Nanna Grønborg
Jeweller
/
MunichSchmuckFair2025
Published: 02.05.2014
Statement
My jewellery is a body related tool used to comment on problems arising from the collision of manmade and the conditions of nature. This collision, in combination with the ongoing fusion of cultures fascinates me and it affects my work as my own life is a cultural combination.I use theoretical tools like semiotics and the science of perception to reflect on these topics with a touch of irony.
The contradictions between the rational and the intuitive, between what we see and what we make of it feed my jewellery universe. My investigation of the interrelationships between objects and the imagination is an ongoing process.
My way of working is drawing on diverse methods, which help me to be aware of every decision including those which deliberately allow for chance. I strive to reach a subtle, sometimes minimalist aesthetic in my work, leaving it to the beholder to decode its message. It should irritate as much as stimulate reflection.
Nanna Grønborg
-
David Watkins
-
Sotiria Vasileiou
Kalamata, Greece -
Anne Luz Castellanos
Buenos Aires, Argentina -
Karin Johansson
Gothenburg, Sweden -
Sébastien Carré
Strasbourg, France -
Empar Juanes Sanchis
Alfarb, Spain -
Shirly Bar-Amotz
Kibbutz Maabarot, Israel -
Catarina Silva
Lisbon, Portugal -
Kirsten Plank
Plattling, Germany -
Mari Ishikawa
Munich, Germany -
Sara Shahak
Petah Tikva, Israel -
Tore Svensson
Gothenburg, Sweden -
Wiebke Pandikow
Helsinki, Finland -
Warwick Freeman
Auckland, New Zealand -
Helen Clara Hemsley
Copenhagen, Denmark