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Nel Linssen

Jeweller
Published: 21.07.2026

Bio

Nel Linssen (1935-2016) trained at the Academy of Fine Arts in Arnhem, initially working as a pattern cutter before turning to textiles. In 1986, an experiment that produced an unexpected three-dimensional form set the course for the rest of her career. From that point on, she devoted herself entirely to jewellery made of paper.

Working with laminated paper stiffened by a middle layer of glass fibre, Linssen built her pieces from folded, repeating modular elements. Colour, cut, fold, light and shadow were all considered in relation to how a piece would move and shift once worn. The jewellery only reveals its full character on the body. The colours emerge, contours shift, and the same piece looks different from one moment to the next and from one wearer to the next.

Over three decades, Linssen refined this modular language while continuing to draw on rhythms and structures. Her work entered major public collections, including the Victoria and Albert Museum in London, the State Hermitage Museum in St. Petersburg, and the Stedelijk Museum in Amsterdam. In 2014, she donated a substantial body of her work, spanning thirty years of practice, to Museum Het Valkhof in Nijmegen.
 

Statement

My work arises intuitively and in an empirical way. I am continually trying to discover logical constructions, inspired by rhythms and structures in the botanical world. In the development of my ideas, the use of paper as a means of expressing myself was an obvious choice. As a material, it possesses a lot of qualities that are useful to me. Moreover, the tactile qualities of paper are important in connection with wearable objects. For years, I used the best quality paper for my jewellery, unfortunately, this paper is no longer available, so now I use paper with a plastic coating. The cause for a new line of research is often quite coincidental. Struck by a certain form or material, I start a quest in which an interaction arises between thought and action, in order to arrive at a useful concept. Finding the appropriate technical solutions is an important challenge in this process.
/ source: meer.com

Events      View / hide events

2024:
2019:
Exhibition  26 Sep 2019 - 31 Oct 2019  Pilar Garrigosa Private Colletion.
2017:
Exhibition  05 Jun 2017 - 29 Oct 2017  CODA Paper Art 2017.
2014:
Exhibition  30 Jan 2014 - 30 Mar 2014  Chain Reactions: Claartje Keur’s jewellery and portrait.
2009:
Exhibition  15 Sep 2009 - 25 Oct 2009  Paper Jewellery: poor jewellery.
2006:
Exhibition  02 Mar 2006 - 02 Apr 2006  Paper’s charm: the jewels of Nel Linssen.
2005:
Exhibition  16 Jun 2005 - 30 Jun 2005  Preziosa 2005: The Inspiration of the Material.

Publications      View / hide publications

Book:  Paper: Tear, Fold, Rip, Crease, Cut. Sweeney, Richard; Koshiro, HatoriBlack Dog Publishing Ltd:  London,  2009
Book:  Hnoss depended. Galleri hnoss:  Gotheborg,  2008
Book:  Preziosa 2005. A new concept of preciousness. Material, source of creative inspiration. Le Arti OrafeLe Arti Orafe:  Florence,  2005
Book:  Nel Linssen: Paper Jewellery. van Berkum, AnsNetherlands,  2002