Nicole Baert
Jeweller
Published: 09.07.2020
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Object: Blue Wine, 2020
Glass, paper pulp, ultramarine blue pigment.
Photo by: Nicole Baert
From series: BLÅ
© By the author. Read Klimt02.net Copyright.
Object: The sky is not the limit, 2020
Broken glass, paper pulp, cotton wire, ultramarine blue pigment.
12 x 5 x 6 cm
Photo by: Nicole Baert
From series: BLÅ
© By the author. Read Klimt02.net Copyright.
Necklace: Blue notes, 2020
Paper pulp, iron wire, ultramarine blue pigment.
5 x 5 x 16 cm
Photo by: Nicole Baert
From series: BLÅ
© By the author. Read Klimt02.net Copyright.
Object: Blue blocks, 2020
Cardboard, paper, cotton, ultramarine blue pigment.
5 x 5 x 5 cm ; 10 x 5 x 5 cm
Photo by: Nicole Baert
From series: BLÅ
© By the author. Read Klimt02.net Copyright.
Object: True blue, 2020
Paper pulp, used painter's brushes, ultramarine blue pigment.
16 x 16 cm
Photo by: Nicole Baert
© By the author. Read Klimt02.net Copyright.
Object: Blue orchestra, 2020
10 books, used painter's brushes, ultramarine blue pigment.
22 x 16 x 5 cm
Photo by: Nicole Baert
From series: BLÅ
© By the author. Read Klimt02.net Copyright.
Brooch: This is not a blue tie, 2018
Driftwood-ultramarine blue pigment
6 x 6.5 cm
Photo by: Nicole Baert
From series: BLÅ
© By the author. Read Klimt02.net Copyright.
Brooch: Blue Hangover, 2017
Driftwood, ultramarine blue pigment
13 x 6 cm
Photo by: Nicole Baert
From series: BLÅ
© By the author. Read Klimt02.net Copyright.
Brooch: Blue Hangover, 2017
Driftwood, ultramarine blue pigment
13 x 6 cm
Photo by: Nicole Baert
From series: BLÅ
© By the author. Read Klimt02.net Copyright.
Bracelet: Once in a blue moon, 2017
Wire & linen, cotton thread, ultramarine blue pigment
11 x 7.5 x 7.5 cm
Photo by: Nicole Baert
From series: BLÅ
© By the author. Read Klimt02.net Copyright.
Bracelet: Once in a blue moon, 2017
Wire & linen, cotton thread, ultramarine blue pigment
11 x 7.5 x 7.5 cm
Photo by: Nicole Baert
From series: BLÅ
On body
© By the author. Read Klimt02.net Copyright.
Necklace: Blue lagoon VI, 2017
Satin ribbon, paper pulp, ultramarine blue pigment
80 cm
Photo by: Nicole Baert
From series: BLÅ
© By the author. Read Klimt02.net Copyright.
Necklace: A splash of blue, 2017
Cotton wire, paper pulp, ultra marine blue pigment
39 cm
Photo by: Nicole Baert
From series: BLÅ
© By the author. Read Klimt02.net Copyright.
Necklace: Blue landscape II, 2017
Pur, paper pulp, rayon wire, ultra marine blue pigment
15 x 8 x 4 cm
Photo by: Nicole Baert
From series: BLÅ
© By the author. Read Klimt02.net Copyright.
Necklace: Dancing blue bird, 2017
Paper & cambric fibre, paper pulp, rayon wire, ultramarine blue pigment
9 x 7 x 5 cm
Photo by: Nicole Baert
From series: BLÅ
© By the author. Read Klimt02.net Copyright.
Necklace: Lady sings the blues, 2017
Cotton wire, paper pulp, ultramarine blue pigment
12 x 5 cm
Photo by: Nicole Baert
From series: BLÅ
© By the author. Read Klimt02.net Copyright.
Ring: A box of blue chocolates, 2017
Paper pulp, ultramarine blue pigment
5 x 3 x 2 cm
Photo by: Nicole Baert
From series: BLÅ
© By the author. Read Klimt02.net Copyright.
Nicole Baert was born in Belgium, Flanders where she lives and works. She studied art school in Gent, followed by a graphic and a textile education. For the last 20 years she designs exclusive hats and accessories. Her background as a painter, a graphic artist and a millener has an impact on the way she designs contemporary jewellery.
Statement
BLÅ is the name of a collection of contemporary jewellery in the broadest sense. You can wear a unique piece of the BLÅ collection as a jewel or you can enjoy a “one of a kind object “ in your living environment.Found objects can be the inspiration for new forms but can also be readymades. The interaction between structures, forms, materials, and fibers creates a certain tension.
The addition of ultramarine blue pigment accentuates the monumental character and is also the signature of this collection.
The color ultramarine blue is a well-considered choice. The pigments are made of the semi-precious stone Lapis Lazuli. It refers to jewellery in its classical form.
In the future collections, I might also use other blue pigments but this first collection is focused on the brightness and beauty of ultramarine blue. The shade can vary very slightly, depending on the technique and the surface used when creating the objects and jewellery.
Bleu, blue, blau, blauw... I prefer BLÅ the danish word as I am a Danmark lover.
My background as a painter, a graphic artist, and a milliner certainly has an impact on the way I deal with this new challenge. As I have no education as a jewel designer, I have the freedom to discover the possibilities as well as the limitations of materials. I see this as an advantage in the making process. I hope you enjoy every unique piece of the BLÅ collection.
CV 
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