Petra Zimmermann: Schmuck│Jewellery
Published: 09.03.2012
Barbara Maas
Wolfram Otto
Anna Schetelich
- Edited by:
- Arnoldsche Art Publishers
- Edited at:
- Stuttgart
- Edited on:
- 2012
- Technical data:
- 128 pages, hard cover, 193 colour and 46 black-and-white illustrations, text in English and German, 21 x 28.5 cm
- ISBN / ISSN:
- 978-3-89790-346-3
Out of print
Inner page.
Necklace with pendant, 2009, polymethyl methacrylate, gold leaf, blackened silver
Photo © Petra Zimmermann
Necklace with pendant, 2009, polymethyl methacrylate, gold leaf, blackened silver
Photo © Petra Zimmermann
© By the author. Read Klimt02.net Copyright.
The first com-prehensive retrospective of the artist awarded the renowned Eligius-Schmuck Prize in October 2010.
Eye-catchers and thought-provoking pieces. Petra Zimmermann’s ironic play with glamour and stereotypes.
Petra Zimmermann belongs to the emergent, rambunctious, upcoming stars in the field of contemporary auteur jewellery. In just a few years the young Austrian has made a name for herself with her extravagant and ‘untamed baroque’ works - not least due to her complex plays on quotations and the intense confrontation with questions on the attraction, value and expiry date of material beauty. In her earlier series ‘Schmuck im Schmuck’ [Jewellery in Jewellery] (1998–2002) the artist was already combining the old and the new, in which she cast found materials – mostly old costume jewellery from flea markets – into contemporary base forms made from coloured plastic. The dusty sparkle of old rings and bracelets was born again in a new blaze of colour in youthfully glamorous creations. In appreciation of aesthetic categories not based on material value, Zimmermann’s aesthetic quest is simultaneously reflected in the area of tension between auteur jewellery and the fine arts.
This tension is also shown in her brooch series ‘Cut-Outs and Pin-Ups’ (2003–2005), in which stereotypical images of female bodies taken from newspapers and magazines are displayed and further ironised by the application of sparkle. With gold leaf and glass stones, intricately adorned plastic serves as a base material. Here, artistic jewellery becomes – quite hedonistically –a critique of the dazzling superficiality of costume jewellery.
Petra Zimmermann’s latest cycle of work is also distinguished by the complex and ambiguous comprehension of the jewellery pieces, where fragments of plastic and costume jewellery consolidate into wanton exotic flowers, or an entire handbag is able to be transformed into a bracelet. The joining of floral elements, historical industrially-produced jewellery, and mass-media images of models and design icons creates hybrid forms that appear to lie somewhere between Jugendstil, futuristic sculpture, and contemporary ergonomic design.
Petra Zimmermann belongs to the emergent, rambunctious, upcoming stars in the field of contemporary auteur jewellery. In just a few years the young Austrian has made a name for herself with her extravagant and ‘untamed baroque’ works - not least due to her complex plays on quotations and the intense confrontation with questions on the attraction, value and expiry date of material beauty. In her earlier series ‘Schmuck im Schmuck’ [Jewellery in Jewellery] (1998–2002) the artist was already combining the old and the new, in which she cast found materials – mostly old costume jewellery from flea markets – into contemporary base forms made from coloured plastic. The dusty sparkle of old rings and bracelets was born again in a new blaze of colour in youthfully glamorous creations. In appreciation of aesthetic categories not based on material value, Zimmermann’s aesthetic quest is simultaneously reflected in the area of tension between auteur jewellery and the fine arts.
This tension is also shown in her brooch series ‘Cut-Outs and Pin-Ups’ (2003–2005), in which stereotypical images of female bodies taken from newspapers and magazines are displayed and further ironised by the application of sparkle. With gold leaf and glass stones, intricately adorned plastic serves as a base material. Here, artistic jewellery becomes – quite hedonistically –a critique of the dazzling superficiality of costume jewellery.
Petra Zimmermann’s latest cycle of work is also distinguished by the complex and ambiguous comprehension of the jewellery pieces, where fragments of plastic and costume jewellery consolidate into wanton exotic flowers, or an entire handbag is able to be transformed into a bracelet. The joining of floral elements, historical industrially-produced jewellery, and mass-media images of models and design icons creates hybrid forms that appear to lie somewhere between Jugendstil, futuristic sculpture, and contemporary ergonomic design.
Inner page.
Brooch “Pin-Up XII“, 2005, pearls, pyrites, blackened silver
Bracelet, 2003, polymethyl methacrylate, gold leaf
Private collection
© By the author. Read Klimt02.net Copyright.
Inner page.
085 Exhibition view “OFF THE WALL I“,
Galerie OONA, Berlin 2007
Display: Wolfram Otto
086 Brooch “RGB“, 2006, polymethyl methacrylate, garnet beads, blackened silver
130 x 120 x 25 mm
087 Brooch “Box I“, 2006, gilded brass, steel wire, blackened silver
35 x 44 x 13 mm
088 Brooch, 2007, polymethyl methacrylate, smoky quartz beads, printing ink, gold leaf,
gilded brass
102 x 89 x 32 mm
Private collection
090 Exhibition views “OFF THE WALL I“,
Galerie OONA, Berlin 2007
085 Exhibition view “OFF THE WALL I“,
Galerie OONA, Berlin 2007
Display: Wolfram Otto
086 Brooch “RGB“, 2006, polymethyl methacrylate, garnet beads, blackened silver
130 x 120 x 25 mm
087 Brooch “Box I“, 2006, gilded brass, steel wire, blackened silver
35 x 44 x 13 mm
088 Brooch, 2007, polymethyl methacrylate, smoky quartz beads, printing ink, gold leaf,
gilded brass
102 x 89 x 32 mm
Private collection
090 Exhibition views “OFF THE WALL I“,
Galerie OONA, Berlin 2007
© By the author. Read Klimt02.net Copyright.
Barbara Maas
Wolfram Otto
Anna Schetelich
- Edited by:
- Arnoldsche Art Publishers
- Edited at:
- Stuttgart
- Edited on:
- 2012
- Technical data:
- 128 pages, hard cover, 193 colour and 46 black-and-white illustrations, text in English and German, 21 x 28.5 cm
- ISBN / ISSN:
- 978-3-89790-346-3
Out of print
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