Jewellery Presentation: Xavier Monclus and Philip Sajet. Florence Jewellery Week
Lectures
/
30 May 2015
Published: 22.05.2015
Fondazione Salvatore Romano
- Mail:
- c.jacomelli
artiorafe.it
- Phone:
- +39 055 287043

The public will have the opportunity to meet the artists directly at the place of their exhibitions. The artists will interact with the public and show them their works and process of thinking and creating. The artists will be there during the indicated time.
Artist list
Xavier Monclús, Philip SajetXavier Monclús / Narrative or Essential
If there is anything that has characterized my work over time, it is a clear figurative personality, what we normally call Narrativism.
Animals have been and still are a constant in my work. I have a special attraction to them at a sentimental level. In fables they express sentiments and social situations that are part of human relationships.
I often portray them as hybrid beings who combine compositionally with objects and architectural elements. At the end of the process, they are transformed into beings with their own personality and life.
The representation of attractive elements such as architecture, animals or toys – combining with each other – has configured my personal and formal world, giving my work a surrealist character.
Currently my work is different if viewed over a trajectory of 20 years. The Narrativism that characterized my objects is making space for the search for an essential, simple geometry, tending towards a sort of minimalism, without completely abandoning references to the figurative aspect. The narrative compositions are replaced by forms that evoke the more intrinsic origin of the material. In the case of the works that evoke architecture, I am more interested in explaining what material they are made of than in showing what happens, which I wanted to do in the past.
Geometrical fragments evoke consistencies and colours both of the stones and the wood. The express a totality. A fragment that, from the compositional point of view, is a whole, with an almost abstract character.
The animals have not disappeared, on the contrary, they continue to be there as our messengers of ourselves; but it is true that in some way they are petrified, as if they wanted their memory to be perpetuated.
The Menorquina and Talayot popular architecture is now my sphere. Menorca is where I live and where I want to die – a small, atavistic Mediterranean island.
I love it, I chose it and I represent it.
Philip Sajet / The Battle for Beauty
Morpheus is the god of dreams.
And Morf became a word for form.
What a nice conclusion. A dream becomes Form.
First there is Nothing then there is Something.
Beauty takes many forms, I do not know them all.
What fascinates me about beauty is that it borders so closely to what is perceived as ugly and the exciting contradiction is that if one wants to find new forms of beauty, one must actually tap into the source of ugliness.
If the viewer looks longer to the work than creator has done to do create it, the work has won.
Then the Battle for Beauty has taken place.
Brooch: Aquarium. Serie Everyday Containers, 2009
Silver, wood, enamel paint
40 x 65 x 10 mm
Photo by: Guillem F-H
From series: Animals
Published at: Pensieri Preziosi 5. La llibertat de la joia, 2009
© By the author. Read Klimt02.net Copyright.
Brooch: De Pinguins Van Amsterdam, 2009
Silver, oxidated silver, alpaca, laminated paper, plastic, enamel paint
90 x 54 x 9 mm
Photo by: Guillem F-H
From series: Architecture
Published at: Éclat. Maestros de la joyería contemporánea, 2014
© By the author. Read Klimt02.net Copyright.
Fondazione Salvatore Romano
- Mail:
- c.jacomelli
artiorafe.it
- Phone:
- +39 055 287043
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