Thea Clark
Jeweller
Published: 25.05.2022
verizon.netStatement
My work is an going investigation into the nature of identity, materials, memory, and the conveyance of meaning."Fluidity and Form", examines how we experience the changing self. Objects are transformed into images on silk through the cyanotype process, rendered in the classic blue of this technique. Chosen for their emotional resonance, pearls, chains, nests, and circles signify protection, domesticity, nurturance, the life cycle. The images are combined with mixed media, including a layer of pink plastic that unifies the structural strata. This pink and blue play on our deep seated associations, anima, animus, yin and yang, which are the undercurrents of the fluidity and form we call the self.
The term cryosphere refers to the frozen water on the earth’s surface. The installation is inspired by the work of pioneering female Arctic explorer Louise A. Boyd of San Rafael, California who in the 1930’s conducted numerous expeditions to Eastern Greenland to do research on glaciers and geography. Boyd’s work included documenting the landscapes with hundreds of photographs made using state of the art cameras. Her collective research from over 80 years ago is still used today as a reference point for climate change studies.
Boyd’s black and white images capture amazing surface detail but we know the true glowing blues of icebergs and glaciers were only possible to see in person. Thea Clark’s sculpture and jewelry installation is influenced by these captured images, Boyd’s actual seen experience, documented scientific findings, and the nautical aspect of the exploration. Through the use of color, texture, and materials Clark pays homage to the natural wonder of the Arctic. Clark focuses on the pioneering spirit of Boyd through the lens of today’s knowledge of man’s responsibility for the rapid loss of our cryosphere.
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