Sébastien Carré
Published: 24.02.2020
hotmail.comBrooch: From the darkness come the light, 2020
Japanese paper, ruby zoisite, beads, nylon, steel.
Photo by: Milo Lee photography
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Necklace: Concretisation of the forest, 2019
Japanese paper, hematite, turquoise, elastic thread, beads, nylon.
Photo by: Milo Lee
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Necklace: Factor Growth, 2019
Japanese paper, pearls, beads, cotton, silk, nylon, jade thread.
Photo by: Milo Lee Photography
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Brooch: Cultural Clash, 2019
Japanese paper, silk, hematite, beads.
Photo by: Milo Lee Photography
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Necklace: Coral Bleeding, 2019
Japanese paper, shell, beads, nylon.
Photo by: Milo Lee Photography
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Brooch: Will our future bloom?, 2019
Japanese paper, filmstrip, beads, nylon, steel.
Photo by: Milo Lee Photography
Awarded at: Gioielli in Fermento Award 2019 9th edition
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Necklace: What will be left, 2019
Japanese paper, beads, nylon thread.
Photo by: Milo Lee Photography
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Necklace: Organic Growth, 2018
Japanese paper, aquamarine, garnets, beads, nylon.
Photo by: Milo Lee Photography
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Brooch: Nourished by others, 2018
Filmstrip, beads, silk cotton, nylon, steel.
Awarded at: Gioielli in Fermento Award 2018 8th edition
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Necklace: All bond together, 2018
Japanese paper, cotton, silk, nylon, jasper thread and beads.
Photo by: Milo Lee Photography
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Bracelet: Primal Organism, 2018
Pearls, beads, nylon.
Photo by: Milo Lee
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Brooch: A Link Between Species, 2018
Ruby Zoisite, chrysopras, turquoise, beads, silk, cotton, nylon.
Photo by: Milo Lee
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Necklace: From Mechanic to Organic, 2018
Beads, silk, nylon.
Photo by: Milo Lee
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Brooch: Shimmering Water, 2017
Japanese paper, silk, glass beads.
Photo by: Milo Lee
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Necklace: Terroir, 2017
Japanese paper, Rhyolit, seashell, cotton, nylon, beads.
Selected in Gioielli in Fermento Award 2017 7th edition.
Photo by: Milo Lee Photography
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Ring: Flower Ring, 2017
Ruby zoisite, glass beads, silk, cotton, elastic thread.
Photo by: Milo Lee Photography
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Necklace: The Blue Waterfall, 2016
Apatite, freshwater pearls, nylon, cotton, beads.
45 x 20 x 2.5 cm
Photo by: Milo Lee Photography
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Necklace: Cultural Cycle, 2016
Filmstrip, seashell, silk, cotton, nylon, beads.
Ø 90 x 2.5 - 18 cm
Photo by: Milo Lee Photography
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Brooch: Aqua Dream, 2016
Japanese paper, leather, Agata, Sodalite, beads, cotton, silk, nylon.
6 x 13 x 5 cm
Photo by: Milo Lee Photograpy
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Brooch: Cultural Meeting, 2016
Filmstrip, Dalmatian Jaspis, white Howlite, beads, cotton, nylon.
13 x 10 x 4 cm
Photo by: Milo Lee Photography
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Necklace: The Big Reminder, 2016
Filmstrip, cotton.
Ø 80 x 4 - 10 cm
Photo by: Milo Lee Photography
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Brooch: Even If we have to loose blood, 2016
Japanase lacquer, Japanese paper, garnet, serpentine, chrysoprase, tiger eyes, beads, silk.
9 x 5 x 18 cm
Photo by: Milo Lee Photograpy
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Ring: 7th continent, 2014
Cans capsules, plastic bottle neck, nylon, silk, beads, shark tooth.
9 x 9 x 12 cm
Photo by: Milo Lee Photograpy
From series: Water Project
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Brooch: Archaeological Layers, 2016
Japanese paper, Japanese Lacquer, Aluminum powder, Zoisite's Ruby, African Turquoise, Aquamarine, beads, silk, cotton
5 x 12 x 3.5 cm
Photo by: Milo Lee Photograpy
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Brooch: Angina, 2015
Steel chainmail, dalmatian jaspis, silk, cotton,beads.
12 x 7 x 5 cm
Photo by: Milo Lee Photograpy
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Brooch: Cultural Biology, 2016
Japanese Paper, Filmstrip, Hematite, Dalmatian Jaspis, white Howlite, beads, silk, cotton, nylon.
13 x 10 x 4 cm
Photo by: Milo Lee Photograpy
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Bracelet: Earth Inflammation / Inflammation Bracelet #6, 2013
Steel Chainmail, japanese paper, cotton, silk, nylon, copper thread, beads.
11 x 11 x 3 cm
Photo by: Milo Lee Photograpy
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Necklace: Oh My God…, 2015
Wool, cotton, leather, silk, Red tiger eyes /tiger eyes/Aventurine, beads.
7 meters, 2 x 8 cm
Photo by: Milo Lee Photograpy
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Brooch: Organic Divinity, 2016
Japanese paper, leather, hematite, beads, cotton, silk.
6 x 13 x 5 cm
Photo by: Milo Lee Photograpy
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Brooch: Reminiscence, 2015
Japanese lacquer on steel - eggshell, silk, cotton, pearls, filmstrip.
5 x 10 x 3 cm
Photo by: Milo Lee Photograpy
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Brooch: We-All-Need-to-Smile, 2016
Japanese paper, garnet, amethyst, filmstrip, beads, silk, cotton.
9 x 5 x 15 cm
Photo by: Milo Lee Photograpy
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Brooch: Vulcania, 2015
Filmstrip, lava beads, aventurine beads, Cotton, Silk, japanese paper, Nylon, Beads
13 X 9 X 4 cm
Photo by: Milo Lee Photography
From series: Such a small World
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Brooch: Tropical Island, 2015
Nylon, Cotton, Silk, dalmatian jaspis, Tiger's eye, Lava beads
11 X 7 X 3.5 cm
Photo by: Milo Lee Photography
From series: Such a small World
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Brooch: Snake Landscape, 2015
steel chainmail, lava, agate, zoisite Rubys, Red tiger eyes, Cotton, Silk, Beads
12.5 X 8 X 3.5 cm
Photo by: Milo Lee Photography
From series: Such a small World
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Brooch: Tropical, 2015
Japanese paper lacework. Agate, Lava bead, small red tiger eyes and turquoise stone, silk, cotton, beads.
14 X 12 X 6 cm
Photo by: Milo Lee
From series: Such a Small World
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Ring: Crawling, 2015
Japanese paper lacework. Agate, Lava bead, small Red tiger eyes and turquoise stone, silk, cotton, beads
14 X 6 X 6 cm
Photo by: Milo Lee
From series: Such a Small World
three-finger ring for left hand
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Ring: Holidays Indication, 2015
Japanese paper lacework. Agate, lava bead, small red tiger's eyes and turquoise stone, silk, cotton, beads
11 X 5 X 3.5 cm
Photo by: Milo Lee
From series: Such a Small World
ring for left index (forefinger)
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Ring: Several scales of grape, 2015
Awarded at: Gioielli In ...Fermento 2015
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Ring: Several scales of grape, 2015
Awarded at: Gioielli In ...Fermento 2015
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Necklace: Rancor, 2015
Cotton, beads, Onyx, Filmstrip.
50 x 11 x 5 cm
Photo by: Milo Lee
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Brooch: The Good Heart, 2015
Heart made with Basalte Japanese Lacquer, Garnet, Onyx, beads, mother of pearl & structure made of cotton, beads and nylon lacework
Armbrass Brooch
11x 45 x 4
Photo by: Milo Lee
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Necklace: For Common Good, 2015
Nylon, silk and cotton lacework, carnelian and labradorite beads, beads.
53 X 5 X 2.5 – 3.5 cm
Photo by: Milo Lee
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Bracelet: The Awakening of Dunn, 2015
Filmstrip and nylon thread
11 X 11 X 4 cm
Photo by: Lee; Milo
From series: Black Inflammation
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Necklace: Organic Inflammation, 2014
beads, silk, cooper, enamel, cotton, natural fiber
80 x 12 x 7 cm
Photo by: Milo Lee
From series: Inflammation Project
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Necklace: Organism, 2014
wood, fibers, beads, waxed cotton, cotton, silk, nylon thread
88 x 8 x 3 cm
Photo by: Milo Lee
From series: Inflammation Project
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Necklace: DNA’s Causes?, 2014
cooper chain, hooked, japanese paper
Ø 2,5 x 200 cm
Photo by: Milo Lee
From series: My sweet Disease
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Necklace: Say Ahhh!, 2013
Aluminum chainmail, Glass beads, jaspis, cotton, leather, silk, nylon thread
55 x 7 x 3 cm
Photo by: Milo Lee
From series: My Sweet Disease
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Necklace: Visceral, 2013
Aluminum chainmail, cotton, linen, wool, leather
Ø 3 X 700 cm
From series: My Sweet Disease
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Bracelet: Inflammation #5, 2014
Japanese paper, cornaline gems, beads, silk
Ø 11 X 4.5 cm
Photo by: Milo Lee
From series: Inflammation Project
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Brooch: Inflammation #1, 2014
Silk, cotton, beads, leather, ostrich’s feather
8 X 8 X 2 cm
Photo by: Milo Lee
From series: Inflammation Project
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Necklace: Black Inflammation, 2014
Filmstrip, cotton, wool, beads, copper thread
Ø 80 x 4 cm
Photo by: Milo Lee
From series: Inflammation Project
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Piece: Coral Heart, 2014
Ancient coral reef, cotton, silk, beads, steel chainmail
Ø 24 cm 10 x 13 x 7 cm
Photo by: Milo Lee
From series: Water Project
Brooch cuff
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Necklace: Tellus, 2015
Rodent head, Jasper, bamboo beads, beads, printed leather, horsehair, cotton, silk
Ø 45 x 10 x 4 cm
Photo by: Milo Lee
From series: Ogham Incensum
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Sebastien Carre shows new work
Milo Lee Photography
2015
This piece is called "“ Conscience - From the Darkness Come the Light “ - 2015, Ring (2 or 3 fingers) - nylon, rubber, silk & cotton thread - Agata, tiger eyes, red tiger eyes, coral beads - bohemian glass beads - beads.
First piece made after the attacks occurred on November 13th in Paris - this ring reminds us that we must also open our eyes about our place on this Earth. The structure, black, of this ring is made by the pollutants emitted by mankind (plastic, petrol ...) I embroiered on it representatives of the animal, mineral and vegetables pecies. Meanwhile man is represented by the blue beads to deliver us a message: we can all live in harmony as long as we use our mind and consciousness ... This ring calls us to a necessary awareness on our notions of preciousity... the precious petrol is also destructive, we are probably close to a new era ... Paris forever in my heart.
© By the author. Read Klimt02.net Copyright.
Milo Lee Photography
2015
This piece is called "“ Conscience - From the Darkness Come the Light “ - 2015, Ring (2 or 3 fingers) - nylon, rubber, silk & cotton thread - Agata, tiger eyes, red tiger eyes, coral beads - bohemian glass beads - beads.
First piece made after the attacks occurred on November 13th in Paris - this ring reminds us that we must also open our eyes about our place on this Earth. The structure, black, of this ring is made by the pollutants emitted by mankind (plastic, petrol ...) I embroiered on it representatives of the animal, mineral and vegetables pecies. Meanwhile man is represented by the blue beads to deliver us a message: we can all live in harmony as long as we use our mind and consciousness ... This ring calls us to a necessary awareness on our notions of preciousity... the precious petrol is also destructive, we are probably close to a new era ... Paris forever in my heart.
© By the author. Read Klimt02.net Copyright.
Métiers d'Art 2015 Interview with Sébastien Carré
BFM Business
2015
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BFM Business
2015
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Prix de la Jeune Création Métiers d'Art 2015
Ateliers d'Art de France
2015
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Ateliers d'Art de France
2015
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Prix de la Jeune Création Métiers d'Art - Sébastien Carré
Ateliers d'Art de France
2015
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Ateliers d'Art de France
2015
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Sébastien Carré Perception
Sébastien Carré
Lee Makkam
2014
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Sébastien Carré
Lee Makkam
2014
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Sebastien Carre Vernissage Perception
Sébastien Pucel
Zarha
2014
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Sébastien Pucel
Zarha
2014
© By the author. Read Klimt02.net Copyright.
Sébastien Carré is a jewelry designer based in France. After studying five years at HEAR, the prestigious Art school of Strasbourg in France, he decides to stay there to keep on working on his organic jewelries. Throughout many exhibits he tries to wake up corporeality and the senses of the spectators.
Statement
The making of these pieces of jewelry is inspired by cell mitosis. The modular process used to produce its shape, and the interactivity of materials chosen, bring forth the idea of a living organism.The materials I use are picked in order to allow me to work despite the constraints of my disease. (eg: Chrones) Being able to work outside of the studio was definitely the most important part of this process, and textile became one of the most obvious choices of material to use during my creative process.
I am using this process to create objects to represent parts of the human body (see the seven meter necklace which represents the digestive tract), sometimes to symbolize the concept of the inflammation), or to even question our relationship with our own body and others'.
Even if we can find cathartic meaning in my pieces of jewelry, I consider them more interactive artefacts designed to help you feel your own body and to instigate discussion and thus interpersonal communication.
CV 
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