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Body Language?

Exhibition  /  03 Oct 2014  -  03 Oct 2015
Published: 24.10.2014
Ruudt Peters. Brooch: Xanthosis, 1997. Silver, Sulphur. 8,5 x 6,5 x 8,5 cm. Lapis series. Ruudt Peters
Brooch: Xanthosis, 1997
Silver, Sulphur
8,5 x 6,5 x 8,5 cm
Lapis series
© By the author. Read Klimt02.net Copyright.

Artist list

Dinie Besems, Gijs Bakker, Iris Eichenberg, Ruudt Peters, Sally Marsland, Vádav Cigler
This collection presentation focuses on the human body. The selection comprises jewelry that literally measure the human body, and pieces whose shape is based on the human body—on sexual characteristics, to be precise. The designs that comment on the notion of “human measurements”, for instance “the ideal woman”, are highly conceptual. Some designs, such as those that compel the body to assume a new shape, are also ambivalent. But what kind of message is jewelry in the form of penises, breasts, nipples or testicles trying to convey? Irony? An invitation? Are the pieces intended to excite or shock? Each culture has its own forms of body adornment, often worn to communicate status (wealth or group affiliation) or sexual availability.
In the late ’60s, young European jewelry designers began to reject the function of jewelry as status symbol (the pearl necklace, for instance). Their alternatives, which took the form of unorthodox shapes and materials, were a visual protest against the established order, parallel to the sexual revolution of the day. In the decades that followed, jewelry designers continued to explore similar themes, particularly jewelry’s relationship to the body, youth culture, and eroticism and sexuality. These trends are also visible in the Stedelijk collection.
 
Display of the collection at the showcases of the Stedelijk Museum
. Photo: Gert Jan van Rooij.
Display of the collection at the showcases of the Stedelijk Museum
Photo: Gert Jan van Rooij

© By the author. Read Klimt02.net Copyright.
Display of the collection at the showcases of the Stedelijk Museum
. Photo: Gert Jan van Rooij.
Display of the collection at the showcases of the Stedelijk Museum
Photo: Gert Jan van Rooij

© By the author. Read Klimt02.net Copyright.
Display of the collection at the showcases of the Stedelijk Museum
. On the left: Paul Derrez, ’Cross’, pendant, 1994, Aluminium, rubber
. Middle: Paul Derrez, ‘Australian Tits’, pendant, 2000, Aluminium, nylon, textile
. 
. Photo: Gert Jan van Rooij.
Display of the collection at the showcases of the Stedelijk Museum
On the left: Paul Derrez, ’Cross’, pendant, 1994, Aluminium, rubber
Middle: Paul Derrez, ‘Australian Tits’, pendant, 2000, Aluminium, nylon, textile

Photo: Gert Jan van Rooij

© By the author. Read Klimt02.net Copyright.
Display of the collection at the showcases of the Stedelijk Museum
. Photo: Gert Jan van Rooij.
Display of the collection at the showcases of the Stedelijk Museum
Photo: Gert Jan van Rooij

© By the author. Read Klimt02.net Copyright.
Display of the collection at the showcases of the Stedelijk Museum
. Photo: Gert Jan van Rooij.
Display of the collection at the showcases of the Stedelijk Museum
Photo: Gert Jan van Rooij

© By the author. Read Klimt02.net Copyright.
Display of the collection at the showcases of the Stedelijk Museum
. Photo: Gert Jan van Rooij.
Display of the collection at the showcases of the Stedelijk Museum
Photo: Gert Jan van Rooij

© By the author. Read Klimt02.net Copyright.
Display of the collection at the showcases of the Stedelijk Museum
. Photo: Gert Jan van Rooij.
Display of the collection at the showcases of the Stedelijk Museum
Photo: Gert Jan van Rooij

© By the author. Read Klimt02.net Copyright.
Display of the collection at the showcases of the Stedelijk Museum
. Photo: Gert Jan van Rooij.
Display of the collection at the showcases of the Stedelijk Museum
Photo: Gert Jan van Rooij

© By the author. Read Klimt02.net Copyright.
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