Christian Bürger
Jeweller
Published: 04.04.2017
christianbuerger.comRing: Typ N°1, 2013
925 silver.
3.7 x 2.9 x 2.1 cm
Photo by: Christian Bürger
© By the author. Read Klimt02.net Copyright.
Bracelet: Kettentyp B roh & C roh, 2016
925 Silver.
1.8 x 22 x 0.7 cm and 9 x 21 x 0.7 cm
Photo by: Christian Bürger
© By the author. Read Klimt02.net Copyright.
Ring: roh Typ N°4 & N°5, 2015
925 Silver.
3.1 x 2.8 x 1.6 cm and 1.7 cm width, ∅ 3.2 cm
Photo by: Christian Bürger
© By the author. Read Klimt02.net Copyright.
Ring: roh Typ N°3, 2015
925 Silver.
2.4 x 2.3 x 1.6 cm and 4.1 x 2.7 x 2.4 cm
Photo by: Niklas Spiegler
© By the author. Read Klimt02.net Copyright.
Ring: Black Cat Bone, 2012
925 silver
3.5 x 2.9 x 2.1 cm
Photo by: Niklas Spiegler
© By the author. Read Klimt02.net Copyright.
Bracelet: Black Cat Bone, 2012
925 silver
8 x 5.8 x 2 cm
Photo by: Niklas Spiegler
© By the author. Read Klimt02.net Copyright.
Brooch: Black Cat Bone, 2012
Bone from a black cat, silver, steel.
11 x 1 x 0.5 cm
Photo by: Alexander Stertzik
© By the author. Read Klimt02.net Copyright.
Bracelet: Black Cat Bone, 2012
Silver.
22 x 2.1 x 2.1 cm
Photo by: Stertzik Alexander
© By the author. Read Klimt02.net Copyright.
Pendant: Kaliber, 2013
925 silber
2.7 cm height, ∅ 1.1 cm and 1.7 cm height, ∅ 1.3 cm
Photo by: Niklas Spiegler
© By the author. Read Klimt02.net Copyright.
Christian Bürger is a contemporary jeweller based in Germany with a MA in Craftsman - Jewellery Designer from the Zeichenakademie Hanau. The stories behind which piece and the person who wears it are very important in Bürger's artistic creation: 'My creations are made to be worn. I make sure the creation and the person wearing it complement one another, as the effect a jewelry piece has depends on its medium'.
Statement
Currently my work has become more spontaneous. This development has resulted in a new generation of very exciting and fascinating creations. I pursue new things and approaches, rather than sticking to old patterns. These approaches can be characterized by new shapes or materials. The materials I use preferably are of natural origin. Synthetic materials can, without question, be used to create highly esthetic products of equal importance. However, it is very important to me that materials feel good from the very moment at which they are processed.There are no limits to jewelry design, and that is exactly what drives me. You can work freely. I like that – I like to polarize, I like to get people to leave their hustle and bustle of everyday life behind them, and take a moment to see, feel, and interact with something beautiful and extraordinary.
Often, jewelry pieces contain stories. The story begins with an idea which determines material, shape and size. Besides the technical precision, it is very important to me to ensure a precise implementation of this idea I have for every piece I am working on.
My creations are made to be worn. I make sure the creation and the person wearing it complement one another, as the effect a jewelry piece has depends on its medium. The story of a creation develops as it is worn, each of its dents and faults stands for a memory, and thus a chapter of its story. Often, I photograph my creations only after they were worn in order to portrait their stories.
CV 
newsletter
Get the latest information about the international Jewellery Scene sent directly to your mailbox every week. View previous issues
-
Ria Lins
Mechelen, Belgium -
Rebecca Wilson
Musselburgh, United Kingdom -
Lyndsay Rice
Calgary, Canada -
Dania Chelminsky
Tel Aviv, Israel -
Hind ElHafez
Cairo, Egypt -
Anna Talbot
Oslo, Norway -
Yong Joo Kim
Providence, United States -
Helen Clara Hemsley
Copenhagen, Denmark -
Montserrat Lacomba
Girona, Spain -
Beppe Kessler
Amsterdam, Netherlands -
Juanjo García Martín
Malaga, Spain -
Heng Lee
Kaohsiung City, Taiwan, R.O.C. -
Felieke van der Leest
Øystese, Norway -
Jana Machatova
Stupava, Slovakia -
Peter Machata
Stupava, Slovakia
