Margherita de Martino Norante
Jeweller
Published: 15.11.2010
Margherita de Martino Norante
gmail.com
Margherita de Martino NoranteBrooch: Animula vagula blandula, 2009
Gauze, feathers, gold
© By the author. Read Klimt02.net Copyright.
Margherita de Martino NoranteNecklace: Be careful Clementine, 2009
Silver, fabric, pearls
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Margherita de Martino NoranteNecklace: Be careful Clementine #2, 2009
Silver, fabric, plastic pearls
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Margherita de Martino NoranteBrooch: Bogey man, 2008
Fur, gold
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Margherita de Martino NoranteBrooch: Untitled, 2008
Wood
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Margherita de Martino NoranteBrooch: Camouflage, 2008
Wool, 22kt gold
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Margherita de Martino NorantePiece: Che fortuna!, 2008
Silicon, silver
Brooches and rings
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Margherita de Martino NoranteBrooch: Grandma, 2007
Silver
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Margherita de Martino NoranteBrooch: Keep quiet, 2009
Silver
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Margherita de Martino NoranteBrooch: The Wise Old Man, 2010
Cotton silvered wire, white gold
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Margherita de Martino NoranteBrooch: WAIT #1, 2009
Copper wire, shibuichi, gold
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Margherita de Martino NoranteBrooch: WAIT #2, 2009
Copper wire, shibuichi, gold
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Margherita de Martino NoranteNecklace: WAIT #3, 2009
Copper wire, shibuichi, pink gold
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Statement
I've chosen to make jewellery because I was curious. It's amazing what one can be willing to wear. The wonderful thing is that everyone can decide what bonds and limits exist with his/her work: I'm looking for mine. Materials, shapes, colors, memories, the mood of the day, anything can be inspiring...I use different materials and techniques, from fur to reconstructed coral, from silver to enameled copper wire. The element that my pieces have in common is the inspiration: the awareness that people wear clothes, masks, accessories to cover and protect their bodies and, at the same time, to reveal, hide or disguise themselves. Jewellery can be instrumental in this process, so I use it as a medium to reflect how this process works.
CV 
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