Sigurd Bronger: Laboratorium Mechanum
Book
/
Arnoldsche
Monograph
Published: 29.07.2011
Jorunn Veiteberg
Cecilie Skeide
Paul Derrez
André Gali
- Edited by:
- Arnoldsche Art Publishers
- Edited at:
- Stuttgart
- Edited on:
- 2011
- Technical data:
- 216 pages, 155 colour and 41 black-and white illustrations, hardcover, text in English, German and Norwegian, 19.5 x 28 cm
- ISBN / ISSN:
- 978-3-89790-345-6
- Price:
- from 50 €
- Order:
- Arnoldsche Art Publishers
- Order:
- 20% Discount for Klimt02 members
Container brooches „Souvenir from Amsterdam“ 1992
Chrome-plated steel, steel, silver, gold, lacquer, 50 x 25 mm
The National Museum of Art, Architecture and Design, Oslo, Norway
© VG Bild-Kunst Bonn, 2011
Chrome-plated steel, steel, silver, gold, lacquer, 50 x 25 mm
The National Museum of Art, Architecture and Design, Oslo, Norway
© VG Bild-Kunst Bonn, 2011
© By the author. Read Klimt02.net Copyright.
The publication ‘SIGURD BRONGER – Laboratorium Mechanum’ provides, for the very first time, a retrospective of his work from the 1980s until the pre-sent day. Large-format illustrations and texts written by renowned authors will carry the reader off into the humorous and equally cryptic world of one of the most significant Norwegian jewellery artists today.
Jewellery between engineering art and brainteaser: Sigurd Bronger’s Laboratorium Mechanum
Propeller, safety pin, balloon, wind-up key, and measuring device: these five unusual objects rewrite the world of the Norwegian ‘jewellery engineer’ Sigurd Bronger. His fascination for machines and instruments carries over into humorously produced jewellery pieces, and transforms natural materials and everyday items into meticulously executed and refined designs. In his ‘Laboratorium Mechanum’ amusing ‘wearable devices’ evolve, which serve to help the artist find new forms of expression at the interface of jewellery, art, design, and engineering: brooches, pendants and rings with balloons, sponges, eggs, medical instruments or even his own mother’s gallstones.
Early on Sigurd Bronger broke away from the conservative notion of traditional goldsmithing and experimented with form and materials. Jewellery is, for him, a means of communication in which new concepts relating to body, beauty, and decoration are able to be presented and put to the test. The unconventional pieces are seen more as free works rather than pieces of jewellery. Thanks partly to the absurd use of everyday objects he stands in the tradition of ready-made as much as he does in that of Surrealism. Pop art and Conceptual art have also left their traces in Bronger’s jewellery work. And through his use of red and yellow he is frequently associated with the Dutch group De Stijl.
The questions that Sigurd Bronger casts in his work refer to function and utility, decoration and beauty, or design and art. Does the beautiful really have to be useless, and the practical aesthetically uninteresting? Do the pat-terns that have been developed for a particular use not also have their own artistic allure? In a playfully humorous way Bronger’s ‘answers’ communicate, reflect, question, and examine the concept that is ‘jewellery’.
With contributions by
Jorunn Veiteberg: Professor at the Bergen National Academy of the Arts, Bergen
Cecilie Skeide: Curator at the Lillehammer Art Museum, Lillehammer
Paul Derrez: Director of Galerie Ra, Amsterdam
André Gali: Chief Editor of KUNSTforum, Oslo
Propeller, safety pin, balloon, wind-up key, and measuring device: these five unusual objects rewrite the world of the Norwegian ‘jewellery engineer’ Sigurd Bronger. His fascination for machines and instruments carries over into humorously produced jewellery pieces, and transforms natural materials and everyday items into meticulously executed and refined designs. In his ‘Laboratorium Mechanum’ amusing ‘wearable devices’ evolve, which serve to help the artist find new forms of expression at the interface of jewellery, art, design, and engineering: brooches, pendants and rings with balloons, sponges, eggs, medical instruments or even his own mother’s gallstones.
Early on Sigurd Bronger broke away from the conservative notion of traditional goldsmithing and experimented with form and materials. Jewellery is, for him, a means of communication in which new concepts relating to body, beauty, and decoration are able to be presented and put to the test. The unconventional pieces are seen more as free works rather than pieces of jewellery. Thanks partly to the absurd use of everyday objects he stands in the tradition of ready-made as much as he does in that of Surrealism. Pop art and Conceptual art have also left their traces in Bronger’s jewellery work. And through his use of red and yellow he is frequently associated with the Dutch group De Stijl.
The questions that Sigurd Bronger casts in his work refer to function and utility, decoration and beauty, or design and art. Does the beautiful really have to be useless, and the practical aesthetically uninteresting? Do the pat-terns that have been developed for a particular use not also have their own artistic allure? In a playfully humorous way Bronger’s ‘answers’ communicate, reflect, question, and examine the concept that is ‘jewellery’.
With contributions by
Jorunn Veiteberg: Professor at the Bergen National Academy of the Arts, Bergen
Cecilie Skeide: Curator at the Lillehammer Art Museum, Lillehammer
Paul Derrez: Director of Galerie Ra, Amsterdam
André Gali: Chief Editor of KUNSTforum, Oslo
Red ring 1994
Hard foam, silver, lacquer, 40 x 20 mm
The National Museum of Art, Architecture and Design, Oslo, Norway
© VG Bild-Kunst Bonn, 2011
Hard foam, silver, lacquer, 40 x 20 mm
The National Museum of Art, Architecture and Design, Oslo, Norway
© VG Bild-Kunst Bonn, 2011
© By the author. Read Klimt02.net Copyright.
Brooch/Pendant “No More Fear of Flying” 1995
Hard foam, silver, 18 ct gold, micro motor, 60 x 50 x 110 mm
The National Museum of Art, Architecture and Design, Oslo, Norway
© VG Bild-Kunst Bonn, 2011
Hard foam, silver, 18 ct gold, micro motor, 60 x 50 x 110 mm
The National Museum of Art, Architecture and Design, Oslo, Norway
© VG Bild-Kunst Bonn, 2011
© By the author. Read Klimt02.net Copyright.
“Sound brooch” 2001
Chrome-plated brass, steel, rubber, 170 x 25 x 50 mm
© VG Bild-Kunst Bonn, 2011
Chrome-plated brass, steel, rubber, 170 x 25 x 50 mm
© VG Bild-Kunst Bonn, 2011
© By the author. Read Klimt02.net Copyright.
“Balloon Brooch” 2001
Chromed, brass, steel, rubber, balloon, 150 x 51 x 240 mm (balloon size)
© VG Bild-Kunst Bonn, 2011
Chromed, brass, steel, rubber, balloon, 150 x 51 x 240 mm (balloon size)
© VG Bild-Kunst Bonn, 2011
© By the author. Read Klimt02.net Copyright.
“Camay Necklace” 2005
Chrome-plated silver, cotton cord, soap, 40 x 37 x 12 mm
Box: beechwood, 70 x 110 x 35 mm
National Museum of Decorative Art, Trondheim, Norway
© VG Bild-Kunst Bonn, 2011
Chrome-plated silver, cotton cord, soap, 40 x 37 x 12 mm
Box: beechwood, 70 x 110 x 35 mm
National Museum of Decorative Art, Trondheim, Norway
© VG Bild-Kunst Bonn, 2011
© By the author. Read Klimt02.net Copyright.
Brooch “Wearable Device for Gallstones” 1998
Gold-plated brass, steel, gallstones, 80 x 20 x 20 mm
Nationalmuseum, Stockholm, Schweden
© VG Bild-Kunst Bonn, 2011
Gold-plated brass, steel, gallstones, 80 x 20 x 20 mm
Nationalmuseum, Stockholm, Schweden
© VG Bild-Kunst Bonn, 2011
© By the author. Read Klimt02.net Copyright.
Bracelet “Handshake Measuring Device” 2001
Gold-plated brass, mixed media, leather, diam. 38 mm
© VG Bild-Kunst Bonn, 2011
Gold-plated brass, mixed media, leather, diam. 38 mm
© VG Bild-Kunst Bonn, 2011
© By the author. Read Klimt02.net Copyright.
“Goose Egg Ring” 1997
Steel, silver, goose egg, 130 x 50 mm
West Norway Museum of Applied Art, Bergen, Norway
© VG Bild-Kunst Bonn, 2011
Steel, silver, goose egg, 130 x 50 mm
West Norway Museum of Applied Art, Bergen, Norway
© VG Bild-Kunst Bonn, 2011
© By the author. Read Klimt02.net Copyright.
“Diamond Necklace” 2007
Diamond fluid (1 ct), plastic dispenser, rubber cord, 80 x 25 mm
© VG Bild-Kunst Bonn, 2011
Diamond fluid (1 ct), plastic dispenser, rubber cord, 80 x 25 mm
© VG Bild-Kunst Bonn, 2011
© By the author. Read Klimt02.net Copyright.
Jorunn Veiteberg
Cecilie Skeide
Paul Derrez
André Gali
- Edited by:
- Arnoldsche Art Publishers
- Edited at:
- Stuttgart
- Edited on:
- 2011
- Technical data:
- 216 pages, 155 colour and 41 black-and white illustrations, hardcover, text in English, German and Norwegian, 19.5 x 28 cm
- ISBN / ISSN:
- 978-3-89790-345-6
- Price:
- from 50 €
- Order:
- Arnoldsche Art Publishers
- Order:
- 20% Discount for Klimt02 members
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