Edinburgh College of Art. BA Degree Show 2024
Published: 30.07.2024
Edinburgh College of Art
- Website Edinburgh College of Art
- Facebook Edinburgh College of Art
- Instagram Edinburgh College of Art
- Mail:
- m.burkinshaw
ed.ac.uk - eca.hred.ac.uk
- Management:
- Jennifer Gray
Set: Tracery, 2024
Silver, reclaimed stained glass, steel pin
30 x 18 cm
Photo by: Shannon Tofts
From series: Vidimus
Earrings and Brooches
© By the author. Read Klimt02.net Copyright.
The Jewellery & Silversmithing BA (Hons) at Edinburgh College of Art is a small and specialised programme with a world-class reputation for high-quality craftsmanship and design.
Artist list
Honor Dodd, Jiahui Huang, Holly Munro, Ramsay Pagett, Cadence Yang, Cynthia Yang
We balance old and new approaches to traditional craft techniques with innovation, exploration and cross-disciplinary collaboration. Our objective is to design critically informed work that integrates ‘thought’ and ‘practice’ to contribute towards the ever-evolving creative industries within and out with our discipline.
We have a philosophy that encourages a wide range of approaches, from the traditional gold and silversmiths’ trade, to the contemporary influences of art, craft, design, technology and science.
Our students are typically curious, resourceful, independent thinkers who are able to skilfully translate an idea into a beautifully designed artefact.
These qualities are ever-present within this year’s group of graduating Jewellery and Silversmithing students, whose final collection of works are the result their own independent studio research during their final semester of studies.
/ Jennifer Gray, Program Director
Artists statements
Honor Dodd
Born and raised in rural Sussex, Brighton adjacent, ecclesiastical and Gothic architecture is a staple in every skyline, tall and wonky spires punctuate every country walk. Contrasting the undulation of the South Downs with the shiny bright jewellery stores and modernist interruptions of the city meant my passion creatively has fallen somewhere between a desire for making and creating, and distorting and interrupting.
Holly Munro
I describe myself as a multidisciplinary artist with a profound appreciation for the craft and design world. I constantly explore different methods and techniques, producing sculptural objects with distinct organic influences. I am drawn to working with natural materials, preferring sustainable options; environmental consciousness is always at the forefront of my practice. I have a particular interest in creating objects that can enhance a living space. “My ethos is that form should be fit for purpose whilst a keen drive for beautiful aesthetic is equally essential”
Jiahui Huang
As a jewellery designer and craftsman, I enjoy drawing inspiration from life experiences and memories. My creative process is an exploration of human identity, aiming to convey the essence of this journey through my works and create exquisite and vibrant contemporary jewellery.
As an observer of life, I aim to capture contradictions, ideas, and emotions in my creations, resonating deeply with viewers. By creating rotating mechanical objects with colour, I crafted a series of beautiful, rhythmic spiral patterns.
Cadence Yang
I was born in Hunan, one of the birthplaces of Chinese Nuo culture. Since childhood, I have been fascinated by this region's rich history and cultural heritage. Nuo culture, an integral part of China’s intangible cultural heritage, is deeply rooted here. During my first museum visit, the ancient Nuo masks greatly inspired and moved me. Originating from agricultural societies, Nuo masks were worn to pray for favorable weather and abundant harvests, serving as mediators between humans and nature.
Ramsay Pagett
In my pursuit as a silversmith and multidisciplinary artist, I bridge the gap between the human form and Scotland's landscapes, drawing inspiration from its varied terrain.
My Graduate Collection, "Choreoscape," is inspired by Scotland's dynamic landscapes, capturing nature's harmony with humanity. Each artwork reflects the intricate choreography of mountains, moors, forests, and seas, mirroring our movements within this ever-changing tapestry. I invite viewers to explore this fusion of nature and human expression, guided by play, to uncover new perspectives and forge deeper connections with the world.
Cynthia Yang
Cynthia is a jeweller who likes to explore the limits and capabilities of metal through small-scale silversmithing. “In my work, I attempt to create large forms that their visual impact outweighs the physical. The challenges that I create motivate me to think outside of the box and problem solve imaginatively. These hollow forms are extensions of myself and how I move and twist my body to create them. I nudge and coax the metal into shape, using the weight of my movements to control how far it goes before meandering the metal into its next curve.”
Names of Tutors
Jennifer Gray, Program Director.
Susan Cross, Reader.
Maria Maclennan, Senior Lecturer.
Heather Woof, Teaching Fellow.
Mirka Janeckova, Teaching Fellow.
We have a philosophy that encourages a wide range of approaches, from the traditional gold and silversmiths’ trade, to the contemporary influences of art, craft, design, technology and science.
Our students are typically curious, resourceful, independent thinkers who are able to skilfully translate an idea into a beautifully designed artefact.
These qualities are ever-present within this year’s group of graduating Jewellery and Silversmithing students, whose final collection of works are the result their own independent studio research during their final semester of studies.
/ Jennifer Gray, Program Director
Artists statements
Honor Dodd
Born and raised in rural Sussex, Brighton adjacent, ecclesiastical and Gothic architecture is a staple in every skyline, tall and wonky spires punctuate every country walk. Contrasting the undulation of the South Downs with the shiny bright jewellery stores and modernist interruptions of the city meant my passion creatively has fallen somewhere between a desire for making and creating, and distorting and interrupting.
Holly Munro
I describe myself as a multidisciplinary artist with a profound appreciation for the craft and design world. I constantly explore different methods and techniques, producing sculptural objects with distinct organic influences. I am drawn to working with natural materials, preferring sustainable options; environmental consciousness is always at the forefront of my practice. I have a particular interest in creating objects that can enhance a living space. “My ethos is that form should be fit for purpose whilst a keen drive for beautiful aesthetic is equally essential”
Jiahui Huang
As a jewellery designer and craftsman, I enjoy drawing inspiration from life experiences and memories. My creative process is an exploration of human identity, aiming to convey the essence of this journey through my works and create exquisite and vibrant contemporary jewellery.
As an observer of life, I aim to capture contradictions, ideas, and emotions in my creations, resonating deeply with viewers. By creating rotating mechanical objects with colour, I crafted a series of beautiful, rhythmic spiral patterns.
Cadence Yang
I was born in Hunan, one of the birthplaces of Chinese Nuo culture. Since childhood, I have been fascinated by this region's rich history and cultural heritage. Nuo culture, an integral part of China’s intangible cultural heritage, is deeply rooted here. During my first museum visit, the ancient Nuo masks greatly inspired and moved me. Originating from agricultural societies, Nuo masks were worn to pray for favorable weather and abundant harvests, serving as mediators between humans and nature.
Ramsay Pagett
In my pursuit as a silversmith and multidisciplinary artist, I bridge the gap between the human form and Scotland's landscapes, drawing inspiration from its varied terrain.
My Graduate Collection, "Choreoscape," is inspired by Scotland's dynamic landscapes, capturing nature's harmony with humanity. Each artwork reflects the intricate choreography of mountains, moors, forests, and seas, mirroring our movements within this ever-changing tapestry. I invite viewers to explore this fusion of nature and human expression, guided by play, to uncover new perspectives and forge deeper connections with the world.
Cynthia Yang
Cynthia is a jeweller who likes to explore the limits and capabilities of metal through small-scale silversmithing. “In my work, I attempt to create large forms that their visual impact outweighs the physical. The challenges that I create motivate me to think outside of the box and problem solve imaginatively. These hollow forms are extensions of myself and how I move and twist my body to create them. I nudge and coax the metal into shape, using the weight of my movements to control how far it goes before meandering the metal into its next curve.”
Names of Tutors
Jennifer Gray, Program Director.
Susan Cross, Reader.
Maria Maclennan, Senior Lecturer.
Heather Woof, Teaching Fellow.
Mirka Janeckova, Teaching Fellow.
Edinburgh College of Art
- Website Edinburgh College of Art
- Facebook Edinburgh College of Art
- Instagram Edinburgh College of Art
- Mail:
- m.burkinshawed.ac.uk
- eca.hred.ac.uk
- Management:
- Jennifer Gray
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