Edinburgh College of Art
School
Published: 30.07.2024
- Website Edinburgh College of Art
- Facebook Edinburgh College of Art
- Instagram Edinburgh College of Art
- Mail:
- m.burkinshawed.ac.uk
- eca.hred.ac.uk
- Management:
- Jennifer Gray
The philosophy of the Jewellery and Silversmithing department is balancing innovation with old and new approaches to traditional craft techniques. Our objective is to design and create personal and individual work that integrates ‘thought’ and ‘practice’ sharing a common sensitivity to the complex relationships that humans form for objects.
BA Jewellery and Silversmithing
Our programme aims to produce designers who create fresh, exuberant work demonstrating originality and innovation. We encourage students to combine new technologies with traditional techniques in materials including precious or semi-precious metal and gemstones, plastics, wood, paper, stone and textiles.
We maintain an outstanding international reputation and an impressive track record of employability with strong industrial links. Our staff regularly exhibit their work and lecture internationally; they are committed to sharing their experience to assist students to move rapidly into the professional design world.
We aim to equip graduates with a realistic understanding of the wider industry including career and future study opportunities. International exchanges and live projects enable you to gain a greater understanding of a range of industrial and craft production approaches.
Integrated with your practical studio work, Design and Screen Cultures courses provide a contextual and theoretical understanding of the holistic nature of contemporary design.
We have close ties with industry professional bodies, including Edinburgh’s Scottish Goldsmiths Trust and London Goldsmiths Company who annually support our final year students with precious metal awards and sponsorship. These bodies also run, or support, educational events, training, mentoring, competitions and exhibitions that we participate in fully.
Everything seems to have come together for me, each opportunity inspiring or leading onto the next. The summer costume jewellery internship led onto a costume jewellery workshop in Germany, which inspired the theme for my dissertation that subsequently inspired me to apply for a job with Swarvoski. I felt ready to take that next step in to the working world after graduation and hope that the snowball effect of great opportunities is to continue. / Laura Templeton, graduate
History:
Edinburgh College of Art was founded in 1907 with a history dating back to the 18th century. The College entered a new era on 1 August 2011 when it merged with the University of Edinburgh. Both institutions share high academic standards and international reputations, and the merger offers additional exciting opportunities for learning, teaching and research. The College now combines with the University's School of Arts, Culture and Environment to create a new Edinburgh College of Art within the University containing Art, Design, Music, Architecture and Landscape Architecture, and History of Art (you can find out more at www.ed.ac.uk/eca). This new Edinburgh College of Art will be a powerful and dynamic centre for the visual, creative and performing arts within Scotland and beyond.
Exchange links exist between the College and jewellery and silversmithing departments around the world, including Canada, USA, Japan, Estonia, Finland and Seoul, South Korea. Seoul, South Korea were established in 2008 and sponsored by the Incorporation of Hammermen of Edinburgh.
Jewellery and Silversmithing is an internationally renowned department located in the School of Design alongside Glass, Design Informatics, Product Design, Textiles, Fashion, Performance Costume, Interior Design and a range of Visual Communication disciplines. BA (Hons) and MFA award programmes are all offered with the further opportunity to study for PhD by studio practice. Graduates are typically established in the field as makers, designers, teachers and artists emerging from the College with confidence and adaptable skills.
Teachers
Head of Department: Jennifer Gray
Reader: Susan Cross
Lecturer: Maria MacLennan
Teaching Fellow: Mirka Janeckova
Teaching Fellow: Heather Woof
Our programme aims to produce designers who create fresh, exuberant work demonstrating originality and innovation. We encourage students to combine new technologies with traditional techniques in materials including precious or semi-precious metal and gemstones, plastics, wood, paper, stone and textiles.
We maintain an outstanding international reputation and an impressive track record of employability with strong industrial links. Our staff regularly exhibit their work and lecture internationally; they are committed to sharing their experience to assist students to move rapidly into the professional design world.
We aim to equip graduates with a realistic understanding of the wider industry including career and future study opportunities. International exchanges and live projects enable you to gain a greater understanding of a range of industrial and craft production approaches.
Integrated with your practical studio work, Design and Screen Cultures courses provide a contextual and theoretical understanding of the holistic nature of contemporary design.
We have close ties with industry professional bodies, including Edinburgh’s Scottish Goldsmiths Trust and London Goldsmiths Company who annually support our final year students with precious metal awards and sponsorship. These bodies also run, or support, educational events, training, mentoring, competitions and exhibitions that we participate in fully.
Everything seems to have come together for me, each opportunity inspiring or leading onto the next. The summer costume jewellery internship led onto a costume jewellery workshop in Germany, which inspired the theme for my dissertation that subsequently inspired me to apply for a job with Swarvoski. I felt ready to take that next step in to the working world after graduation and hope that the snowball effect of great opportunities is to continue. / Laura Templeton, graduate
History:
Edinburgh College of Art was founded in 1907 with a history dating back to the 18th century. The College entered a new era on 1 August 2011 when it merged with the University of Edinburgh. Both institutions share high academic standards and international reputations, and the merger offers additional exciting opportunities for learning, teaching and research. The College now combines with the University's School of Arts, Culture and Environment to create a new Edinburgh College of Art within the University containing Art, Design, Music, Architecture and Landscape Architecture, and History of Art (you can find out more at www.ed.ac.uk/eca). This new Edinburgh College of Art will be a powerful and dynamic centre for the visual, creative and performing arts within Scotland and beyond.
Exchange links exist between the College and jewellery and silversmithing departments around the world, including Canada, USA, Japan, Estonia, Finland and Seoul, South Korea. Seoul, South Korea were established in 2008 and sponsored by the Incorporation of Hammermen of Edinburgh.
Jewellery and Silversmithing is an internationally renowned department located in the School of Design alongside Glass, Design Informatics, Product Design, Textiles, Fashion, Performance Costume, Interior Design and a range of Visual Communication disciplines. BA (Hons) and MFA award programmes are all offered with the further opportunity to study for PhD by studio practice. Graduates are typically established in the field as makers, designers, teachers and artists emerging from the College with confidence and adaptable skills.
Teachers
Head of Department: Jennifer Gray
Reader: Susan Cross
Lecturer: Maria MacLennan
Teaching Fellow: Mirka Janeckova
Teaching Fellow: Heather Woof
Holly Munro
Sculpture: Kerama Collection, 2024
Copper, patination
Left: 27 x 27 x 30 cm. Middle:34 x 34 x 40 cm. Right: 20 x 20 x 46 cm
Photo by: Shannon Tofts
From series: Kerama Collection
Lighting sculptures
© By the author. Read Klimt02.net Copyright.
Sculpture: Kerama Collection, 2024
Copper, patination
Left: 27 x 27 x 30 cm. Middle:34 x 34 x 40 cm. Right: 20 x 20 x 46 cm
Photo by: Shannon Tofts
From series: Kerama Collection
Lighting sculptures
© By the author. Read Klimt02.net Copyright.
Jiahui Huang
Brooch: Spiral Brooch, 2024
Sterling silver, garnet, steel pin
4.7 x 4.7 x 1.5 cm
Photo by: Shannon Tofts
From series: Childhood Cadence Collection
© By the author. Read Klimt02.net Copyright.
Brooch: Spiral Brooch, 2024
Sterling silver, garnet, steel pin
4.7 x 4.7 x 1.5 cm
Photo by: Shannon Tofts
From series: Childhood Cadence Collection
© By the author. Read Klimt02.net Copyright.
Cynthia Yang
Brooch: The Weight of Pears, 2024
Oxidised sterling silver, steel pin
8 x 9.5 cm
Photo by: Shannon Tofts
From series: Hollow Expression
© By the author. Read Klimt02.net Copyright.
Brooch: The Weight of Pears, 2024
Oxidised sterling silver, steel pin
8 x 9.5 cm
Photo by: Shannon Tofts
From series: Hollow Expression
© By the author. Read Klimt02.net Copyright.
Ramsay Pagett
Sculpture: Sculpture 3, 2024
Gilding metal, patination and Scots Pine
40 x 44 cm (without base)
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Sculpture: Sculpture 3, 2024
Gilding metal, patination and Scots Pine
40 x 44 cm (without base)
Photo by: Shannon Tofts
© By the author. Read Klimt02.net Copyright.
Cadence Yang
Brooch: Whisper of Nature, 2024
Sterling silver, steel pin
13.4 x 95 x 0.8 cm
Photo by: Shannon Tofts
From series: Between Silence and Speech
© By the author. Read Klimt02.net Copyright.
Brooch: Whisper of Nature, 2024
Sterling silver, steel pin
13.4 x 95 x 0.8 cm
Photo by: Shannon Tofts
From series: Between Silence and Speech
© By the author. Read Klimt02.net Copyright.
Honor Dodd
Set: Tracery, 2024
Silver, reclaimed stained glass, steel pin
30 x 18 cm
Photo by: Shannon Tofts
From series: Vidimus
Earrings and Brooches
© By the author. Read Klimt02.net Copyright.
Set: Tracery, 2024
Silver, reclaimed stained glass, steel pin
30 x 18 cm
Photo by: Shannon Tofts
From series: Vidimus
Earrings and Brooches
© By the author. Read Klimt02.net Copyright.
Anna Sikorska
Earrings: Untitled, 2023
Hand-dyed 3d printed nylon and silver
4,5 x 5,5 x 1 cm
From series: Archē
© By the author. Read Klimt02.net Copyright.
Earrings: Untitled, 2023
Hand-dyed 3d printed nylon and silver
4,5 x 5,5 x 1 cm
From series: Archē
© By the author. Read Klimt02.net Copyright.
Erica Earle Robertson
Object: Madder Vessel, 2023
Madder and turmeric dyed paper yarn and sisal
140 x 38 x 38 cm
© By the author. Read Klimt02.net Copyright.
Object: Madder Vessel, 2023
Madder and turmeric dyed paper yarn and sisal
140 x 38 x 38 cm
© By the author. Read Klimt02.net Copyright.
Lynn Zhang
Necklace: Untitled, 2023
Hand dyed acrylic, sterling silver
1,2 x 1,2 cm Lenght: 75 cm
© By the author. Read Klimt02.net Copyright.
Necklace: Untitled, 2023
Hand dyed acrylic, sterling silver
1,2 x 1,2 cm Lenght: 75 cm
© By the author. Read Klimt02.net Copyright.
Aleksandra Koziolek
Neckpiece: Untitled, 2023
Fine silver, leather, magnets
37 x 21 x 26 cm
© By the author. Read Klimt02.net Copyright.
Neckpiece: Untitled, 2023
Fine silver, leather, magnets
37 x 21 x 26 cm
© By the author. Read Klimt02.net Copyright.
Lynn Zhang
Piece: Untitled, 2023
Acrylic, sterling silver
7,5 x 6 x 1 cm
© By the author. Read Klimt02.net Copyright.
Piece: Untitled, 2023
Acrylic, sterling silver
7,5 x 6 x 1 cm
© By the author. Read Klimt02.net Copyright.
Iris Qu
Brooch: Kinetic, 2021
Sterling silver, anodized titanium, steel wire.
7.2 x 2 x 1.7 cm
Photo by: Shannon Tofts
Iris’s graduate collection is inspired by her childhood experience of collecting glass marbles from Ramune. From a child’s perspective, marbles in bottles are precious gems trapped in treasure boxes; play park facilities are castles, warships, battlegrounds. Iris discovered some similarities between these two things. Thus, she decided to develop her work combining the trapped treasure idea with the elements picked from play park facilities. She intended to make a series of jewellery that reminds people of their lovely childhood and could accompany adults like herself through any future challenges.
© By the author. Read Klimt02.net Copyright.
Brooch: Kinetic, 2021
Sterling silver, anodized titanium, steel wire.
7.2 x 2 x 1.7 cm
Photo by: Shannon Tofts
Iris’s graduate collection is inspired by her childhood experience of collecting glass marbles from Ramune. From a child’s perspective, marbles in bottles are precious gems trapped in treasure boxes; play park facilities are castles, warships, battlegrounds. Iris discovered some similarities between these two things. Thus, she decided to develop her work combining the trapped treasure idea with the elements picked from play park facilities. She intended to make a series of jewellery that reminds people of their lovely childhood and could accompany adults like herself through any future challenges.
© By the author. Read Klimt02.net Copyright.
Scarlett Bunce
Brooch: Beaded, 2021
Glass, thread, stainless steel, silver, oak, poplar, andiroba, maple, walnut.
Photo by: Shannon Tofts
It is important to me that I enjoy myself when making jewellery. As a result, in the short amount of time I have been working in the medium, I have developed a distinct aesthetic language which reflects my sensibilities. Repetitive and meticulous techniques that require intense periods of focus appeal to me because they allow me to study material and make a number of small decisions in the process.
© By the author. Read Klimt02.net Copyright.
Brooch: Beaded, 2021
Glass, thread, stainless steel, silver, oak, poplar, andiroba, maple, walnut.
Photo by: Shannon Tofts
It is important to me that I enjoy myself when making jewellery. As a result, in the short amount of time I have been working in the medium, I have developed a distinct aesthetic language which reflects my sensibilities. Repetitive and meticulous techniques that require intense periods of focus appeal to me because they allow me to study material and make a number of small decisions in the process.
© By the author. Read Klimt02.net Copyright.
Ran Luo
Piece: Strange Beauty Collection, 2020
Silver, enamel, pearl, coral
various sizes
From series: Strange Beauty
© By the author. Read Klimt02.net Copyright.
Piece: Strange Beauty Collection, 2020
Silver, enamel, pearl, coral
various sizes
From series: Strange Beauty
Brooch, Earrings
MFA
MFA
© By the author. Read Klimt02.net Copyright.
Daniela Groza
Earrings: We Are One, 2020
Mokume gane (copper, silver), gold plated brass, rose gold plated copper.
3 x 0.5 x 8 cm
From series: Modern Venus
© By the author. Read Klimt02.net Copyright.
Earrings: We Are One, 2020
Mokume gane (copper, silver), gold plated brass, rose gold plated copper.
3 x 0.5 x 8 cm
From series: Modern Venus
BA(Hons)
© By the author. Read Klimt02.net Copyright.
Renee Qiuguo Pan
Brooch: Ying Collection, 2020
Silver, acrylic, resin.
various sizes
From series: Ying
© By the author. Read Klimt02.net Copyright.
Brooch: Ying Collection, 2020
Silver, acrylic, resin.
various sizes
From series: Ying
MFA
© By the author. Read Klimt02.net Copyright.
Eileen Xie
Brooch: Closer Rrogress, 2016
Silver.
ECA 2016 MFA
© By the author. Read Klimt02.net Copyright.
Brooch: Closer Rrogress, 2016
Silver.
ECA 2016 MFA
© By the author. Read Klimt02.net Copyright.
Eva Fernández
Necklace: Air Cusions, 2016
Mixed Media.
ECA 2016 MFA
© By the author. Read Klimt02.net Copyright.
Necklace: Air Cusions, 2016
Mixed Media.
ECA 2016 MFA
© By the author. Read Klimt02.net Copyright.
Felicity Lynden
Vessel: Untitled, 2016
Silver.
ECA 2016 BA
© By the author. Read Klimt02.net Copyright.
Vessel: Untitled, 2016
Silver.
ECA 2016 BA
© By the author. Read Klimt02.net Copyright.
Lingyu He
Brooch: May I touch you?, 2016
Glass, silver.
ECA 2016 MFA
© By the author. Read Klimt02.net Copyright.
Brooch: May I touch you?, 2016
Glass, silver.
ECA 2016 MFA
© By the author. Read Klimt02.net Copyright.
Ruoyan Wang
Object: Squeeeeeze Use, 2016
Leather, silver, textile.
ECA 2016 MFA
© By the author. Read Klimt02.net Copyright.
Object: Squeeeeeze Use, 2016
Leather, silver, textile.
ECA 2016 MFA
© By the author. Read Klimt02.net Copyright.
Holly Higgins
Neckpiece: Folded Capsules, 2016
Silver.
ECA 2016 BA Hons
© By the author. Read Klimt02.net Copyright.
Neckpiece: Folded Capsules, 2016
Silver.
ECA 2016 BA Hons
© By the author. Read Klimt02.net Copyright.
Song Yoo Kyung
Brooch: Layered Mirror, 2016
Stainless Steel.
ECA 2016 MFA
© By the author. Read Klimt02.net Copyright.
Brooch: Layered Mirror, 2016
Stainless Steel.
ECA 2016 MFA
© By the author. Read Klimt02.net Copyright.
Natalie Adams
Necklace: Oval Spiral, 2015
Dyed acrylic, metal.
ECA 2015 MFA
© By the author. Read Klimt02.net Copyright.
Necklace: Oval Spiral, 2015
Dyed acrylic, metal.
ECA 2015 MFA
© By the author. Read Klimt02.net Copyright.
Alexandra Von Trapp
Neckpiece: Untitled, 2015
Silver.
ECA 2015 MFA
© By the author. Read Klimt02.net Copyright.
Neckpiece: Untitled, 2015
Silver.
ECA 2015 MFA
© By the author. Read Klimt02.net Copyright.
Karolina Baines
Brooch: Lines in Motion, 2015
Silver, enamel.
ECA 2015 BA Hons
© By the author. Read Klimt02.net Copyright.
Brooch: Lines in Motion, 2015
Silver, enamel.
ECA 2015 BA Hons
© By the author. Read Klimt02.net Copyright.
Dongsun Lee
Vase: Big Bang, 2015
Silver, plastic.
ECA 2015 BA Hons
© By the author. Read Klimt02.net Copyright.
Vase: Big Bang, 2015
Silver, plastic.
ECA 2015 BA Hons
© By the author. Read Klimt02.net Copyright.
Eva Melnika
Object: Canisters, 2015
Silver, mixed media.
ECA 2015 BA Hons
© By the author. Read Klimt02.net Copyright.
Object: Canisters, 2015
Silver, mixed media.
ECA 2015 BA Hons
© By the author. Read Klimt02.net Copyright.
Maisie Welch
Brooch: Matilda Collection, 2015
Resin.
ECA 2015 BA Hons
© By the author. Read Klimt02.net Copyright.
Brooch: Matilda Collection, 2015
Resin.
ECA 2015 BA Hons
© By the author. Read Klimt02.net Copyright.
- Website Edinburgh College of Art
- Facebook Edinburgh College of Art
- Instagram Edinburgh College of Art
- Mail:
- m.burkinshawed.ac.uk
- eca.hred.ac.uk
- Management:
- Jennifer Gray
-
EASD València
Valencia, Spain -
State University of New York at New Paltz
New Paltz, United States -
Hochschule Trier
Idar Oberstein, Germany -
Cranbrook Academy of Art
Bloomfield Hills, United States -
China Academy of Art
Hangzhou, China -
West Dean College
Chichester, United Kingdom -
IED Istituto Europeo di Design
Milan, Italy -
The Goldsmiths’ Centre
London, United Kingdom -
Design Werkstatt
Freiburg, Germany -
School of Jewellery. Birmingham City University
Birmingham, United Kingdom -
LAB University of Applied Sciences
Lappeenranta, Finland -
Le Arti Orafe
Florence, Italy -
PXL-MAD School of Arts
Hasselt, Belgium -
Central Saint Martins, BA (Hons) Jewellery Design
London, United Kingdom -
Pocosin Arts School of Fine Craft
Columbia, United States