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Edinburgh College of Art

School
Published: 30.07.2024
Edinburgh College of Art.

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Intro
The philosophy of the Jewellery and Silversmithing department is balancing innovation with old and new approaches to traditional craft techniques. Our objective is to design and create personal and individual work that integrates ‘thought’ and ‘practice’ sharing a common sensitivity to the complex relationships that humans form for objects.
BA Jewellery and Silversmithing
Our programme aims to produce designers who create fresh, exuberant work demonstrating originality and innovation. We encourage students to combine new technologies with traditional techniques in materials including precious or semi-precious metal and gemstones, plastics, wood, paper, stone and textiles.

We maintain an outstanding international reputation and an impressive track record of employability with strong industrial links. Our staff regularly exhibit their work and lecture internationally; they are committed to sharing their experience to assist students to move rapidly into the professional design world.

We aim to equip graduates with a realistic understanding of the wider industry including career and future study opportunities. International exchanges and live projects enable you to gain a greater understanding of a range of industrial and craft production approaches.
Integrated with your practical studio work, Design and Screen Cultures courses provide a contextual and theoretical understanding of the holistic nature of contemporary design.

We have close ties with industry professional bodies, including Edinburgh’s Scottish Goldsmiths Trust and London Goldsmiths Company who annually support our final year students with precious metal awards and sponsorship. These bodies also run, or support, educational events, training, mentoring, competitions and exhibitions that we participate in fully.
 
Everything seems to have come together for me, each opportunity inspiring or leading onto the next. The summer costume jewellery internship led onto a costume jewellery workshop in Germany, which inspired the theme for my dissertation that subsequently inspired me to apply for a job with Swarvoski. I felt ready to take that next step in to the working world after graduation and hope that the snowball effect of great opportunities is to continue. / Laura Templeton, graduate


History:
Edinburgh College of Art was founded in 1907 with a history dating back to the 18th century. The College entered a new era on 1 August 2011 when it merged with the University of Edinburgh. Both institutions share high academic standards and international reputations, and the merger offers additional exciting opportunities for learning, teaching and research. The College now combines with the University's School of Arts, Culture and Environment to create a new Edinburgh College of Art within the University containing Art, Design, Music, Architecture and Landscape Architecture, and History of Art (you can find out more at www.ed.ac.uk/eca). This new Edinburgh College of Art will be a powerful and dynamic centre for the visual, creative and performing arts within Scotland and beyond.

Exchange links exist between the College and jewellery and silversmithing departments around the world, including Canada, USA, Japan, Estonia, Finland and Seoul, South Korea. Seoul, South Korea were established in 2008 and sponsored by the Incorporation of Hammermen of Edinburgh.

Jewellery and Silversmithing is an internationally renowned department located in the School of Design alongside Glass, Design Informatics, Product Design, Textiles, Fashion, Performance Costume, Interior Design and a range of Visual Communication disciplines. BA (Hons) and MFA award programmes are all offered with the further opportunity to study for PhD by studio practice. Graduates are typically established in the field as makers, designers, teachers and artists emerging from the College with confidence and adaptable skills. 


Teachers
Head of Department: Jennifer Gray
Reader: Susan Cross
Lecturer: Maria MacLennan
Teaching Fellow: Mirka Janeckova
Teaching Fellow: Heather Woof
 

Events      View / hide events

2024:
Exhibition  31 May 2024 - 09 Jun 2024  Edinburgh College of Art. BA Degree Show 2024.
2023:
Exhibition  02 Jun 2023 - 11 Jun 2023  Edinburgh College of Art. BA Degree Show 2023.
2022:
Exhibition  04 Jun 2022 - 12 Dec 2022  Edinburgh College of Arts. Klimt02 BA Degree Show 2022.
2021:
Exhibition  07 Jun 2021 - 18 Jun 2021  Edinburgh College of Art. BA and MFA Degree Show 2021.
2020:
Open call  18 Dec 2020 - 13 Jan 2021  Open Call for Position of Senior Teaching Fellow.
Exhibition  08 Jul 2020 - 08 Aug 2020  Edinburgh College of Art. Degree Show 2020.
2019:
2018:
Exhibition  07 Mar 2018 - 11 Mar 2018  Like a Rolling Stone.
2017:
Exhibition  15 Apr 2017 - 03 Jun 2017  Naked Craft.
2016:
Exhibition  09 Nov 2016 - 12 Nov 2016  PICS. Jewellery and Photography.
Fair  29 Jun 2016 - 02 Jul 2016  New Designers, London.
Exhibition  29 Jun 2016 - 02 Jul 2016  Edinburgh College of Art. Graduation Degree Show 2016.
Lectures  10 Jun 2016 - 10 Jun 2016  Three contemporary Italian Goldsmiths.
Meeting  21 Apr 2016 - 21 Apr 2016  Turbulence Effect-Work by Lecture by visiting Professor Kee-Ho Yuen.
Open call  15 Apr 2016 - 23 May 2016  Artist in Residence programme 2016 at Edinburgh College of Art.
Meeting  03 Feb 2016 - 03 Feb 2016  Lecture by Julie Blyfield.
2015:
Exhibition  12 Dec 2015 - 28 Feb 2016  Heat Exchange 2 at St. Andrews Museum.
Exhibition  12 Sep 2015 - 08 Nov 2015  Heat Exchange 2 at Cardiff.
2014:
Exhibition  13 Dec 2014 - 14 Dec 2014  LTD Edition.
Exhibition  01 Dec 2014 - 04 Dec 2014  Limited Edition - 3rd Year Jewellery Exhibition.
Exhibition  16 Aug 2014 - 24 Aug 2014  Masters Festival at Edinburgh College of Art.
2011:
Exhibition  11 Jun 2011 - 19 Jun 2011  ECA 2011 Degree Show.
2010:
Exhibition  12 Jun 2010 - 20 Jun 2010  ECA 2010 Degree Show.

Publications      View / hide publications

Catalogue:  The ECA 2016 BA + MFA Jewellery and Silversmithing catalogue. Edinburgh College of Art, Silversmithing and Jewellery Department:  Edinburgh,  2016
Article:  A fish called Wonder. The Herald:  2016
Page 8, 27th May 2016
Article:  Tentacular spectacular. The Guardian:  2016
Page 7, 27th May 2016
Article:  Thats the way the mop flops: Sculptor Lucy Wayam. Metro:  2016
Page 15, 27th May 2016
Catalogue:  The ECA 2015 BA + MFA Jewellery and Silversmithing catalogue. Edinburgh College of Art, Silversmithing and Jewellery Department:  Edinburgh,  2015
Catalogue:  The ECA 2014 BA + MFA Jewellery and Silversmithing catalogue. Edinburgh College of Art, Silversmithing and Jewellery Department:  Edinburgh,  2014
Catalogue:  The ECA 2013 BA + MFA Jewellery and Silversmithing catalogue. Edinburgh College of Art, Silversmithing and Jewellery Department:  Edinburgh,  2013
Catalogue:  The ECA 2012 BA + MFA Jewellery and Silversmithing catalogue. Edinburgh College of Art, Silversmithing and Jewellery Department:  Edinburgh,  2012
Catalogue:  The ECA 2011 BA + MFA Jewellery and Silversmithing catalogue. Edinburgh College of Art, Silversmithing and Jewellery Department:  Edinburgh,  2011
Catalogue:  The ECA 2010 BA + MFA Jewellery and Silversmithing catalogue. Edinburgh College of Art, Silversmithing and Jewellery Department:  Edinburgh,  2010
Edinburgh College of Art.
ECA sculpture court

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Edinburgh College of Art.
ECA Jewellery Workshop Hammer Room

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Sculpture: Kerama Collection by Holly Munro.Copper, patination. 2024.Left: 27 x 27 x 30 cm. Middle:34 x 34 x 40 cm. Right: 20 x 20 x 46 cm.Photo by: Shannon Tofts.From series: Kerama CollectionUnique piece.Lighting sculptures. Holly Munro
Sculpture: Kerama Collection, 2024
Copper, patination
Left: 27 x 27 x 30 cm. Middle:34 x 34 x 40 cm. Right: 20 x 20 x 46 cm
Photo by: Shannon Tofts
From series: Kerama Collection
Lighting sculptures
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Brooch: Spiral Brooch by Jiahui Huang.Sterling silver, garnet, steel pin. 2024.4.7 x 4.7 x 1.5 cm.Photo by: Shannon Tofts.From series: Childhood Cadence CollectionUnique piece. Jiahui Huang
Brooch: Spiral Brooch, 2024
Sterling silver, garnet, steel pin
4.7 x 4.7 x 1.5 cm
Photo by: Shannon Tofts
From series: Childhood Cadence Collection
© By the author. Read Klimt02.net Copyright.
Brooch: The Weight of Pears by Cynthia Yang.Oxidised sterling silver, steel pin. 2024.8 x 9.5 cm.Photo by: Shannon Tofts.From series: Hollow ExpressionUnique piece. Cynthia Yang
Brooch: The Weight of Pears, 2024
Oxidised sterling silver, steel pin
8 x 9.5 cm
Photo by: Shannon Tofts
From series: Hollow Expression
© By the author. Read Klimt02.net Copyright.
Sculpture: Sculpture 3 by Ramsay Pagett.Gilding metal, patination and Scots Pine. 2024.40 x 44 cm (without base).Photo by: Shannon ToftsUnique piece. Ramsay Pagett
Sculpture: Sculpture 3, 2024
Gilding metal, patination and Scots Pine
40 x 44 cm (without base)
Photo by: Shannon Tofts
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Brooch: Whisper of Nature by Cadence Yang.Sterling silver, steel pin. 2024.13.4 x 95 x 0.8 cm.Photo by: Shannon Tofts.From series: Between Silence and SpeechUnique piece. Cadence Yang
Brooch: Whisper of Nature, 2024
Sterling silver, steel pin
13.4 x 95 x 0.8 cm
Photo by: Shannon Tofts
From series: Between Silence and Speech
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Set: Tracery by Honor Dodd.Silver, reclaimed stained glass, steel pin. 2024.30 x 18 cm.Photo by: Shannon Tofts.From series: VidimusUnique piece.Earrings and Brooches. Honor Dodd
Set: Tracery, 2024
Silver, reclaimed stained glass, steel pin
30 x 18 cm
Photo by: Shannon Tofts
From series: Vidimus
Earrings and Brooches
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Earrings: Untitled by Anna Sikorska.Hand-dyed 3d printed nylon and silver  . 2023.4,5 x 5,5 x 1 cm.From series: ArchēUnique piece. Anna Sikorska
Earrings: Untitled, 2023
Hand-dyed 3d printed nylon and silver  
4,5 x 5,5 x 1 cm
From series: Archē
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Object: Madder Vessel by Erica Earle Robertson.Madder and turmeric dyed paper yarn and sisal. 2023.140 x 38 x 38 cmUnique piece. Erica Earle Robertson
Object: Madder Vessel, 2023
Madder and turmeric dyed paper yarn and sisal
140 x 38 x 38 cm
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Necklace: Untitled by Lynn Zhang.Hand dyed acrylic, sterling silver. 2023.1,2 x 1,2 cm Lenght: 75 cmUnique piece. Lynn Zhang
Necklace: Untitled, 2023
Hand dyed acrylic, sterling silver
1,2 x 1,2 cm Lenght: 75 cm
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Neckpiece: Untitled by Aleksandra Koziolek.Fine silver, leather, magnets. 2023.37 x 21 x 26 cmUnique piece. Aleksandra Koziolek
Neckpiece: Untitled, 2023
Fine silver, leather, magnets
37 x 21 x 26 cm
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Piece: Untitled by Lynn Zhang.Acrylic, sterling silver. 2023.7,5 x 6 x 1 cmUnique piece. Lynn Zhang
Piece: Untitled, 2023
Acrylic, sterling silver
7,5 x 6 x 1 cm
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Brooch: Kinetic by Iris Qu.Sterling silver, anodized titanium, steel wire.. 2021.7.2 x 2 x 1.7 cm.Photo by: Shannon Tofts.
. Iris’s graduate collection is inspired by her childhood experience of collecting glass marbles from Ramune. From a child’s perspective, marbles in bottles are precious gems trapped in treasure boxes; play park facilities are castles, warships, battlegrounds.  Iris discovered some similarities between these two things. Thus, she decided to develop her work combining the trapped treasure idea with the elements picked from play park facilities. She intended to make a series of jewellery that reminds people of their lovely childhood and could accompany adults like herself through any future challenges. . Iris Qu
Brooch: Kinetic, 2021
Sterling silver, anodized titanium, steel wire.
7.2 x 2 x 1.7 cm
Photo by: Shannon Tofts

Iris’s graduate collection is inspired by her childhood experience of collecting glass marbles from Ramune. From a child’s perspective, marbles in bottles are precious gems trapped in treasure boxes; play park facilities are castles, warships, battlegrounds.  Iris discovered some similarities between these two things. Thus, she decided to develop her work combining the trapped treasure idea with the elements picked from play park facilities. She intended to make a series of jewellery that reminds people of their lovely childhood and could accompany adults like herself through any future challenges. 
© By the author. Read Klimt02.net Copyright.
Brooch: Beaded by Scarlett Bunce.Glass, thread, stainless steel, silver, oak, poplar, andiroba, maple, walnut.. 2021.Photo by: Shannon Tofts.
. It is important to me that I enjoy myself when making jewellery. As a result, in the short amount of time I have been working in the medium, I have developed a distinct aesthetic language which reflects my sensibilities. Repetitive and meticulous techniques that require intense periods of focus appeal to me because they allow me to study material and make a number of small decisions in the process.. Scarlett Bunce
Brooch: Beaded, 2021
Glass, thread, stainless steel, silver, oak, poplar, andiroba, maple, walnut.
Photo by: Shannon Tofts

It is important to me that I enjoy myself when making jewellery. As a result, in the short amount of time I have been working in the medium, I have developed a distinct aesthetic language which reflects my sensibilities. Repetitive and meticulous techniques that require intense periods of focus appeal to me because they allow me to study material and make a number of small decisions in the process.
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Piece: Strange Beauty Collection by Ran Luo.Silver, enamel, pearl, coral. 2020.various sizes.From series: Strange Beauty.Brooch, Earrings
. MFA. Ran Luo
Piece: Strange Beauty Collection, 2020
Silver, enamel, pearl, coral
various sizes
From series: Strange Beauty

Brooch, Earrings
MFA

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Earrings: We Are One by Daniela Groza.Mokume gane (copper, silver), gold plated brass, rose gold plated copper.. 2020.3 x 0.5 x 8 cm.From series: Modern Venus.BA(Hons). Daniela Groza
Earrings: We Are One, 2020
Mokume gane (copper, silver), gold plated brass, rose gold plated copper.
3 x 0.5 x 8 cm
From series: Modern Venus

BA(Hons)

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Brooch: Ying Collection by Renee Qiuguo Pan.Silver, acrylic, resin.. 2020.various sizes.From series: Ying.MFA. Renee Qiuguo Pan
Brooch: Ying Collection, 2020
Silver, acrylic, resin.
various sizes
From series: Ying

MFA

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Brooch: Closer Rrogress by Eileen Xie.Silver.. 2016.ECA 2016 MFA. Eileen Xie
Brooch: Closer Rrogress, 2016
Silver.
ECA 2016 MFA
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Necklace: Air Cusions by Eva Fernández.Mixed Media.. 2016.ECA 2016 MFA. Eva Fernández
Necklace: Air Cusions, 2016
Mixed Media.
ECA 2016 MFA
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Vessel: Untitled by Felicity Lynden.Silver.. 2016.ECA 2016 BA. Felicity Lynden
Vessel: Untitled, 2016
Silver.
ECA 2016 BA
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Brooch: May I touch you? by Lingyu He.Glass, silver.. 2016.ECA 2016 MFA. Lingyu He
Brooch: May I touch you?, 2016
Glass, silver.
ECA 2016 MFA
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Object: Squeeeeeze Use by Ruoyan Wang.Leather, silver, textile.. 2016.ECA 2016 MFA. Ruoyan Wang
Object: Squeeeeeze Use, 2016
Leather, silver, textile.
ECA 2016 MFA
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Neckpiece: Folded Capsules by Holly Higgins.Silver.. 2016.ECA 2016 BA Hons. Holly Higgins
Neckpiece: Folded Capsules, 2016
Silver.
ECA 2016 BA Hons
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Brooch: Layered Mirror by Song Yoo Kyung.Stainless Steel.. 2016.ECA 2016 MFA. Song Yoo Kyung
Brooch: Layered Mirror, 2016
Stainless Steel.
ECA 2016 MFA
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Necklace: Oval Spiral by Natalie Adams.Dyed acrylic, metal.. 2015.ECA 2015 MFA. Natalie Adams
Necklace: Oval Spiral, 2015
Dyed acrylic, metal.
ECA 2015 MFA
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Neckpiece: Untitled by Alexandra Von Trapp.Silver.ECA 2015 MFA, . 2015. Alexandra Von Trapp
Neckpiece: Untitled, 2015
Silver.
ECA 2015 MFA
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Brooch: Lines in Motion by Karolina Baines.Silver, enamel.. 2015.ECA 2015 BA Hons. Karolina Baines
Brooch: Lines in Motion, 2015
Silver, enamel.
ECA 2015 BA Hons
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Vase: Big Bang by Dongsun Lee.Silver, plastic.. 2015.ECA 2015 BA Hons. Dongsun Lee
Vase: Big Bang, 2015
Silver, plastic.
ECA 2015 BA Hons
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Object: Canisters by Eva Melnika.Silver, mixed media.. 2015.ECA 2015 BA Hons. Eva Melnika
Object: Canisters, 2015
Silver, mixed media.
ECA 2015 BA Hons
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Brooch: Matilda Collection by Maisie Welch.Resin.. 2015.ECA 2015 BA Hons. Maisie Welch
Brooch: Matilda Collection, 2015
Resin.
ECA 2015 BA Hons
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