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Goldmuseum Taipei - Metal Crafts Competition 2018.
RISD.
Cranbrook.
Published: 17.10.2017
Hochschule Trier.
Management:
Theo Smeets
Application
How to apply
The admission criteria for the MA or further education MA programme are:

• passing an artistic qualifying exam holding a completed BA or diploma qualification (for the MA programme) or a completed vocational qualification and proof of at least five years’ professional experience (further education MA)
• command of English (teaching language)

The M.F.A. course starts 2x per year.

The application deadlines are:
1st of november for the next summer semester (start of study in april)
1st of may for the next winter semester (start of study in october)

This study is free of study fees.

Per semester you will be charged appr.:
- administrative fee: 80 € (which includes the "semester ticket" for the train Mainz - Saarbrücken)
- workshop contribution: 50 €

If you have any questions on the study, how to apply or the status of your application, please get in contact with Mr. Heinz Hub
0 67 81 / 94 63 17
hub@hochschule-trier.de
Hochschule Trier, Photo by Stephanie Morawetz.
Hochschule Trier, Photo by Stephanie Morawetz

© By the author. Read Klimt02.net Copyright.

Intro
Young in years, rich in experience. The Department of Gemstones and Jewellery was founded in 1986. Since then the study program has developed continuously. The adjustment to the European study standard Bachelor/Master of Arts has now existed since the winter semester of 2008/2009. The Master course in Gemstones and Jewellery has been offered since the summer semester of 2008. The Master program is taught in English only. Since the winter semester of 2013/14 the department has developed three unique Fine Arts degrees within Europe. A Bachelor of Fine Arts a Master of Fine Arts and a Master of further education of Fine Arts which is for vocational qualified people.
Responsibility: The 3-P-Modell as leitmotiv 

Three closely interlaced goals lead our activities:

- Developing Professionalism: The basis of each successful achievement is professionalism. Therefore we aim at a high level - in the theoretical knowledge, in practical being able, in the creative development. Thus for example the studying in cooperation with enterprises become acquainted with professional yardsticks for Design quality.
- Designing Projects: A condition for lasting learning effects is own doing. Therefore we cooperate in projects, which promote selfinitiative, self-assertion and team spirit. To mention is for instance the common conception of exhibitions or the participation in fairs with own collections.
- Supporting Personalities : The training of the personality needs a development area - straight within Design and Art. Therefore we offer a study with high degree of freedom and many perspectives. The participation on competitions, scholarships, study trips or foreign terms promote the development of artistic personalities. 

Studying in the department for Gemstones and Jewellery in Idar-Oberstein

Data and facts

- Jewellery is not craft. There is a cross section with the masterly craftsmanship, but the contemporary Jewellery-focus is another
- Jewellery is not design. There is a cross section with the fashionable aesthetic and commercialization, but the contemporary jeweller focus is another.
- Jewellery is not art. There is a cross section with „existing out of itself“, but the contemporary Jewellery-focus is another. But the goal is not to create or sharpen boundaries. 

As an object of personal use, jewellery needs without any doubt a distinctive or connecting level of meaning. This is also reflected in consumer needs. The Faculty ties in these levels and asks questions about art, social and intercultural life, ethnology and history. 

The Program is orientated at some qualification goals which include artistic competences, commitment in civil societies, and personal development. According to those competences, we also foster communication competences, coordination and organisation competences. The central approach of the Program is to develop design structures and thinking structures of artistic action which are orientated at the social and cultural requirements of the 21st Century. The field of learning is specifically dedicated to evolve the students own artistic identity. It is coined by a profoundly intercultural environment and a highly communicative teaching and study situation. The graduates of our school should be enabled during their studies to focus first on the different roles of wearer and beholder and also on their role as creators.

Art should ask questions in a way of abstraction. Jewellery enables us to raise a connection between our roots and our current surrounding. Because of this possibility, we can notice changes in our surrounding and react appropriately.  
The Creator of Art has to be aware of his own positioning concerning their own symbolism, semantics, and Iconography. He has to question and evaluate their own creation and artistic strategies, and, if necessary, to rework and actualize them, to have a social meaning in a contemporary context. 

To say it a little easier: The Artist reflects the surrounding society, processes and sensitivities by creating a piece of art. This piece of art gains a place within society and changes it. The society reacts, the artist registers the reaction and creates a new piece of work based on those reactions and experiences. This circuit means a permanent update of pieces, a permanent change, a mental evolution. That way jewellery stays in contact with society. Not controlled by Marketing strategies mercantile Values or fashionable ephemerality. No aesthetical blunting but making the mental, emotional or social evolution ascertainable. This process generates identity for the creator and the recipient.
 

Teachers

Theo Smeets, Ute Eitzenhöfer, Eva-Maria Kollischan, Winfried Juchem, Jutta Kallfelz, Gerrit Binz, Tanja Emmert, Tobias Häger, Willi Lindemann, Dr. Christianne Weber-Stöber, Julia Wild, Cornelia Wruck, Carolin Denter.

Contact

Ute Schoppet
Secretary of the Department for Gemstones and Jewellery
Mon, Tue + Thu 13:00 - 16:00
Wed 9:00 - 12:00 + 13:00 - 16:00

Vollmersbachstraße 53a
D-55743 Idar-Oberstein
U.Schoppet@ges.hochschule-trier.de​
tel: +49(0)6781/9463-0
fax: +49(0)6781/9463-63

Events      View / hide events

2017:
Exhibition  09 Nov 2017 - 12 Nov 2017  Rock Stars. Jewellery from Idar-Oberstein.
Meeting  14 Oct 2017 - 15 Oct 2017  SchmuckDenken XI - Thinking Jewellery.
Exhibition  16 Sep 2017 - 06 Oct 2017  A Ring is a Ring is a Ring.
Workshop  28 Aug 2017 - 01 Sep 2017  Stones: Geological Experiences by Patricia Domingues.
Workshop  21 Aug 2017 - 01 Sep 2017  International Summer Academy 2017 at the Campus Idar-Oberstein.
Award giving  21 Jun 2017 - 21 Jun 2017  7th Hanau Goldsmith Laureate: Tabea Reulecke.
Meeting  18 May 2017 - 21 May 2017  Athens Jewelry Week 2017.
Award giving  11 Mar 2017 - 11 Mar 2017  BKV Prize 2017 Winners.
Exhibition  08 Mar 2017 - 14 Mar 2017  Astonish at Schmuck 2017.
Exhibition  08 Mar 2017 - 14 Mar 2017  Die Vier at IHM.
Exhibition  18 Feb 2017 - 21 Feb 2017  Die Vier.
Fundraising  14 Jan 2017 - 17 Feb 2017  Let's get Astonished.
2016:
Exhibition  07 Dec 2016 - 07 Mar 2017  Look What I Did. New Rings by DOT.
Exhibition  27 Nov 2016 - 26 Feb 2017  Neuer Schmuck aus Idar-Oberstein.
Exhibition  08 Oct 2016 - 13 Nov 2016  Wildstone by Helen Britton.
Workshop  01 Aug 2016 - 12 Aug 2016  International Summer Academy 2016 at the Campus Idar-Oberstein.
Fundraising  23 May 2016 - 04 Sep 2016  Let the Rock Roll Tombola Project by Eva Burton.
Exhibition  08 May 2016 - 22 May 2016  Gioielli In ...Fermento 2016.
Exhibition  21 Apr 2016 - 05 May 2016  Astonish at Valencia.
Award giving  28 Feb 2016 - 28 Feb 2016  Talente Competition 2016 Winners.
Exhibition  24 Feb 2016 - 01 Mar 2016  Astonish.
Exhibition  21 Feb 2016 - 28 Feb 2016  Germany's upcoming talents.
2015:
Workshop  16 Aug 2015 - 29 Aug 2015  International Summer Academy 2015 at the Campus Idar-Oberstein.
Exhibition  23 Jun 2015 - 22 Aug 2015  SleepLess: Trier University of Applied Sciences Degree Show 2015.
Exhibition  29 Apr 2015 - 19 May 2015  Adansonia Digitata.
Exhibition  29 Apr 2015 - 19 May 2015  Magnification Reframed by Peter Vermandere.
Exhibition  12 Mar 2015 - 15 Mar 2015  Hypnostone I4 O1.
Exhibition  06 Mar 2015 - 02 Apr 2015  Fragmenting Matter by Patrícia Domingues.
Exhibition  10 Jan 2015 - 21 Feb 2015  From the Familiar to the Wonderful by Karin Herwegh.
Exhibition  10 Jan 2015 - 21 Feb 2015  Fragmentation and Union by Patrícia Domingues.
2014:
Exhibition  19 Nov 2014 - 13 Dec 2014  Tabea Reulecke Solo Exhibition.
Lectures  12 Nov 2014 - 12 Nov 2014  Helen Britton to Lecture at Hochschule Trier.
Meeting  18 Oct 2014 - 19 Oct 2014  SchmuckDenken X - Thinking Jewellery.
Exhibition  13 Sep 2014 - 08 Nov 2014  Lines by Frieda Dörfer and Julian Steimer.
Award giving  12 Aug 2014 - 12 Aug 2014  Winners of the Mari Funaki Award for Contemporary Jewellery 2014.
2013:
Meeting  21 May 2013 - 22 May 2013  SchmuckDenken IX - Thinking Jewellery.
2011:
Meeting  17 May 2011 - 18 May 2011  SchmuckDenken VII.
2010:
Meeting  18 May 2010 - 19 May 2010  SchmuckDenken 6 - Thinking Jewellery.
2008:
Meeting  19 May 2008 - 21 May 2008  SchmuckDenken 4 – Thinking Jewellery.
2007:
Meeting  22 May 2007 - 23 May 2007  Idar-Oberstein FormDiskurs.

Publications      View / hide publications

Book:  To the Point. Malev, Daniela.  Edition Winterwork:  Leipzig,  2017
Book:  Gemstone - Art. Reinassance to the Present. Lindemann, Wilhelm.  Arnoldsche Art Publishers:  Stuttgart,  2016
Book:  Nsaio6. New Jewellery from Idar-Oberstein. Smeets, Theo; Eitzenhöfer, Ute.  Arnoldsche Art Publishers:  Stuttgart,  2016
Book:  ThinkingJewellery. On the way towards a theory. Arnoldsche:  Stuttgart,  2011
Mia Čopíková. Necklace: Lilu, 2017. Mirrors, glue, silver, textile. 27 x 15 x 1.5 cm. Photo by: Nima Ashafiri. MFA 2017. Mia Čopíková
Necklace: Lilu, 2017
Mirrors, glue, silver, textile
27 x 15 x 1.5 cm
Photo by: Nima Ashafiri
MFA 2017

© By the author. Read Klimt02.net Copyright.
Valerie Wagner. Object: Temps, 2017. Stone, ink. 50 x 40 x 3 cm. Photo by: Nima Ashrafi. BFA 2017. Valerie Wagner
Object: Temps, 2017
Stone, ink
50 x 40 x 3 cm
Photo by: Nima Ashrafi
BFA 2017

© By the author. Read Klimt02.net Copyright.
Sharareh Aghaei. Necklace: Untitled, 2017. Aventurine, metal nets, silver, malachite powder, cement, resin. Photo by: Nima Ashrafi. MFA 2017. Sharareh Aghaei
Necklace: Untitled, 2017
Aventurine, metal nets, silver, malachite powder, cement, resin
Photo by: Nima Ashrafi
MFA 2017

© By the author. Read Klimt02.net Copyright.
Amelie Spitz. Necklace: Carnaval, 2017. Silver, enamel, tourmaline, moonstone, amethyst, citrine, porcelain, plastic, sequins, thread. 30 x 18 cm. Photo by: Amelie Spitz. MFA 2017. Amelie Spitz
Necklace: Carnaval, 2017
Silver, enamel, tourmaline, moonstone, amethyst, citrine, porcelain, plastic, sequins, thread
30 x 18 cm
Photo by: Amelie Spitz
MFA 2017

© By the author. Read Klimt02.net Copyright.
Carolin Denter. Neckpiece: Exploding Grandma II, 2017. Pearls, textile, glass beads, vintage glass stones, nylon, rose quarz, silk, fake fur, agate. 45 x 28 x 4 cm. Photo by: Qi Wang. From series: Kitsch. BFA 2017. Carolin Denter
Neckpiece: Exploding Grandma II, 2017
Pearls, textile, glass beads, vintage glass stones, nylon, rose quarz, silk, fake fur, agate
45 x 28 x 4 cm
Photo by: Qi Wang
From series: Kitsch
BFA 2017

© By the author. Read Klimt02.net Copyright.
Pia Groh. Necklace: N 3, 2017. Agate and oxidized silver. 6 x 2.8 x 25 cm. BFA 2017. Pia Groh
Necklace: N 3, 2017
Agate and oxidized silver
6 x 2.8 x 25 cm
BFA 2017

© By the author. Read Klimt02.net Copyright.
Yftah Avrahamy. Necklace: Untitled, 2016. Agate, finesilver, fishing wire. Yftah Avrahamy
Necklace: Untitled, 2016
Agate, finesilver, fishing wire
© By the author. Read Klimt02.net Copyright.
Lina Goltsios. Ring: Untitled, 2016. Silver, resin, pigments, rock crystal. Lina Goltsios
Ring: Untitled, 2016
Silver, resin, pigments, rock crystal
© By the author. Read Klimt02.net Copyright.
Edu Tarín. Pendant: Mold D1, 2016. Granite, Silver, stone cutting, CNC maschining, electroforming. Edu Tarín
Pendant: Mold D1, 2016
Granite, Silver, stone cutting, CNC maschining, electroforming
© By the author. Read Klimt02.net Copyright.
Pia Groh. Necklace: Necklace 2, 2016. Agate, oxidised silver. Photo by: Michael Müller. Pia Groh
Necklace: Necklace 2, 2016
Agate, oxidised silver
Photo by: Michael Müller
© By the author. Read Klimt02.net Copyright.
Valerie Wagner. Necklace: Untitled, 2016. Plastic, limestone, rock crystal, flax twine. Photo by: Michael Müller. Model: Arnaud Sprimont. Valerie Wagner
Necklace: Untitled, 2016
Plastic, limestone, rock crystal, flax twine
Photo by: Michael Müller
Model: Arnaud Sprimont
© By the author. Read Klimt02.net Copyright.
Qi Wang. Object: Injection, 2015. Ready mate object, stone. Photo by: Qi Wang. Qi Wang
Object: Injection, 2015
Ready mate object, stone
Photo by: Qi Wang
© By the author. Read Klimt02.net Copyright.
Vanessa Zöller. Photograph: Adrenalin kickt IO, 2015. Paper. From series: Fotomontageserie 2015. Vanessa Zöller
Photograph: Adrenalin kickt IO, 2015
Paper
From series: Fotomontageserie 2015
© By the author. Read Klimt02.net Copyright.
Stephie Morawetz. Neckpiece: 60233040, 2014. Stone, magnets. 40 x 35 x 10 cm. Photo by: Stephie Morawetz. Stephie Morawetz
Neckpiece: 60233040, 2014
Stone, magnets
40 x 35 x 10 cm
Photo by: Stephie Morawetz
© By the author. Read Klimt02.net Copyright.
Carolin Denter. Photograph: Hängende Häuser, 2014. Paper. Photo by: Carolin Denter. Carolin Denter
Photograph: Hängende Häuser, 2014
Paper
Photo by: Carolin Denter
© By the author. Read Klimt02.net Copyright.
Nils Schmalenbach. Installation: Wer Seid Das Ihr, 2011. Mixed media. Nils Schmalenbach
Installation: Wer Seid Das Ihr, 2011
Mixed media
© By the author. Read Klimt02.net Copyright.
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