PXL-MAD School of Arts
School
/
MunichJewelleryWeek2024
Published: 09.10.2024
- Website PXL-MAD School of Arts
- Facebook MAD. Object and Jewellery
- Instagram PXL-MAD Object and Jewellery
- Mail:
- Nedda.El-Asmarpxl.be
- Phone:
- + 32 11 77 50 50
- Management:
- Erwin Goegebeur
Our focus is on artistic practice where your personal practice takes centre stage. Unique in our programme is the link between theory, research and practice. Our student-centred approach to teaching helps students become professional artists who are confident and self-motivated. We encourage artists to work together across disciplines. All of our teaching staff are professionals, familiar with artistic visual research. Some are internationally renowned and exhibit their work worldwide. Our University College also works with many famous international visiting lecturers and tutors.
The department of OBJECT & JEWELLERY at PXL-MAD School of Arts, Hasselt (B) offers an artistic academic course, consisting of three bachelor years (180 study-points) and one master year (60 study-points). The course revolves around experimentation and research, for which thinking and doing are in constant interaction. The ambiguous position that the field of object-making and jewellery takes within the world of the visual arts, crafts and design is seen as an inspiring starting point that is constantly questioned in order to develop a critical attitude towards our own discipline.
Experimenting with materials and designs in combination with an inquiring attitude are key in this programme.
Initially, training will focus on the research of the form, the techniques and the material through assignments and project-based learning. Gradually we move our focus towards content-related problems. The ambiguous position that the subject occupies within the landscape of the Visual Arts, crafts and design is an inspiring starting point that is constantly questioned. In this era of cross-overs we find the quality in the hybrid object: the jewel as a carrier of a concept of ideas, not traditionally bound to material or techniques. Through this approach the jewel becomes both Visual Art and design.
Strengths of the programme
Our academic programme focuses on artistic practice and research on image and design combined with a personal interpretation. The interaction between theory, research and artistic practice, as implemented within Visual Arts, is quite unique and is based on the need to give a specific voice to theory and research in this artistic practice. By means of this integration, extra dimensions are being added to artistic practice.
From the start, through project-based learning, students are immersed in the world of contemporary jewellery and objects, ranging from the technical foundations to the most avant-garde and innovative trends.
The programme follows a pattern of growing complexity along the consecutive objectives to ‘initiate, deepen and specialize’ students. At the end of the third year a personal visual research is being initiated in the bachelor thesis. This is the starting point for a master and may even result in a doctorate in Visual Arts.
Experimenting with materials and designs in combination with an inquiring attitude are key in this programme.
Initially, training will focus on the research of the form, the techniques and the material through assignments and project-based learning. Gradually we move our focus towards content-related problems. The ambiguous position that the subject occupies within the landscape of the Visual Arts, crafts and design is an inspiring starting point that is constantly questioned. In this era of cross-overs we find the quality in the hybrid object: the jewel as a carrier of a concept of ideas, not traditionally bound to material or techniques. Through this approach the jewel becomes both Visual Art and design.
Strengths of the programme
Our academic programme focuses on artistic practice and research on image and design combined with a personal interpretation. The interaction between theory, research and artistic practice, as implemented within Visual Arts, is quite unique and is based on the need to give a specific voice to theory and research in this artistic practice. By means of this integration, extra dimensions are being added to artistic practice.
From the start, through project-based learning, students are immersed in the world of contemporary jewellery and objects, ranging from the technical foundations to the most avant-garde and innovative trends.
The programme follows a pattern of growing complexity along the consecutive objectives to ‘initiate, deepen and specialize’ students. At the end of the third year a personal visual research is being initiated in the bachelor thesis. This is the starting point for a master and may even result in a doctorate in Visual Arts.
Myrthe Lefèvre
Brooch: Let’s Have a Drink, 2024
Copper, enamel, stainless steel
16.5 x 8 x 1 cm
Photo by: Myrthe Lefèvre
From series: Re-interpretation of ‘Un Bar aux Folies-Bergère’
© By the author. Read Klimt02.net Copyright.
Estimated price: 300 €
Brooch: Let’s Have a Drink, 2024
Copper, enamel, stainless steel
16.5 x 8 x 1 cm
Photo by: Myrthe Lefèvre
From series: Re-interpretation of ‘Un Bar aux Folies-Bergère’
© By the author. Read Klimt02.net Copyright.
Estimated price: 300 €
Jasmijn Van Hoof
Pendant: Don’t Forget This, 2024
Brass, gold, dichroïc glass
39 x 6 x 1.5cm
Photo by: Jasmijn Van Hoof
From series: In Memory Of Forgetting
© By the author. Read Klimt02.net Copyright.
Estimated price: 670 €
Pendant: Don’t Forget This, 2024
Brass, gold, dichroïc glass
39 x 6 x 1.5cm
Photo by: Jasmijn Van Hoof
From series: In Memory Of Forgetting
© By the author. Read Klimt02.net Copyright.
Estimated price: 670 €
Berit Baens
Bracelet: Redemption, 2024
African padauk, lime wood, sandingpaper, felt
11.1 x 10.5 x 1.9 cm
Photo by: Tyana Verstraete
From series: Utopia
© By the author. Read Klimt02.net Copyright.
Estimated price: 690 €
Bracelet: Redemption, 2024
African padauk, lime wood, sandingpaper, felt
11.1 x 10.5 x 1.9 cm
Photo by: Tyana Verstraete
From series: Utopia
© By the author. Read Klimt02.net Copyright.
Estimated price: 690 €
Sverre Bosmans
Cutlery: Mijn Messen No.1, 2024
Inox, composite material, wood, silver
15 cm
From series: Mijn Messen
© By the author. Read Klimt02.net Copyright.
Estimated price: 175 €
Cutlery: Mijn Messen No.1, 2024
Inox, composite material, wood, silver
15 cm
From series: Mijn Messen
© By the author. Read Klimt02.net Copyright.
Estimated price: 175 €
Helia Talebi
Chatelaine: Persian Chatelaine, 2024
Silver, brass
Photo by: Maryam Zabihi
From series: Chatelaine
Necklace and Chatelaine
© By the author. Read Klimt02.net Copyright.
Chatelaine: Persian Chatelaine, 2024
Silver, brass
Photo by: Maryam Zabihi
From series: Chatelaine
Necklace and Chatelaine
© By the author. Read Klimt02.net Copyright.
Bahat Yotam, "Studio impression, crowd of leftovers." 2023
© By the author. Read Klimt02.net Copyright.
Bahat Yotam, "Studio impression, crowd of leftovers." 2023
© By the author. Read Klimt02.net Copyright.
Laila Marie Costa, Photograph of performance attire LMC (with Amsterdam Bezoar), 2022
© By the author. Read Klimt02.net Copyright.
Jinzi Liu, "The wind is very still, gently over the trees", 2023
© By the author. Read Klimt02.net Copyright.
PXL-MAD School of Arts. Jewellery Design Workshop Tour
PXL-MAD School of Arts
2020
© By the author. Read Klimt02.net Copyright.
PXL-MAD School of Arts
2020
© By the author. Read Klimt02.net Copyright.
Maria Konschake
Object: 19°26‘05.8“N 99°07‘52.9“W, 2020
Marble, steel.
8.5 x 8.5 x 4 cm
Photo by: Maria Konschake
From series: Vergessen
Statement: “About space and identity“ is a visualization of European cultural identity within the field of jewellery. It deals with the rooms, areas, zones and districts of European history and scrutinizes the connection between jewellery and cultural identity. 5 points of view show not only the plurality of the cultural memory, but also the European struggle between unity and diversity. “Vergessen” is a series of unwearable marble brooch objects that remind us of the things we lost. “Prägung" is a single pendant that relates to the things that shaped us. “Abgrund" is the abyss. The object refers to the lowest point we have ever reached in European history. “Abbild" is our portrait. The row of rings and the wall object visualize the permanence of the building as an observer of time. “Hoffnung" is hope. The cup series refers to the positive, shared vision of a European future.
© By the author. Read Klimt02.net Copyright.
Estimated price: 2880 €
Object: 19°26‘05.8“N 99°07‘52.9“W, 2020
Marble, steel.
8.5 x 8.5 x 4 cm
Photo by: Maria Konschake
From series: Vergessen
Unwearable marble brooch object / body related object.
Statement: “About space and identity“ is a visualization of European cultural identity within the field of jewellery. It deals with the rooms, areas, zones and districts of European history and scrutinizes the connection between jewellery and cultural identity. 5 points of view show not only the plurality of the cultural memory, but also the European struggle between unity and diversity. “Vergessen” is a series of unwearable marble brooch objects that remind us of the things we lost. “Prägung" is a single pendant that relates to the things that shaped us. “Abgrund" is the abyss. The object refers to the lowest point we have ever reached in European history. “Abbild" is our portrait. The row of rings and the wall object visualize the permanence of the building as an observer of time. “Hoffnung" is hope. The cup series refers to the positive, shared vision of a European future.
© By the author. Read Klimt02.net Copyright.
Estimated price: 2880 €
Annika Ingelaere Sulfurous
Necklace: Sulfurous, 2020
Fine silver, enamel, glass beads, silver chain.
13 x 55 cm
Photo by: Annika Ingelaere Sulfurous
From series: Zooming in, zooming out
Statement: When you compare landscapes in relation to a zoomed-in image of a seed, certain similarities are significant. For example, the polygon and the organic surface occurs similarly in both the landscape and the microscopic seed. When observing the zoomed-out images of some of man’s polluted landscapes a certain aesthetic beauty can be seen. As ironic as it may be, the pollution shows its true form in the colours and rough formations that have spread across the land. The silver jewellery in this project is an investigation into form, colour and the structure found in both nature and pollution.
© By the author. Read Klimt02.net Copyright.
Necklace: Sulfurous, 2020
Fine silver, enamel, glass beads, silver chain.
13 x 55 cm
Photo by: Annika Ingelaere Sulfurous
From series: Zooming in, zooming out
Statement: When you compare landscapes in relation to a zoomed-in image of a seed, certain similarities are significant. For example, the polygon and the organic surface occurs similarly in both the landscape and the microscopic seed. When observing the zoomed-out images of some of man’s polluted landscapes a certain aesthetic beauty can be seen. As ironic as it may be, the pollution shows its true form in the colours and rough formations that have spread across the land. The silver jewellery in this project is an investigation into form, colour and the structure found in both nature and pollution.
© By the author. Read Klimt02.net Copyright.
Charlotte Vanhoubroeck
Brooch: N° 49, 2020
Soapstone, sterling silver.
Photo by: Simon Debbaut-L'Ecluse
From series: Stilled Sentiments
© By the author. Read Klimt02.net Copyright.
Brooch: N° 49, 2020
Soapstone, sterling silver.
Photo by: Simon Debbaut-L'Ecluse
From series: Stilled Sentiments
Statement: In 1850 our first Belgian queen Louise-Marie d’Orléans died. Her Estate Inventory, a document kept in the State Archives of Belgium, describes and values the 300 jewellery items she owned at the time of her death. More than a hundred of those are so-called sentimental jewellery pieces. They are carriers of memories and sentiments, which were incorporated as miniature portraits, human locks of hair, engraved messages, and so on. Since almost all of Louise’s jewellery has gone lost, the Inventory functions as an exclusive carrier of the pieces, just as the pieces were carriers of sentiments. Based on the descriptions, Louise’s sentimental jewellery, which was on the verge of oblivion, is reactivated from a contemporary point of view. The newly created objects construct an alternative version of the myth around Louise-Marie d’Orléans and will bring this somehow forgotten queen closer to today’s audience.
© By the author. Read Klimt02.net Copyright.
Madeli Viljoen
Set: Avesinformis Parure, 2020
Sterling silver, borosilicate glass.
4 x 3 x 9 cm
Photo by: Madeli Viljoen
From series: Avesinformis
Statement: My contemporary cabinet of curiosities was born out of the nostalgia for my home country South Africa’s diminishing natural wildlife. The fragmented memories of observing them as a child in the rural landscape, inspired the symbolic metamorphosis of collected animal bones and remnants of skin, transformed into abject specimens. Aiming to preserve the delicate details and sense of wonder I encountered upon finding these remnants in nature, I portray them as cherished artefacts. Through a fusion of bio-morphic abstracted forms in the glass with replicated organic remnants in metal, I seek to create a form of visual fiction that delivers a moment of introspection, attraction and repulsion. There is a strong symbiosis between the artificial and the natural, representing human interference with nature. The jewellery depicts curious specimens of exaggerated mutations, envisaging what could happen to fauna in the future if humans continue with practices that pollute and alter the environment.
© By the author. Read Klimt02.net Copyright.
Estimated price: 340 €
Set: Avesinformis Parure, 2020
Sterling silver, borosilicate glass.
4 x 3 x 9 cm
Photo by: Madeli Viljoen
From series: Avesinformis
Statement: My contemporary cabinet of curiosities was born out of the nostalgia for my home country South Africa’s diminishing natural wildlife. The fragmented memories of observing them as a child in the rural landscape, inspired the symbolic metamorphosis of collected animal bones and remnants of skin, transformed into abject specimens. Aiming to preserve the delicate details and sense of wonder I encountered upon finding these remnants in nature, I portray them as cherished artefacts. Through a fusion of bio-morphic abstracted forms in the glass with replicated organic remnants in metal, I seek to create a form of visual fiction that delivers a moment of introspection, attraction and repulsion. There is a strong symbiosis between the artificial and the natural, representing human interference with nature. The jewellery depicts curious specimens of exaggerated mutations, envisaging what could happen to fauna in the future if humans continue with practices that pollute and alter the environment.
© By the author. Read Klimt02.net Copyright.
Estimated price: 340 €
Simón Mazuera
Brooch: Dark Paradise, Deseo Opaco, Bleak Eden, Dull Sex, Cloudy Dreams and Dismal Happiness, 2020
Glass, copper, steel.
From 8 x 3 x 4 cm to 11 x 4 x 3.5 cm
From series: Floating Steps
© By the author. Read Klimt02.net Copyright.
Estimated price: 970 €
Brooch: Dark Paradise, Deseo Opaco, Bleak Eden, Dull Sex, Cloudy Dreams and Dismal Happiness, 2020
Glass, copper, steel.
From 8 x 3 x 4 cm to 11 x 4 x 3.5 cm
From series: Floating Steps
Statement: Floating Steps has the intention to generate a spark within us so that we question ourselves and explore in our unconscious what our true fears are. Also, to get to know us better, starting with the negative aspects in order to make all the positive things inside ourselves flourish. These pieces are a reminder that we are vulnerable humans, where we constantly strive to be superheroes that we will never be. The idea of each brooch is to show how fear is inside us. Where we can only discover it with an action or decision we make. In this case, the decision is to be able to seek the unknown fear and identify it, hidden inside.
© By the author. Read Klimt02.net Copyright.
Estimated price: 970 €
Pia David
Ring: Flat Ring, 2018
Brass, lacquer.
5 x 5 x 0.1 cm
From series: @Jewelleryli(k)es
Fake it till you make it! Do keep this aphorism in mind while looking at the project @jewelleryli(k)es. Within the project, jewellery is seen as a social lie inspired by Instagram as a (social) medium. Pia David plays with the idea that everything can be used as a part of the image. Instagram takes centre stage. The white lie lies in the analogue translation of the Instagram fake. This is expressed in three groups of work: painted two-dimensional jewellery, pieces with quotes for the sane and sensible and glass ‘filters’ as adornment for the world surrounding us.
#jewellerylikes #jewellerylies #contemporaryjewellery #piadavidjewellery #socialmediajewellery #instagrampretty #honestlife #flat #image #analogue #sociallie #statement #filter #socialmedium
© By the author. Read Klimt02.net Copyright.
Ring: Flat Ring, 2018
Brass, lacquer.
5 x 5 x 0.1 cm
From series: @Jewelleryli(k)es
Fake it till you make it! Do keep this aphorism in mind while looking at the project @jewelleryli(k)es. Within the project, jewellery is seen as a social lie inspired by Instagram as a (social) medium. Pia David plays with the idea that everything can be used as a part of the image. Instagram takes centre stage. The white lie lies in the analogue translation of the Instagram fake. This is expressed in three groups of work: painted two-dimensional jewellery, pieces with quotes for the sane and sensible and glass ‘filters’ as adornment for the world surrounding us.
#jewellerylikes #jewellerylies #contemporaryjewellery #piadavidjewellery #socialmediajewellery #instagrampretty #honestlife #flat #image #analogue #sociallie #statement #filter #socialmedium
© By the author. Read Klimt02.net Copyright.
Janika Slowik
Necklace: Interference Pendant, 2018
Stainless steel, plastic, Swarovski brilliant, silver chain.
15 x 15 x 1 cm
Photo by: Janika Slowik
From series: Jewellery Moment
© By the author. Read Klimt02.net Copyright.
Necklace: Interference Pendant, 2018
Stainless steel, plastic, Swarovski brilliant, silver chain.
15 x 15 x 1 cm
Photo by: Janika Slowik
From series: Jewellery Moment
Part of The Art of School collection with artworks from alumni, PXL-MAD, School of Arts, Hasselt.
© By the author. Read Klimt02.net Copyright.
Kristy Bujanic
Object: Petrified, 2017
Soapstone, silver, remanium.
8 x 5 x 1.5 cm
Photo by: Kristy Bujanic
© By the author. Read Klimt02.net Copyright.
Object: Petrified, 2017
Soapstone, silver, remanium.
8 x 5 x 1.5 cm
Photo by: Kristy Bujanic
© By the author. Read Klimt02.net Copyright.
Ilke Matthys
Necklace: Untitled, 2016
Acrylic resin, concrete powder, silver, steel bolts, nylon coated steel wire.
Photo by: Ilke Matthys
© By the author. Read Klimt02.net Copyright.
Necklace: Untitled, 2016
Acrylic resin, concrete powder, silver, steel bolts, nylon coated steel wire.
Photo by: Ilke Matthys
Part of The Art of School collection with artworks from alumni, PXL-MAD, School of Arts, Hasselt.
© By the author. Read Klimt02.net Copyright.
Sarah Reynders
Object: Abject, 2016
Foam, epoxy, PU coating.
24 x 20 x 3 cm
Photo by: Isabelle Reynders
From series: ABJECT
© By the author. Read Klimt02.net Copyright.
Object: Abject, 2016
Foam, epoxy, PU coating.
24 x 20 x 3 cm
Photo by: Isabelle Reynders
From series: ABJECT
© By the author. Read Klimt02.net Copyright.
An Jonckers
Bracelet: Physical Sovereignty I, 2014
Cherry wood, copper.
10 x 7 x 1.2 cm
Photo by: David Huycke
From series: A Curtsy to the Ornament
© By the author. Read Klimt02.net Copyright.
Bracelet: Physical Sovereignty I, 2014
Cherry wood, copper.
10 x 7 x 1.2 cm
Photo by: David Huycke
From series: A Curtsy to the Ornament
© By the author. Read Klimt02.net Copyright.
Machteld Lambeets
Necklace: Untitled, 2014
Bioresin, aluminium, wood shavings, color pigment.
Photo by: Machteld Lambeets
From series: De draagbare dood
© By the author. Read Klimt02.net Copyright.
Necklace: Untitled, 2014
Bioresin, aluminium, wood shavings, color pigment.
Photo by: Machteld Lambeets
From series: De draagbare dood
© By the author. Read Klimt02.net Copyright.
Gésine Hackenberg
Brooch: Tangerine butterfly, 2013
Copper
Photo by: Stefanie Geerts
From series: Daily Delicious
© By the author. Read Klimt02.net Copyright.
Brooch: Tangerine butterfly, 2013
Copper
Photo by: Stefanie Geerts
From series: Daily Delicious
© By the author. Read Klimt02.net Copyright.
Han Sangdeok
Object: Livestock castrated, 2013
Iron, nickel silver, porcelain.
29 x 21 x 23 cm
Photo by: David Huycke
From series: Livestock
© By the author. Read Klimt02.net Copyright.
Object: Livestock castrated, 2013
Iron, nickel silver, porcelain.
29 x 21 x 23 cm
Photo by: David Huycke
From series: Livestock
© By the author. Read Klimt02.net Copyright.
Dries Dockx
Object: Cast, 2010
Silver, patinated.
10 x 11 x 25 cm
Photo by: David Huycke
© By the author. Read Klimt02.net Copyright.
Object: Cast, 2010
Silver, patinated.
10 x 11 x 25 cm
Photo by: David Huycke
© By the author. Read Klimt02.net Copyright.
- Website PXL-MAD School of Arts
- Facebook MAD. Object and Jewellery
- Instagram PXL-MAD Object and Jewellery
- Mail:
- Nedda.El-Asmarpxl.be
- Phone:
- + 32 11 77 50 50
- Management:
- Erwin Goegebeur
-
K2 Academy of Contemporary Jewellery
London, United Kingdom -
Düsseldorf University of Applied Sciences, Peter Behrens School of Arts, New Craft Object Design
Düsseldorf, Germany -
HDK-Valand Academy of Art and Design
Gothenburg, Sweden -
Pocosin Arts School of Fine Craft
Columbia, United States -
Lalabeyou Jewellery School
Madrid, Spain -
Cranbrook Academy of Art
Bloomfield Hills, United States -
Hochschule Trier
Idar Oberstein, Germany -
Alchimia Contemporary Jewellery School
Florence, Italy -
Le Arti Orafe
Florence, Italy -
Glasgow School of Art
Glasgow, United Kingdom -
Universiteit Stellenbosch University
Stellenbosch, South Africa -
The Goldsmiths’ Centre
London, United Kingdom -
Sint Lucas Antwerpen
Antwerp, Belgium -
HEAR, Haute École des Arts du Rhin
Strasbourg, France -
PXL-MAD School of Arts
Hasselt, Belgium