Gésine Hackenberg

Jeweller / Klimt02MemberAtMJW2020

Published: 01.04.2020

: Mainz
GERMANY

Gésine Hackenberg
Brooch: Falter not Fall, 2018
Vintage glass, silver, remanium
7 x 6.6 x 2.5 cm
Photo by: Gésine Hackenberg
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Gésine Hackenberg
Brooch: Falter not Fall, 2018
Vintage glass, silver, remanium
8.2 x 8.2 x 1.4 cm
Photo by: Gésine Hackenberg
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Gésine Hackenberg
Brooch: Falter not Fall, 2019
Vintage glass, silver, remanium
6.8 x 6.1 x 2 cm
Photo by: Gésine Hackenberg
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Gésine Hackenberg
Brooch: Falter not Fall, 2019
Vintage glass, silver, remanium
9 x 7.6 x 2.8 cm
Photo by: Gésine Hackenberg
© By the author. Read Klimt02.net Copyright.

Gésine Hackenberg
Brooch: Falter not Fall, 2020
Mouth blown and vintage glass, silver, remanium
8.2 x 8 x 2.8 cm
Photo by: Gésine Hackenberg
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Gésine Hackenberg
Necklace: Falter not Fall, 2019
Blown glass, silver, silver chain
9.5 x 10.5 x 4.5 cm
Photo by: Gésine Hackenberg
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Gésine Hackenberg
Necklace: Lines, 2020
Silver, oxidized silver
47.5 x 11.5 x 0.4 cm
Photo by: Gésine Hackenberg
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Gésine Hackenberg
Necklace: Lines, 2020
Oxidised silver
39 x 14.2 x .4 cm
Photo by: Gésine Hackenberg
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Gésine Hackenberg
Brooch: Lines, 2018
Oxidized silver, remanium
9 x 10 x 9 cm
Photo by: Gésine Hackenberg
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Gésine Hackenberg
Brooch: Lines, 2018
Oxidized silver
9.3 x 12 x 1 cm
Photo by: Gésine Hackenberg
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Gésine Hackenberg
Brooch: Transparent/light Green Still Life, 2012
Dutch by Aldo Bakker and Austrian glasses by H.H. Rath for Lobmeyr, silver
11 x 8 x 3.3 cm
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Gésine Hackenberg
Brooch: Grey/Blue Still Life, 2012
Finnish vintage glasses by Timo Sarpaneva, silver
6 x 5 x 2,2 cm
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Gésine Hackenberg
Brooch: Finnish Still Life, 2010
Finnish table glass, silver
Finnish table glass by Timo Sarpaneva
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Gésine Hackenberg
Brooch: Double Glass Still Life, 2010
Finnish glass, oxidized silver
Finnish table glass vintage by Itala.
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Gésine Hackenberg
Necklace: Plum, 2014
Copper, electroformed copper, partly patinated; leather

Special piece designed for Klimt02 Gallery
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Gésine Hackenberg
Necklace: Large Horn of Plenty
Silver, leather
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Gésine Hackenberg
Necklace: Blue/white Kitchen Necklace
Plate by Socièté Ceramique Maestricht I earth ware, nylon thread.
44 pearls ø 1.7 cm, plate ca. ø 24 cm
Photo by: Corriette Schoenaerts

Gésine, Hackenberg
Necklace: Blue/white Kitchen Necklace
Plate by Société Ceramique Maestricht I earth ware, nylon thread.
44 pearls Ø 1.7 cm, plate ca. Ø 24 cm.

Gésine Hackenberg
Necklace: Small Makkum 'Plooischotel', 2014
Wall plate of Dutch Frisian earthenware by Koninklijke Tichelaar Makkum, nylon thread
Part of: Badisches Landesmuseum
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Gésine Hackenberg
Ring: Fish, 2014
Earthenware, silver
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Gésine Hackenberg
Earrings: Delft Blue Box II, 2014
Box with lid of Delfts Blue earthenware by De Porceleyne Fles Delft, silver, 18 ct gold.
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Gésine Hackenberg
Necklace: Grape Necklace, 2013
Red gold plated copper
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Gésine Hackenberg, 1972, born in Mainz / Germany. Artist that lives and works in Amsterdam, studied at Fachhochschule Pforzheim,und Gerät and the Gerrit Rietveld Academand has works at the following collections: CODA Museum Apeldoorn (NL) | Gemeentemuseum Den Haag (NL) | Mima Middelsbrough Institute of Modern Art (UK) | Museum Boymans-van Beuningen, Rotterdam (NL) | Museum of Arts and Design, NY (USA) | National Museums Scotland (UK) | Stedelijk Museum Amsterdam (NL) | Victoria and Albert Museum (UK).

Statement

Occasionally, the realm of jewellery and commodities come together very closely...
Objects of use often become intimately important and indispensable, just as it might happen to a piece of jewellery that is worn day in, day out. What people keep and wear often contains a huge emotional value next to its material one.
Wearing jewellery on the body is the most intimate, but also direct form of showing this specific relationship to an object.
By using materials, shapes, fragments and typical patterns out of another daily context as the base for her jewellery, Gésine Hackenberg aims transfer their meaning and emotional impact through her work.
Her materials of choice are precious metals, antique ceramics and glass, as well as the very tough and resistant Japanese Urushi lacquer. These all come from the interlocking theme of household, kitchen, table and food culture.

>> Video interview Klimt02 in conversation with Gésine Hackenberg

CV

Public Collections:
CODA Museum Apeldoorn (NL) | Gemeentemuseum Den Haag (NL) | Mima Middelsbrough Institute of Modern Art (UK) | Museum Boymans-van Beuningen, Rotterdam (NL) | Museum of Arts and Design, NY (USA) | National Museums Scotland (UK) | Stedelijk Museum Amsterdam (NL) | Victoria and Albert Museum (UK)

Awards:
since 2008 Basisstipendium Stichtig Fonds voor de Beeldende Kunsten, Vormgeving en Bouwkunst
2005/2006 Startstipendium Stichting Fonds voor de Beeldende Kunsten, Vormgeving en Bouwkunst
2004/2005 Startstipendium Stichting Fonds voor de Beeldende Kunsten, Vormgeving en Bouwkunst
2003: nomination Designprijs Rotterdam 2003, Rotterdam (NL)
2002: Talente 2002, 1st price International Competition 2002 in Crafts, Design and Technologie for Junior Craftspersons, München (D)

Solo exhibitions:
2009 Still Lifes. Galerie Ra, Amsterdam (NL)
2007 pars pro toto. Klimt02 Gallery, Barcelona (E) | Double Life. Galerie Pont&Plas, Gent (B)
2006: Sieraden met een Verhaal. Presentation of a museum commission at the CODA Museum, Apeldoorn (NL) | Chuchichäschtligeplauder oder wie man Andenken bewahrt. Galerie für Schmuck Beatrice Lang, Bern (CH)
2004: Somethings, Galerie Ra, Amsterdam (NL)
2003: Het paradijs ligt op de keukentafel, together with , Galerie Pont&Plas, Gent (B)

Publications:
2009 Evelien Bracke: Nature Morte – tableau vivant. On the still life’s of things. | Maartje de Gruyter: Wijnglas wordt sieraad. In: Het Parool, 29/08/2009 | Object Factory II. The Art of Industrial Ceramics. Museum of Arts and Design. Catalogue, NY 2009 (USA) | Collect: The international Art Fair for Contemporary Objects. Crafts Council London. Catalogue (UK)
2008 Liesbeth den Besten: Deskilled Craft and Borrowed Skill. In: Skill. Papers and Exhibition 2008. Think Tank, a European Initiative for the Applied Arts. Edition 05 Triennale Européenne du Bijou Contemporain. WCC BF Mons (B) | Fragiles. Porcelain, Glass & Ceramics. Die Gestalten Verlag (D) | 500 Pendants & Lockets. Lark Books (USA) | 500 Wedding Rings. Lark Books (USA) | Silvia Micolau: Joyas Gastronomicas/Gastronomic Jewels. In: b-g magazine (E)
2007 Isabel de Villalonga: Klimt02 Gallery. Un punt de trobada per als amants de la joia d’autor. In: Quefem, 16/11/2007 (E) | Jennifer Cross Gans: Golden Clogs, Dutch Mountains. In: Metalsmith Magazine, no 4/2007 (USA) | 25 Jaar BINNEN. Galerie Binnen, Amsterdam (NL) |Golden Clogs, Dutch Mountain. Contemporary Young Dutch Jewelry Art. Weiw publishers Stralsund/Amsterdam
Christine Patrich: Japanese Lacquer “Urushi” – A glimpse into the reflective strafcel of a deep lake. In: GZ Art+Design, no 1/2007 (D)
2006: Georgette Koning: Porselein voor om je nek. In: NRC Next | Radiant, 30 jaar Ra. Catalogue 2006, Galerie Ra, Amsterdam (NL)
2005: The Executive Committee of The Ishikawa International Urushi Exhibition (uitg.): The Ishikawa International Urushi Exhibition
2004: Marjan Boot: Geel Metalliek. Goud voor Robert Smit. In: Stedelijk Museum
2003: Bayrischer Handwerkstag e.V. (uitg.): Talente 2003 | Stichting Designprijs Rotterdam, 2003 (uitg.): Designprijs Rotterdam, editie 2003. 41 producten.
2002: Crafts Council Gallery London (uitg.): home made holland. how craft and design mix. Catalogue, London | Bayrischer Handwerkstag e.V. (uitg.): Talente 2002. | Maria Barnas: Bord in Scherven. In: De Groene Amsterdammer | Galerie Ra (uitg.): Lepels/Spoons. Catalogue, Amsterdam
2001: Gemeentemuseum Den Haag (uitg.): Delft in detail. Catalogue, Den Haag
2000: Künstlerhaus Wien u. Gesellschaft Bildener Künstler Österreichs (uitg.): Kunst hautnah. Wenen, 2000

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