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IED Istituto Europeo di Design

School
Published: 28.06.2024
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Intro
The versatility of the designer reveals the complexity and the excitement of the contemporary jewelry landscape. Constantly contaminated by different creative languages, it is the expression of the socio-cultural reality.
Istituto Europeo di Design was founded in 1966 in Milan by Francesco Morelli. For more than fifty years, the IED has been operating in the fields of education and research in the disciplines of design, fashion, visual communication, and management.

 
The Jewelry Design Department at IED Milan fosters a complete and cross-disciplinary education in the contemporary jewelry field. The complex scenario is embraced by opening a dialogue between two apparently distant realities: an intimate and experimental approach and a company-oriented design, both fundamental for jewelry designers.

In this framework, the jewel artifact is considered as a multifaceted design object, constantly contaminated by different creative languages as well as by socio-cultural phenomena and occurrences. Thus, it is a means of communication, aimed at conveying both individual and collective meanings.
The IED approach - based on learning by doing and project culture - provides a balanced mixture of goldsmith skills, design methodology, and experimental research. Students are encouraged to combine tradition and innovation, considering themselves and their personal stories and experience as a precious and unique narrative resource, capable to build their future identity as designers.

During their path, they may profit from different design approaches under the guidance of a faculty of professionals, trained with specific skills in their areas of expertise. Furthermore, collaborations with galleries, international competitions, and events offer the possibility for students to take the first steps in the professional environment.
The school trains students to manage independently the making of a collection, providing them with knowledge and tools to handle the numerous aspects of the design process: concept phase, design, prototyping, production, as well as visual and strategy communication.
Students can benefit from a privileged student/teacher relation thanks to the limited number of participants in a course.
 

Events      View / hide events

2024:
2023:
Exhibition  12 Jul 2023 - 13 Jul 2023  IED Istituto Europeo di Design. Degree Show 2023.
Exhibition  10 Mar 2023 - 09 Apr 2023  Design Without Borders 2023.
2022:
Exhibition  02 Oct 2022 - 06 Nov 2022  Design Without Borders 2022.
Lectures  29 Mar 2022 - 29 Mar 2022  Surface in Depth by Stefano Marchetti.
Lectures  10 Mar 2022 - 25 May 2022  Conversazioni con. A series of virtual lectures.
2019:
Exhibition  24 Oct 2019 - 27 Oct 2019  Artistar Jewels at Milano Jewelry Week 2019.
Exhibition  19 Jul 2019 - 19 Jul 2019  IED Istituto Europeo di Design. Degree Show 2019.
Exhibition  05 Jun 2019 - 14 Jun 2019  7 artists for 7 days 2019.
Exhibition  10 Apr 2019 - 20 Apr 2019  Creativity Young.
A short visual presentation of the IED Jewelry Design academic in Milano.

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Jewellery Workshop..
Jewellery Workshop.

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Yuliia Komendat. Earrings: Etheral, 2023. Brass, gold plated silver. Photo by: Killian Agath. From series: Benison. Yuliia Komendat
Earrings: Etheral, 2023
Brass, gold plated silver
Photo by: Killian Agath
From series: Benison
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Blanca Zanchetta. Bracelet: Octopus, 2023. Cubic Zirconia, elastic wire, FDM filament, metallic paint spray, resin. 5.7 x 5.7 x 6.6 cm. Photo by: Lara Reduzzi. From series: Phtongos. Phtongos is the word used by Omero to describe the mermaids’ voice.
. The project represents a 21st-century mermaid inspired by the two sisters rocks legend about a woman half fish.
. This project raised various questions like: How could be a Mermaid today? In which way is she dangerous? Where does she live? How can she hurt the people who are getting in contact with her? What kind of Hybrid being is? Is it a hybrid between humans and what kind of animal? What is attractive to me? Which kind of jewelry is attractive?
. The mermaid is an aquatic mythological creature which has undergone several metamorphoses through the ages; I represent her nowadays.
. 
. My collection is attractive and dangerous thanks to the shiny but sharp stones. When the viewer comes in touch with the wearer, attracted by the jewelry, can hurt himself as the mermaid does with the enchanted man. When the jewelry is worn, the body mutates, it becomes half animal and half human. The design is inspired by Ernest Haeckel’s illustrations to simulate the microorganisms with which my hybrid being is constantly covered, almost encrusted, under the water.
. I used the 3D printer, a symbol of today’s technology. The project is made using plastic and resin that were subsequently lacquered and decorated with Cubic Zirconia.. Blanca Zanchetta
Bracelet: Octopus, 2023
Cubic Zirconia, elastic wire, FDM filament, metallic paint spray, resin
5.7 x 5.7 x 6.6 cm
Photo by: Lara Reduzzi
From series: Phtongos

Phtongos is the word used by Omero to describe the mermaids’ voice.
The project represents a 21st-century mermaid inspired by the two sisters rocks legend about a woman half fish.
This project raised various questions like: How could be a Mermaid today? In which way is she dangerous? Where does she live? How can she hurt the people who are getting in contact with her? What kind of Hybrid being is? Is it a hybrid between humans and what kind of animal? What is attractive to me? Which kind of jewelry is attractive?
The mermaid is an aquatic mythological creature which has undergone several metamorphoses through the ages; I represent her nowadays.

My collection is attractive and dangerous thanks to the shiny but sharp stones. When the viewer comes in touch with the wearer, attracted by the jewelry, can hurt himself as the mermaid does with the enchanted man. When the jewelry is worn, the body mutates, it becomes half animal and half human. The design is inspired by Ernest Haeckel’s illustrations to simulate the microorganisms with which my hybrid being is constantly covered, almost encrusted, under the water.
I used the 3D printer, a symbol of today’s technology. The project is made using plastic and resin that were subsequently lacquered and decorated with Cubic Zirconia.

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Gabriel Paul Farrugia. Piece: Cupola, 2023. Silver. 10 x 12 cm. Photo by: Nicola Selim Babaoglu. From series: In search for new perspectives. Ear cuff. Gabriel Paul Farrugia
Piece: Cupola, 2023
Silver
10 x 12 cm
Photo by: Nicola Selim Babaoglu
From series: In search for new perspectives
Ear cuff
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Sigridur Kristin Bernhoft. Earrings: Dystopian Flowers, 2023. Aluminium cans and silver.. Photo by: Gaia Dallera. From series: Dystopian Flowers Collection. Sigridur Kristin Bernhoft
Earrings: Dystopian Flowers, 2023
Aluminium cans and silver.
Photo by: Gaia Dallera
From series: Dystopian Flowers Collection
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Vivian Rebecca Morad. Necklace: #5 The investigator, 2022. Sterling silver, brushed finishing.. Photo by: Martina Vittoria Oberti. From series: Bones of my Being. Vivian Rebecca Morad
Necklace: #5 The investigator, 2022
Sterling silver, brushed finishing.
Photo by: Martina Vittoria Oberti
From series: Bones of my Being
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Natalia Osas D’Anna. Bracelet: Unearthing, 2022. Sterling silver.. Photo by: Salvatore Luca Fruttaldo. From series: Biophilia Awakening. Natalia Osas D’Anna
Bracelet: Unearthing, 2022
Sterling silver.
Photo by: Salvatore Luca Fruttaldo
From series: Biophilia Awakening
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Iryna Pustomytenko. Set: Hunted Landscape Collection, 2020. Oxidized silver, bicarbonate sodium, corn starch, color pigment.. Photo by: Laura Maggiore. From series: Hunted Landscape. Necklaces and brooches.. Iryna Pustomytenko
Set: Hunted Landscape Collection, 2020
Oxidized silver, bicarbonate sodium, corn starch, color pigment.
Photo by: Laura Maggiore
From series: Hunted Landscape
Necklaces and brooches.
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Francesca Sirimarco. Necklace: Nigredo, 2020. Semirefractory clay, glaze, acrylic paint, cotton thread.. Photo by: Fabio Bruno, Lorenzo Gerli. From series: Femina Malefica. Francesca Sirimarco
Necklace: Nigredo, 2020
Semirefractory clay, glaze, acrylic paint, cotton thread.
Photo by: Fabio Bruno, Lorenzo Gerli
From series: Femina Malefica
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Vittoria Corvetti. Set: God Save Gen Z Collection, 2022. Brass, epoxy bicomponent cold enamel.. Necklace, earrings, bracelets and rings.. Photo by: Veronica Carcano. From series: God Save Gen Z. Vittoria Corvetti
Set: God Save Gen Z Collection, 2022
Brass, epoxy bicomponent cold enamel.
Necklace, earrings, bracelets and rings.
Photo by: Veronica Carcano
From series: God Save Gen Z
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Yiting Zhang. Necklace: Shrinking, 2022. Sterling silver.. Photo by: Alessia Zhang, Zhen Chonghan. From series: Disappearing Salt Lake. Yiting Zhang
Necklace: Shrinking, 2022
Sterling silver.
Photo by: Alessia Zhang, Zhen Chonghan
From series: Disappearing Salt Lake
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Haoyue Zhuang. Set: Across the Dimension, a Journey to Eddie’s World Collection, 2022. Anodized titanium, opal.. Photo by: Martina Vittoria Oberti. From series: Across the Dimension, a Journey to Eddie’s World. Earrings, ring and bracelet.. Haoyue Zhuang
Set: Across the Dimension, a Journey to Eddie’s World Collection, 2022
Anodized titanium, opal.
Photo by: Martina Vittoria Oberti
From series: Across the Dimension, a Journey to Eddie’s World
Earrings, ring and bracelet.
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Annachiara Zani. Ring: Vertigo, 2021. White Volterra’s alabaster, rhodium plated silver.. 6.2 x 3.2 x 0.6 cm. Photo by: Alessandra De Feudis. From series: NOW.HERE.VOID. Annachiara Zani
Ring: Vertigo, 2021
White Volterra’s alabaster, rhodium plated silver.
6.2 x 3.2 x 0.6 cm
Photo by: Alessandra De Feudis
From series: NOW.HERE.VOID
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Francesca Locati. Necklace: Suspense, 2019. Borosilicate glass, yellow gold-plated silver chain.. 37 x 7.5 x 1.5 cm. Photo by: Federica Vuolo. From series: Quietivo. Francesca Locati
Necklace: Suspense, 2019
Borosilicate glass, yellow gold-plated silver chain.
37 x 7.5 x 1.5 cm
Photo by: Federica Vuolo
From series: Quietivo
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Estimated price: 832 €

Francesca Zilli. Ring: Real? Unreal?, 2019. Black rhodium plated silver, Plexiglas.. 7.1 x 1.4 cm. From series: Look at You. Still life photo by Claudio Morelli; The piece on body photo by Martina Marzella.
. 
. Mirror retains a powerful ability to directly engage people. 
. Some take advantage of the reflective properties to explore, fragment, ask questions of perception, to create and distort space and environment, or allow people to contemplate themselves in their own reflections.
. Look At You is about the involvement of human perception through the use of the sight.
. People so often see their image reflected in the mirror but not always what we see in a surface reflected the reality of the things. The appearance is deceiving and in our reality, nothing is as it seems.. Francesca Zilli
Ring: Real? Unreal?, 2019
Black rhodium plated silver, Plexiglas.
7.1 x 1.4 cm
From series: Look at You
Still life photo by Claudio Morelli; The piece on body photo by Martina Marzella.

Mirror retains a powerful ability to directly engage people.

Some take advantage of the reflective properties to explore, fragment, ask questions of perception, to create and distort space and environment, or allow people to contemplate themselves in their own reflections.
Look At You is about the involvement of human perception through the use of the sight.
People so often see their image reflected in the mirror but not always what we see in a surface reflected the reality of the things. The appearance is deceiving and in our reality, nothing is as it seems.

© By the author. Read Klimt02.net Copyright.
Clara Morganti. Piece: Untitled, 2019. Ear Cuff: oxidated silver, brass, steel.
. Brooch: silver, brass, patina, oxidation.. Ear cuff: 5.5 x 3 x 1.2 cm; Brooch: 6.8 x 1.5 x 1.6 cm. From series: Becoming one with the woods. Still life photo by Claudio Morelli; The piece on body photo by Christian Varrone.
. 
. The collection is about the relation between human being and the forest. While you are in a woods, all your senses perceive the power of nature: you can see the effect of the light passing through the leaves, hear the sound of the living creatures, smell the perfume of the plants. People are wrapped up by nature and become part of it.. Clara Morganti
Piece: Untitled, 2019
Ear Cuff: oxidated silver, brass, steel.
Brooch: silver, brass, patina, oxidation.
Ear cuff: 5.5 x 3 x 1.2 cm; Brooch: 6.8 x 1.5 x 1.6 cm
From series: Becoming one with the woods
Still life photo by Claudio Morelli; The piece on body photo by Christian Varrone.

The collection is about the relation between human being and the forest. While you are in a woods, all your senses perceive the power of nature: you can see the effect of the light passing through the leaves, hear the sound of the living creatures, smell the perfume of the plants. People are wrapped up by nature and become part of it.

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'Oriental Techniques from a new perspective', a workshop by Stefano Marchetti given to the Jewelry Design students in March 2021. The workshop has been launched with a public lecture at ADI Design Museum in Milan, a space dedicated to the history of Italian Design.

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Five jewellers reveal their creative paths in a video project produced by IED Milan in collaboration with VO+ Magazine to promote the talent of a new wave of designers.
In this video, the student Mel Dario Oceane tells about her experience with the process of designing in her first academic year.

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Five jewellers reveal their creative paths in a video project produced by IED Milan in collaboration with VO+ Magazine to promote the talent of a new wave of designers.
In this video, the student Yuliia Komendat tells about her choice of studying jewellery design and her research on the usage of denim during her second academic year.

© By the author. Read Klimt02.net Copyright.
Five jewellers reveal their creative paths in a video project produced by IED Milan in collaboration with VO+ Magazine to promote the talent of a new wave of designers.
In this video, the student Haoyue Zhuang tells about her final project and what she learned along her study path.

© By the author. Read Klimt02.net Copyright.