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Latin American Poetics

Exhibition  /  OnlineOnly  /  25 Sep 2021  -  14 Oct 2021
Published: 02.09.2021
Latin American Poetics.
Latin American Biennial of Contemporary Jewelry
Place
Buenos Aires
ARGENTINA
Mail:
cacohonoratoE-mailgmail.com
mariela.vicencioE-mailgmail.com
Curator:
Caco Honorato, Mariela Vicencio
Management:
Laura Giusti, Paula Isola
.

© By the author. Read Klimt02.net Copyright.

Intro
6 artists explored the limits of Contemporary Jewelry, approaching the notion of "Portable Art", from the perspective and personal poetics of each artist, questioning themselves about the paradigms of their work, both in relation to materials, production systems, circuits and implementation.

A virtual exhibition part of the III Latin American Biennial of Contemporary Jewelry.

Artist list

Joana Gabos, Patricia Iglesias, Lorena Jarpa, Daniela Rivera, Marita Sario, Study Honorato + Vicencio
Latin American Poetics is a project that was born from an initiative of the curators Caco Honorato and Mariela Vicencio of the Estudio Honorato + Vicencio whose objective is to summon various creators from the Latin American territory (Chile, Brazil and Argentina) to share the reflections developed around creation from questions "about Latin America" ​​in the present time.

The sample was born with a call, which is finally defined according to the depth and sharpness of the reflections presented. The curators (Study Honorato + Vicencio) posed a challenge; which was accepted by the creators participating in the show.
In this exhibition called "Latin American Poetics" language is approached from the creation of pieces that explore the limits of Contemporary Jewelry, approaching the notion of "Portable Art", from the perspective and personal poetics of each artist.
In some way, the gesture of asking ourselves about the Latin American identity in a critical way was a catalyst of processes, in which the creators ended up questioning themselves about the paradigms of their work, both in relation to materials, production systems, circuits and implementation. the scene in a broad term. The pieces, the exhibition, the texts, the photographic proposals, the readings that emerge from this process are "the work" as a whole; this is an experience.

There is, in this project, an effort to go beyond representation, to distance itself from the clichés and stereotypes of Latin America; and with this, leave room for the proposals and poetics that each creator presents. His work is a means of expression, a way of showing how he feels and what it is like to live in this part of the world (and create from here), a way of reflecting the specific socio-political of each one, from the material and object work, a vision that "opens the field" regarding its origin.
 
Joana Gabos. Ring: Gambiarra, 2021. Steel.. 30 x 29 x 15 cm. Photo by: Ygor Carozzi. From series: Territorial Inequalities. Joana Gabos
Ring: Gambiarra, 2021
Steel.
30 x 29 x 15 cm
Photo by: Ygor Carozzi
From series: Territorial Inequalities
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Joana Gabos. Brooch: Diversity, 2021. Steel, wood, concrete, resin.. Photo by: Ygor Carozzi. From series: Territorial Inequalities. Joana Gabos
Brooch: Diversity, 2021
Steel, wood, concrete, resin.
Photo by: Ygor Carozzi
From series: Territorial Inequalities
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Estudio Honorato and Vicencio. Object: Dignity, 2021. Clay. 11 x 11 x 12 cm. Photo by: Study Honorato and Vicencio. From series: Back to the south. Estudio Honorato and Vicencio
Object: Dignity, 2021
Clay
11 x 11 x 12 cm
Photo by: Study Honorato and Vicencio
From series: Back to the south
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Estudio Honorato and Vicencio. Object: Births, 2021. Clay and wool.. 10 x 15 x 11 cm. Photo by: Study Honorato and Vicencio. From series: Back to the south. Estudio Honorato and Vicencio
Object: Births, 2021
Clay and wool.
10 x 15 x 11 cm
Photo by: Study Honorato and Vicencio
From series: Back to the south
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Patricia Iglesias. Necklace: Detachment, 2021. Nylon cords, hemp, raffia, cell phone cord, cotton and jute threads, plastic mesh, melted plastic from bottles, found wood, remains of polyester fabric, cotton, burlap, tulle.. 36 x 145 x 10 cm. Photo by: Jorge Carcamo. From series: Trial and Error. Patricia Iglesias
Necklace: Detachment, 2021
Nylon cords, hemp, raffia, cell phone cord, cotton and jute threads, plastic mesh, melted plastic from bottles, found wood, remains of polyester fabric, cotton, burlap, tulle.
36 x 145 x 10 cm
Photo by: Jorge Carcamo
From series: Trial and Error
© By the author. Read Klimt02.net Copyright.
Patricia Iglesias. Neckpiece: Inheritance, 2021. Nylon, sisal, jute, cotton, plastic, raffia cords, cell phone cord, cotton and jute threads, plastic meshes, molten plastic from bottles.. 30 x 48 x 13 cm. Photo by: Jorge Carcamo. From series: Trial and error. Patricia Iglesias
Neckpiece: Inheritance, 2021
Nylon, sisal, jute, cotton, plastic, raffia cords, cell phone cord, cotton and jute threads, plastic meshes, molten plastic from bottles.
30 x 48 x 13 cm
Photo by: Jorge Carcamo
From series: Trial and error
© By the author. Read Klimt02.net Copyright.
Patricia Iglesias. Neckpiece: Inheritance, 2021. Nylon, sisal, jute, cotton, plastic, raffia cords, cell phone cord, cotton and jute threads, plastic meshes, molten plastic from bottles.. 30 x 48 x 13 cm. Photo by: Jorge Carcamo. From series: Trial and error. On body. Patricia Iglesias
Neckpiece: Inheritance, 2021
Nylon, sisal, jute, cotton, plastic, raffia cords, cell phone cord, cotton and jute threads, plastic meshes, molten plastic from bottles.
30 x 48 x 13 cm
Photo by: Jorge Carcamo
From series: Trial and error

On body

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Patricia Iglesias. Necklace: Agreement, 2021. Hamp, cotton, post-consumer plastic mesh.. 14 x 55 x 5 cm. Photo by: Jorge Carcamo. From series: Trial and error. Patricia Iglesias
Necklace: Agreement, 2021
Hamp, cotton, post-consumer plastic mesh.
14 x 55 x 5 cm
Photo by: Jorge Carcamo
From series: Trial and error
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Lorena Jarpa. Ring: Diachrony, 2021. Discard fabric, starch glue, water spray paint, acrylic paint, cotton yarn.. 16 x 16 x 16 cm. Photo by: Gonzalo Flores. From series: Improper Term. Lorena Jarpa
Ring: Diachrony, 2021
Discard fabric, starch glue, water spray paint, acrylic paint, cotton yarn.
16 x 16 x 16 cm
Photo by: Gonzalo Flores
From series: Improper Term
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Lorena Jarpa. Neckpiece: Simultaneity, 2021. Remnant fabrics from costume factory, glue-based starch, acrylic paint, water-based spray paint, waxing thread.. 34 x 57 x 5 cm. Photo by: Jorge Godoy. From series: Improper Term. Lorena Jarpa
Neckpiece: Simultaneity, 2021
Remnant fabrics from costume factory, glue-based starch, acrylic paint, water-based spray paint, waxing thread.
34 x 57 x 5 cm
Photo by: Jorge Godoy
From series: Improper Term
© By the author. Read Klimt02.net Copyright.
Daniela Rivera. Necklace: The Shake Experience, 2020. White cement, discarded clothing, rusty steel chain.. 14 x 65 x 13 cm. Photo by: Daniela Rivera. From series: Punctum. Daniela Rivera
Necklace: The Shake Experience, 2020
White cement, discarded clothing, rusty steel chain.
14 x 65 x 13 cm
Photo by: Daniela Rivera
From series: Punctum
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Daniela Rivera. Necklace: The Shock of Silence, 2020. White cement, discarded garments, found rusty wires.. 15 x 43 x 10 cm. Photo by: Miguel Angel Salinas. From series: Punctum. Daniela Rivera
Necklace: The Shock of Silence, 2020
White cement, discarded garments, found rusty wires.
15 x 43 x 10 cm
Photo by: Miguel Angel Salinas
From series: Punctum
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Marita Sario. Brooch: Witnesses, 2020. Painted canvas, carob spines, cotton thread, nickel silver, steel.. 13 x 17 x 10 cm. Photo by: Damian Wasser. From series: Barbarism - Civilization: The Skin of America. Marita Sario
Brooch: Witnesses, 2020
Painted canvas, carob spines, cotton thread, nickel silver, steel.
13 x 17 x 10 cm
Photo by: Damian Wasser
From series: Barbarism - Civilization: The Skin of America
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Marita Sario. Shoulder Piece: My Part, 2020. Kid's parchment, cotton thread.. 84 x 75 x 3 cm. Photo by: Tobías Cortés. From series: Barbarism - Civilization: The Skin of America. Marita Sario
Shoulder Piece: My Part, 2020
Kid's parchment, cotton thread.
84 x 75 x 3 cm
Photo by: Tobías Cortés
From series: Barbarism - Civilization: The Skin of America
© By the author. Read Klimt02.net Copyright.
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