Virtual Passport Lecture with Kaori Juzu and Eighteen Yuan
Published: 16.09.2024
Pocosin Arts School of Fine Craft
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- Phone:
- +12527962787
- Management:
- Marlene True, Eric Burris, Liz Steiner
DEADLINE: 25/10/2024
Kaori Juzu
Necklace: La Roue de Fortune, 2021
Enamel, copper, silver, brass, gold leaf, pigment
48 x 35 x 5.7 cm
Photo by: MindGap
© By the author. Read Klimt02.net Copyright.
Necklace: La Roue de Fortune, 2021
Enamel, copper, silver, brass, gold leaf, pigment
48 x 35 x 5.7 cm
Photo by: MindGap
© By the author. Read Klimt02.net Copyright.
Pocosin Arts and the Society of North American Goldsmiths (SNAG) present the Virtual Passport Lecture Series with established and emerging international jewelry and metal artists sharing their work, perspectives, and techniques virtually.
Main Speaker: Kaori Juzu: Contemporary Enamel Jewelry
Guest Speaker: Eighteen Yuan: Jewelry-A Sensitive Language
Watch Party available to university and college classes. Instructor will receive the zoom link and can then distribute to their students.
When: 25 October 2024
11:00 am - 12:30 pm
Cost: 75.00 US dollars
All of our online workshops are recorded and, with purchase of the seat in the class, you have access to the recording(s) between workshop sessions as well as for 45 days after the workshop ends.
About Kaori Juzu:
Kaori, a Japanese goldsmith residing in Bornholm, Denmark since 2002, uniquely blends her dual cultural influences to achieve a harmonious fusion of Japanese craftsmanship’s humility and refinement with the minimalist aesthetic of Danish design. Her enameled creations are micro-revelations that captivate with enduring allure. Since 2005, Kaori has been invited to participate in numerous group and solo exhibitions worldwide, culminating in her recognition as a finalist for the Loewe Foundation Craft Prize 2023.
About Eighteen Yuan:
Eighteen (Yihan) Yuan, a metalsmith and jeweler originally from China, embarked on her artistic journey in the United States, earning a BFA in Metal from the State University of New York at New Paltz in 2020. She further honed her craft at Cranbrook Academy of Art in Michigan. Yuan’s creative passion revolves around nature, inspiring her to craft sculptural jewelry that delves into the intersection of human emotions and the natural world. By incorporating narrative materials like ties, soap ends, and maps into her pieces, she invites viewers to contemplate themes of love, loss, and belonging with keen sensitivity.
Guest Speaker: Eighteen Yuan: Jewelry-A Sensitive Language
Watch Party available to university and college classes. Instructor will receive the zoom link and can then distribute to their students.
When: 25 October 2024
11:00 am - 12:30 pm
Cost: 75.00 US dollars
All of our online workshops are recorded and, with purchase of the seat in the class, you have access to the recording(s) between workshop sessions as well as for 45 days after the workshop ends.
About Kaori Juzu:
Kaori, a Japanese goldsmith residing in Bornholm, Denmark since 2002, uniquely blends her dual cultural influences to achieve a harmonious fusion of Japanese craftsmanship’s humility and refinement with the minimalist aesthetic of Danish design. Her enameled creations are micro-revelations that captivate with enduring allure. Since 2005, Kaori has been invited to participate in numerous group and solo exhibitions worldwide, culminating in her recognition as a finalist for the Loewe Foundation Craft Prize 2023.
About Eighteen Yuan:
Eighteen (Yihan) Yuan, a metalsmith and jeweler originally from China, embarked on her artistic journey in the United States, earning a BFA in Metal from the State University of New York at New Paltz in 2020. She further honed her craft at Cranbrook Academy of Art in Michigan. Yuan’s creative passion revolves around nature, inspiring her to craft sculptural jewelry that delves into the intersection of human emotions and the natural world. By incorporating narrative materials like ties, soap ends, and maps into her pieces, she invites viewers to contemplate themes of love, loss, and belonging with keen sensitivity.
Kaori Juzu
Brooch: 55°14’48.3”N 14°50’20.6”E 21.03.2022 05:58, 2022
Enamel, steel, copper, 18kt gold, silver
9.5 x 8 x 2.3 cm
Photo by: Anders Beier
Part of: Metallophone 6: Memory of a place. The Contemporary Metal Art Biennial
From series: 55°14’48.3”N 14°50’20.6”E
© By the author. Read Klimt02.net Copyright.
Brooch: 55°14’48.3”N 14°50’20.6”E 21.03.2022 05:58, 2022
Enamel, steel, copper, 18kt gold, silver
9.5 x 8 x 2.3 cm
Photo by: Anders Beier
Part of: Metallophone 6: Memory of a place. The Contemporary Metal Art Biennial
From series: 55°14’48.3”N 14°50’20.6”E
© By the author. Read Klimt02.net Copyright.
Eighteen Yuan
Brooch: Be-Longing 07, 2023
Enamel, copper, silver, steel
14 x 7 x 4 cm
Photo by: Eighteen Yuan
From series: Be-Longing
© By the author. Read Klimt02.net Copyright.
Estimated price: 800 €
Brooch: Be-Longing 07, 2023
Enamel, copper, silver, steel
14 x 7 x 4 cm
Photo by: Eighteen Yuan
From series: Be-Longing
© By the author. Read Klimt02.net Copyright.
Estimated price: 800 €
Kaori Juzu
Installation: 108 Points of View, 2021
Enamel, glass, copper, 18kt gold, patinated Shakudo, bi-colour metal
70 x 70 x 3.5 cm
Photo by: Anders Beier
108 small-scale sculptures of wearable jewellery are presented in this tableau which showcases a variety of enamelling techniques. The work is inspired by the significance of the number 108 in Buddhism, with temples in China and Japan tolling their bells 108 times at midnight on New Year’s Eve as a ritual of purification. The pieces of jewellery are created from remnants of previous projects and take simple abstract forms. In contrast to traditional enamelling techniques, here, the melting process has been disrupted to create areas of high contrast across the surfaces.
© By the author. Read Klimt02.net Copyright.
Installation: 108 Points of View, 2021
Enamel, glass, copper, 18kt gold, patinated Shakudo, bi-colour metal
70 x 70 x 3.5 cm
Photo by: Anders Beier
108 small-scale sculptures of wearable jewellery are presented in this tableau which showcases a variety of enamelling techniques. The work is inspired by the significance of the number 108 in Buddhism, with temples in China and Japan tolling their bells 108 times at midnight on New Year’s Eve as a ritual of purification. The pieces of jewellery are created from remnants of previous projects and take simple abstract forms. In contrast to traditional enamelling techniques, here, the melting process has been disrupted to create areas of high contrast across the surfaces.
© By the author. Read Klimt02.net Copyright.
Pocosin Arts School of Fine Craft
- Website Pocosin Arts School of Fine Craft
- Facebook Pocosin Arts School of Fine Craft
- Instagram Pocosin Arts School of Fine Craft
- Blog Pocosin Arts School of Fine Craft
- Mail:
- infopocosinarts.org
- Phone:
- +12527962787
- Management:
- Marlene True, Eric Burris, Liz Steiner
DEADLINE: 25/10/2024
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