Kaori Juzu
Jeweller
Published: 20.11.2019
klenodie.comBrooch: As Such II - Orison/Benison #1, 2019
Enamel, glass, copper, 18kt gold, bi-colour metal, silver.
5.6 x 7 x 2.5 cm
Photo by: MindGap
© By the author. Read Klimt02.net Copyright.
Brooch: As Such II - Orison/Benison #2, 2019
Enamel, copper, 18kt gold, silver.
7 x 6.1 x 1.1 cm
Photo by: MindGap
From series: As Such II - Orison/Benison
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Brooch: More Grounded Than Centred, 2019
Enamel, copper, silver.
5.9 x 5.9 x 2.5 cm
Photo by: MindGap
Part of: Collection of Bornholm Art Museum
© By the author. Read Klimt02.net Copyright.
Piece: 108, 2019
Enamel, glass, copper, 18kt gold, bi-colour metal, silver.
Photo by: MindGap
From series: 108
Earrings or Pins.
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Pendant: 02, 2017
Enamel, copper, Japanese silk thread.
4 x 4 x 3 cm
Photo by: Kaori Juzu
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Brooch: RockVision III #4, 2014
Enamel, copper, silver.
4.9 x 7.7 x 3.2 cm
Photo by: Mindgap
© By the author. Read Klimt02.net Copyright.
Brooch: RockVision II #2, 2014
Enamel, copper, silver.
5.5 x 8.8 x 2.6 cm
Photo by: Mindgap
© By the author. Read Klimt02.net Copyright.
Brooch: RockVision III #5, 2014
Enamel, glass, copper, silver.
8.8 x 6.2 x 31 cm
Photo by: Mindgap
Part of: Collection of Bornholm Art Museum
From series: RockVision III
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Brooch: RockVision III #6, 2014
Enamel, copper, silver
14.9 x 7.4 x 4.4 cm
Photo by: Mindgap
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Brooch: RockVision III #2, 2014
Enamel, copper, silver.
6.5 x 7.5 x 2.8 cm
Photo by: Mindgap
© By the author. Read Klimt02.net Copyright.
Brooch: RockVision III #3, 2014
Enamel, copper, silver.
7.2 x 9 x 2.7 cm
Photo by: Mindgap
© By the author. Read Klimt02.net Copyright.
Brooch: RockVision #5, 2014
Enamel, copper, silver
6 x 6.5 x 2.5 cm
Photo by: Mindgap
© By the author. Read Klimt02.net Copyright.
Brooch: RockVision #6, 2014
Enamel, copper, silver.
6.1 x 4.9 x 3.3 cm
Photo by: Mindgap
© By the author. Read Klimt02.net Copyright.
Brooch: RockVision II #4, 2014
Enamel, copper, silver
8.3 x 6.5 x 3.7 cm
Photo by: Mindgap
© By the author. Read Klimt02.net Copyright.
Brooch: RockVision #7, 2014
Enamel, copper, silver.
5.2 x 7 x 3.5 cm
Photo by: Mindgap
© By the author. Read Klimt02.net Copyright.
Brooch: RockVision III series, 2014
Enamel, glass, copper, silver
Photo by: Mindgap
© By the author. Read Klimt02.net Copyright.
Brooch: Along water's edge, 2012
Enamel, copper, silver.
6.4 x 10.9 x 2 cm
Photo by: Mindgap
© By the author. Read Klimt02.net Copyright.
Brooch: Dances at dawn, 2010
Enamel, copper, silver, 14 kt gold.
9.5 x 8.5 x 2.5 cm
Photo by: Thomas Damgaard
Awarded at: The Danish Craftsman Prize
Part of: Designmuseum Danmark
© By the author. Read Klimt02.net Copyright.
Brooch: Field of interference #5, 2011
Enamel, copper, 14 kt gold.
8.2 x 4.8 x 4 cm
Photo by: Peter Boel
© By the author. Read Klimt02.net Copyright.
Brooch: Field of interference #4, 2011
Enamel, copper, silver.
5.8 x 5.8 x 3 cm
Photo by: Peter Boel
© By the author. Read Klimt02.net Copyright.
Kaori Juzu is a contemporary jeweller from Fukuoka, Japan. In 2008 the artist completed her apprenticeship with goldsmith Per Suntum and started her individual artistic practice. Her jewellery is forced beyond familiar boundaries with a sophisticated mix of techniques, an experimental continuation of enamelwork. The result is a new and seductive expression within a beautiful harmony in the shape of jewellery. Juzu's work has been featured in both private and public collections that include Designmuseum Danmark, Koldinghus Museum, The Danish Art Foundation and The Cominelli Foundation.
Statement
On ordinary days…I aspire to work solely for the sake of inspiration - before the mind begins to devour the joy of inspiration. Creating jewellery is a completely open process, where shapes, colours and sizes meet and interact. This process unfolds in a constant dialogue between hand, metal and enamel. In this intensive process layers of colour are built up until such moment: like the moon gleaming on water – soft lifting, serene, subdued, yet strong enough to have inherited a life as well as a form.
As each shape interacts with the space around it, the shapes should elevate each segment and colour and also hold all the elements aloft. In such a space each piece starts to create new rhythms.
No longer me, but opening doors on ordinary days.
CV 
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