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China Academy of Art

Published: 10.06.2019

News!

The school presents students' new work from their Metal Folding project with Prof. Zhenghong Wang.
China Academy of Art.
Management:
Zhenghong Wang
.

© By the author. Read Klimt02.net Copyright.

Statement

The Jewelry major was established in 2004. Alongside Glass art, ceramic art it belongs to the department of Ceramic and Handcrafts of Public Art college of China Academy of Art. We offer students four years of bachelor program and three years of master. We consider two main methodologies as our teaching guide by respecting traditional Chinese culture as well as to research on a new form of contemporary Chinese jewelry. There are various labs of sculpture, glass, ceramics, lacquer that provides sufficient support on materials design and handcrafts training to the jewelry studio. Through a rigorous program, students learn to think individually, master the basic design method and diverse techniques to create a complete piece of work. In addition, they will develop an understanding to meet the traditional Chinese handcrafts and contemporary jewelry.

History:
The China Academy of Art was founded by the renowned educator Mr. Cai Yuanpei in 1928 promoting fine arts education to replace religion in the then war-torn China. Thus, fine arts has been put to the height of religion in this institution for almost eight decades. The academy has fostered many renowned artists who have became major artistic forces in the country.
The Academy has the most complete range of degree offerings and programs of study in fine arts in China. There are eight schools under its jurisdiction offering Ph.D., master’s and bachelor’s degrees in fine arts, design, architecture, multi-media and film.

The Academy encourages diversity in thinking、art exploration and research. It takes as its motto “diversity in harmony” and fosters an context for innovation. Foreign students can take short-term or long-term courses in Chinese art, language and culture in the Institute of International Education.

Teachers

Department teachers:
Zhenghong Wang - Deputy Dean of the College of Crafts, graduate student tutor, master student tutor, professor of the Jewelry Research Studio, Department of Crafts.
Lan Zhang - Associate professor, graduate student tutor, master student tutor, Department of Crafts, Jewelery Studio.
Xiao Zhou - Associate professor, graduate student tutor, Department of Crafts, Jewelery Studio.
Xianou Ni - Associate professor, graduate student tutor, Department of Crafts, Jewelery Studio.
YanLi Duan -Teaching assistant, Department of Crafts, Jewelery Studio.

Guest professors:
Ruudt Peter
Otto Kunzil
Karen Pontoppidan

Contact

Head professor: Zhenghong Wang
E-mail: Wangzh@caa.edu.cn
Phone: +8618058408191

Events      View / hide events

2019:
Exhibition  05 Jun 2019 - 14 Jun 2019  7 artists for 7 days 2019.
Exhibition  25 May 2019 - 01 Jun 2019  China Academy of Art. BFA Degree Show 2019.
Open call  16 Apr 2019 - 15 Jun 2019  Open Call for 2019 Beijing International Jewelry Art Exhibition.
2018:
Exhibition  15 Dec 2018 - 25 Feb 2019  New Horizons Young Talents.
Exhibition  07 Nov 2018 - 10 Dec 2018  Bron by Ruudt Peters in Hangzhou.
Lectures  15 Oct 2018 - 18 Oct 2018  Two Lectures by Otto Künzli at China Academy of Art.
Exhibition  28 May 2018 - 02 Jun 2018  China Academy of Art. BFA Degree Show 2018.
Exhibition  06 Apr 2018 - 27 Apr 2018  Sino-Swiss Contemporary Jewellery and Accessory Design.
2015:
Exhibition  29 May 2015 - 12 Jun 2015  China Academy of Art Undergraduate Students Show 2015.
2014:
Workshop  04 Oct 2014 - 31 Oct 2014  Metal Weaving Workshop.
Exhibition  28 Jun 2014 - 10 Aug 2014  Walk the Talk.
Exhibition  16 Jun 2014 - 30 Jun 2014  Solo Exhibition by Zhenghong Wang.
Exhibition  11 May 2014 - 15 May 2014  China Academy of Art at Hang Zhou Art Fair 7th Edition.
Fair  11 May 2014 - 15 May 2014  Hang Zhou Art Fair 7th edition 2014.
2012:
Exhibition  01 Jun 2012 - 07 Jun 2012  Graduation 2012.
Workshop  24 Feb 2012 - 04 Apr 2012  Enameling.
2011:
Open call  10 Oct 2011 - 04 Nov 2011  Call for Exchange.
Exhibition  14 Mar 2011 - 17 Mar 2011  The Transformation of beauty, the creatures of imagination.
2010:
Workshop  06 Sep 2010 - 01 Oct 2010  Jade in Jewelry Design.
Open call  01 Sep 2010 - 31 Jan 2011  Call for Exchange.
Workshop  08 Mar 2010 - 10 Apr 2010  Paper Jewelry.
Wen Zhang. Object: Three and one, 2019. 925 Silver, fish tape.. 14 x 14 x 5 cm. Photo by: Wen Zhang. From series: Metal Folding. Wen Zhang
Object: Three and one, 2019
925 Silver, fish tape.
14 x 14 x 5 cm
Photo by: Wen Zhang
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Wen Zhang. Necklace: The lonely one, 2019. 925 silver.. 8 x 6 x 5 cm. Photo by: Wen Zhang. From series: Metal Folding. Wen Zhang
Necklace: The lonely one, 2019
925 silver.
8 x 6 x 5 cm
Photo by: Wen Zhang
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Haichen Meng. Brooch: Fan, 2019. 925 silver, jade.. 11 x 6.5 x 2.5 cm. Photo by: Haichen Meng. From series: Metal Folding. Haichen Meng
Brooch: Fan, 2019
925 silver, jade.
11 x 6.5 x 2.5 cm
Photo by: Haichen Meng
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Haichen Meng. Bracelet: Amour, 2019. 925 silver, leather.. 15 x 9.8 x 5 cm. From series: Metal Folding. Haichen Meng
Bracelet: Amour, 2019
925 silver, leather.
15 x 9.8 x 5 cm
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Shiwen Qian. Brooch: Fish 1, 2019. 925 silver, lacquer, wood.. 5 x 5 x 5 cm. Photo by: Shiwen Qian. From series: Metal Folding. Shiwen Qian
Brooch: Fish 1, 2019
925 silver, lacquer, wood.
5 x 5 x 5 cm
Photo by: Shiwen Qian
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Shiwen Qian. Brooch: Fish 2, 2019. 925 silver, lacquer, wood.. 10 x 5 x 5 cm. Photo by: Shiwen Qian. From series: Metal Folding. Shiwen Qian
Brooch: Fish 2, 2019
925 silver, lacquer, wood.
10 x 5 x 5 cm
Photo by: Shiwen Qian
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Junyi Chen. Object: Authority, 2019. Brass, mirror.. 8 x 54 cm. Photo by: Junyi Chen. From series: Metal Folding. Junyi Chen
Object: Authority, 2019
Brass, mirror.
8 x 54 cm
Photo by: Junyi Chen
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Xiao Wang. Object: Lock, 2019. 925 silver.. 24 x 35 x 7 cm. Photo by: Haiyu Chen. From series: Metal Folding. Xiao Wang
Object: Lock, 2019
925 silver.
24 x 35 x 7 cm
Photo by: Haiyu Chen
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Mei Shen. Object: Frame, 2019. 925 silver, red copper.. 30 x 20 x 3 cm. Photo by: Mei Shen. From series: Metal Folding. Mei Shen
Object: Frame, 2019
925 silver, red copper.
30 x 20 x 3 cm
Photo by: Mei Shen
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Mei Shen. Object: Polyhedron, 2019. 925 silver, red copper.. 10 x 10 x 10 cm. Photo by: Mei Shen. From series: Metal Folding. Mei Shen
Object: Polyhedron, 2019
925 silver, red copper.
10 x 10 x 10 cm
Photo by: Mei Shen
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Jiahui Liu. Neckpiece: Back chain, 2019. 925 silver.. 100 x 10 x 6 cm. Photo by: Jiahui Liu. From series: Metal Folding. Jiahui Liu
Neckpiece: Back chain, 2019
925 silver.
100 x 10 x 6 cm
Photo by: Jiahui Liu
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Anran Xu. Brooch: Folding, 2019. Silver, jade.. 8 x 9 x 2 cm. Photo by: Anran Xu. From series: Metal Folding. Anran Xu
Brooch: Folding, 2019
Silver, jade.
8 x 9 x 2 cm
Photo by: Anran Xu
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Anran Xu. Brooch: Folding, 2019. Silver, jade.. 10 x 10 x 3 cm. Photo by: Anran Xu. From series: Metal Folding. Anran Xu
Brooch: Folding, 2019
Silver, jade.
10 x 10 x 3 cm
Photo by: Anran Xu
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Siai Guo. Brooch: Retrospect, 2019. 925 silver.. 10 x 10 x 7 cm. Photo by: Siai Guo. From series: Metal Folding. Siai Guo
Brooch: Retrospect, 2019
925 silver.
10 x 10 x 7 cm
Photo by: Siai Guo
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Siai Guo. Brooch: Twins, 2019. 925 silver, PVC sheet.. 13 x 7 x 5 cm. Photo by: Siai Guo. From series: Metal Folding. Siai Guo
Brooch: Twins, 2019
925 silver, PVC sheet.
13 x 7 x 5 cm
Photo by: Siai Guo
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Haiyu Tan. Brooch: Skylight, 2019. 925 silver, red copper.. 7 x 7 x 2 cm. Photo by: Haiyu Tan. From series: Folding Metal. Haiyu Tan
Brooch: Skylight, 2019
925 silver, red copper.
7 x 7 x 2 cm
Photo by: Haiyu Tan
From series: Folding Metal
© By the author. Read Klimt02.net Copyright.
Yanhong Guo. Brooch: Folding, 2019. 925 silver.. 7 x 8 x 4 cm. Photo by: Haichen Meng. From series: Metal Folding. Yanhong Guo
Brooch: Folding, 2019
925 silver.
7 x 8 x 4 cm
Photo by: Haichen Meng
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Qinyun He. Object: Ink, 2019. 925 silver, plastic.. 9 x 7.5 x 4.5 cm. Photo by: Qinyun He. From series: Metal Folding. Qinyun He
Object: Ink, 2019
925 silver, plastic.
9 x 7.5 x 4.5 cm
Photo by: Qinyun He
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Yi Xie. Object: Untitled, 2019.  Silver, fabric.. 8 x 7 x 6 cm. Photo by: Yi Xie. From series: Metal Folding. Yi Xie
Object: Untitled, 2019
 Silver, fabric.
8 x 7 x 6 cm
Photo by: Yi Xie
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Qian Xu. Necklace: Folding blue, 2019. 925 silver, enamel.. 47 x 26 x 3 cm. Photo by: Qian Xu. Qian Xu
Necklace: Folding blue, 2019
925 silver, enamel.
47 x 26 x 3 cm
Photo by: Qian Xu
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Xin Xu. Pin: Spallation, 2019. Silver. 10 x 10 cm. Photo by: Xin Xu. From series: Metal Folding. Xin Xu
Pin: Spallation, 2019
Silver
10 x 10 cm
Photo by: Xin Xu
From series: Metal Folding
© By the author. Read Klimt02.net Copyright.
Xin Xu. Pin: Spallation, 2019. Red copper, obsidian.. 10 x 7 cm. Photo by: Xin Xu. From series: Metal Folding. Xin Xu
Pin: Spallation, 2019
Red copper, obsidian.
10 x 7 cm
Photo by: Xin Xu
From series: Metal Folding
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Zhenghong Wang. Necklace: The Heart of Sutra, 2018. Silver, paper.. Zhenghong Wang
Necklace: The Heart of Sutra, 2018
Silver, paper.
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Zhenghong Wang. Brooch: Landscape, 2015. Silver, paper, mirror.. 7 x 8.8 x 5.2 cm. From series: Landscape. Zhenghong Wang
Brooch: Landscape, 2015
Silver, paper, mirror.
7 x 8.8 x 5.2 cm
From series: Landscape
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Zhenghong Wang. Sculpture: Body Landscape, 2015. Silver, stone.. Zhenghong Wang
Sculpture: Body Landscape, 2015
Silver, stone.
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Lan Zhang. Ring: Fragmentation and Continuity, 2016. Silver. 35 x 3 x 3 cm. Lan Zhang
Ring: Fragmentation and Continuity, 2016
Silver
35 x 3 x 3 cm
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Zhang Lan. Necklace: Shackle1, 2015. Ceramics, silver.. Zhang Lan
Necklace: Shackle1, 2015
Ceramics, silver.
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Shuhui Zheng. Brooch: Dreams, 2016. Quick dry cement, wood, brass, steel.. This work is the result of my memories of my childhood dreams. I am now almost no longer dream, maybe I made a dream but will forget after wake up. But in my memory, my childhood is more than a dream. I am very timid, happened during the day a little bit scared, will have nightmares at night. And when I recall the past, it was as if I had stood looking down in midair, the dream is no longer clear. They are mostly happened in my growth environment, because of reality which has been changed during the day, make the reality into a surreal. So I decided to make a "small world", the small world of dreams. Quick dry cement quality of a material is loose, it is easy to be broken, so I made a brass frame first and make it connected to the part of a brooch, then pouring concrete into a mold, to hide the framework. The wood part is:on the small wood rub white latex, and then coat with cement powder with sandpaper, so integrating them and cement.. Shuhui Zheng
Brooch: Dreams, 2016
Quick dry cement, wood, brass, steel.
This work is the result of my memories of my childhood dreams. I am now almost no longer dream, maybe I made a dream but will forget after wake up. But in my memory, my childhood is more than a dream. I am very timid, happened during the day a little bit scared, will have nightmares at night. And when I recall the past, it was as if I had stood looking down in midair, the dream is no longer clear. They are mostly happened in my growth environment, because of reality which has been changed during the day, make the reality into a surreal. So I decided to make a "small world", the small world of dreams. Quick dry cement quality of a material is loose, it is easy to be broken, so I made a brass frame first and make it connected to the part of a brooch, then pouring concrete into a mold, to hide the framework. The wood part is:on the small wood rub white latex, and then coat with cement powder with sandpaper, so integrating them and cement.

© By the author. Read Klimt02.net Copyright.
Shuhui Zheng. Brooch: Dreams, 2016. Quick dry cement, wood, brass, steel.. Side view.This work is the result of my memories of my childhood dreams. I am now almost no longer dream, maybe I made a dream but will forget after wake up. But in my memory, my childhood is more than a dream. I am very timid, happened during the day a little bit scared, will have nightmares at night. And when I recall the past, it was as if I had stood looking down in midair, the dream is no longer clear. They are mostly happened in my growth environment, because of reality which has been changed during the day, make the reality into a surreal. So I decided to make a "small world", the small world of dreams. Quick dry cement quality of a material is loose, it is easy to be broken, so I made a brass frame first and make it connected to the part of a brooch, then pouring concrete into a mold, to hide the framework. The wood part is:on the small wood rub white latex, and then coat with cement powder with sandpaper, so integrating them and cement.. Shuhui Zheng
Brooch: Dreams, 2016
Quick dry cement, wood, brass, steel.

Side view.
This work is the result of my memories of my childhood dreams. I am now almost no longer dream, maybe I made a dream but will forget after wake up. But in my memory, my childhood is more than a dream. I am very timid, happened during the day a little bit scared, will have nightmares at night. And when I recall the past, it was as if I had stood looking down in midair, the dream is no longer clear. They are mostly happened in my growth environment, because of reality which has been changed during the day, make the reality into a surreal. So I decided to make a "small world", the small world of dreams. Quick dry cement quality of a material is loose, it is easy to be broken, so I made a brass frame first and make it connected to the part of a brooch, then pouring concrete into a mold, to hide the framework. The wood part is:on the small wood rub white latex, and then coat with cement powder with sandpaper, so integrating them and cement.

© By the author. Read Klimt02.net Copyright.
Xiaofang Li. Brooch: Magic, 2016. Heat-shrinkable film, TPU, mesh fabric, felt balls.. Dialogue with their dreams through Freud's the interpretation of dreams, dream, according to a variety of different perspectives to understand it, Herbert said "the dream is gradually, while parts are highly abnormal wakefulness".
. Dream work Outside: sewn up for heat-shrinkable film
. Again my work is made up of three parts, is performed by condensation, displace, Assembly.,dream embodied in bits and pieces but also embodies the superego (moral self). Middle: Using a soft material reflects, a symbol of the self, represented the personality part of reason and consciousness.. Xiaofang Li
Brooch: Magic, 2016
Heat-shrinkable film, TPU, mesh fabric, felt balls.
Dialogue with their dreams through Freud's the interpretation of dreams, dream, according to a variety of different perspectives to understand it, Herbert said "the dream is gradually, while parts are highly abnormal wakefulness".
Dream work Outside: sewn up for heat-shrinkable film
Again my work is made up of three parts, is performed by condensation, displace, Assembly.,dream embodied in bits and pieces but also embodies the superego (moral self). Middle: Using a soft material reflects, a symbol of the self, represented the personality part of reason and consciousness.

© By the author. Read Klimt02.net Copyright.
Xiaofang Li. Brooch: Contradiction, 2016. Barbed wire, wood.. The piece I was inspired by the relationship between men and women, a man and a woman is itself an inseparable yet contradictory combination, I passed wood wrapped in barbed wire, it reflects a desire to break free, but not free. This series of works each chip with a different arrangement, it means different things. I hope that it can express different feelings between men and women.. Xiaofang Li
Brooch: Contradiction, 2016
Barbed wire, wood.
The piece I was inspired by the relationship between men and women, a man and a woman is itself an inseparable yet contradictory combination, I passed wood wrapped in barbed wire, it reflects a desire to break free, but not free. This series of works each chip with a different arrangement, it means different things. I hope that it can express different feelings between men and women.

© By the author. Read Klimt02.net Copyright.
Miao Qi. Ring: VIGILANCE, 2016. 925 silver, acrylic, film, zircon, amethyst.. The title is a dream awakened vigilance habitual disease
. Childhood repeatedly.make a fantastic and strange dreams, the past two decades these fragments like the movie, repeatedly my sleeping and sober mind.
. Most of the time, I woke up with this dream shock ending. It has a clear plot, the exact figure, clear time. They are linked together the nights to form the occupying half the time of my life.
. Film to trigger this dream and shoot the scene as the theme, which I recall on these strange moments. Turning gear likeskeleton, acrylic base is frivolous misty, those memories inlaid stones is
. timeless.Duringmake this ring I was almost unconscious. Too familiar dream. Let the subconscious to guide me, so it was born, exactly.. Miao Qi
Ring: VIGILANCE, 2016
925 silver, acrylic, film, zircon, amethyst.
The title is a dream awakened vigilance habitual disease
Childhood repeatedly
.make a fantastic and strange dreams, the past two decades these fragments like the movie, repeatedly my sleeping and sober mind.
Most of the time, I woke up with this dream shock ending. It has a clear plot, the exact figure, clear time. They are linked together the nights to form the occupying half the time of my life.
Film to trigger this dream and shoot the scene as the theme, which I recall on these strange moments. Turning gear likeskeleton
, acrylic base is frivolous misty, those memories inlaid stones is
timeless.Duringmake
this ring I was almost unconscious. Too familiar dream. Let the subconscious to guide me, so it was born, exactly.

© By the author. Read Klimt02.net Copyright.
Miao Qi. Ring: VIGILANCE, 2016. 925 silver, acrylic, film, zircon, amethyst.. On body.The title is a dream awakened vigilance habitual disease
. Childhood repeatedly.make a fantastic and strange dreams, the past two decades these fragments like the movie, repeatedly my sleeping and sober mind.
. Most of the time, I woke up with this dream shock ending. It has a clear plot, the exact figure, clear time. They are linked together the nights to form the occupying half the time of my life.
. Film to trigger this dream and shoot the scene as the theme, which I recall on these strange moments. Turning gear likeskeleton, acrylic base is frivolous misty, those memories inlaid stones is
. timeless.Duringmake this ring I was almost unconscious. Too familiar dream. Let the subconscious to guide me, so it was born, exactly.. Miao Qi
Ring: VIGILANCE, 2016
925 silver, acrylic, film, zircon, amethyst.

On body.
The title is a dream awakened vigilance habitual disease
Childhood repeatedly
.make a fantastic and strange dreams, the past two decades these fragments like the movie, repeatedly my sleeping and sober mind.
Most of the time, I woke up with this dream shock ending. It has a clear plot, the exact figure, clear time. They are linked together the nights to form the occupying half the time of my life.
Film to trigger this dream and shoot the scene as the theme, which I recall on these strange moments. Turning gear likeskeleton
, acrylic base is frivolous misty, those memories inlaid stones is
timeless.Duringmake
this ring I was almost unconscious. Too familiar dream. Let the subconscious to guide me, so it was born, exactly.

© By the author. Read Klimt02.net Copyright.
Yiqi Wu. Brooch: Honey Dream, 2016. Silicone, pigment, pearl, coral, zircon, string, 925 silver, bead.. When it comes to dream, everyone has “another me” in his or her heart where both beauty and darkness are acceptable, These unconscious desires are not just resting quietly in the human mind.
. I have dreamed the same dream many times, In my dream, I was a member of the Earth escort, When patrolling at the beach, I was attacked by a gigantic octopus. The octopus wrapped around my body, but it seemingly meant no harm and tried to talk with me. Its magic attraction to me is unforgettable.
. I started from my beloved animated film about dream, “Paprika” directed by Kon Satoshi. It is a colorful surrealism animated film. I used the method of surrealism and abstract to embody my dream in the form of jewelry. The tenuous relationship between dream and self is corresponding to the interactive relationship between jewelry and body.
. The plasticity, permeability and texture of silicone can better show the octopus’s characteristics of soft and ductile. I used the attractive pink and orange as the overall tone. Pearls, corals and zircons are embedded in the sucker of octopus, which makes this kind of marine life more vivid and interesting. The overall texture is fluid, as if it is interacting with the wearer.
. The whole work is a honey dream. The wearer would like to care for this jewelry as tender as a baby. Once you wear it, it feels like entering a dream the work brings you.. Yiqi Wu
Brooch: Honey Dream, 2016
Silicone, pigment, pearl, coral, zircon, string, 925 silver, bead.
When it comes to dream, everyone has “another me” in his or her heart where both beauty and darkness are acceptable, These unconscious desires are not just resting quietly in the human mind.
I have dreamed the same dream many times, In my dream, I was a member of the Earth escort, When patrolling at the beach, I was attacked by a gigantic octopus. The octopus wrapped around my body, but it seemingly meant no harm and tried to talk with me. Its magic attraction to me is unforgettable.
I started 
from my beloved animated film about dream, “Paprika” directed by Kon Satoshi. It is a colorful surrealism animated film. I used the method of surrealism and abstract to embody my dream in the form of jewelry. The tenuous relationship between dream and self is corresponding to the interactive relationship between jewelry and body.
The plasticity, permeability and texture of silicone can better show the octopus’s characteristics of soft and ductile. I used the attractive pink and orange as the overall tone. Pearls, corals and zircons are embedded in the sucker of octopus, which makes this kind of marine life more vivid and interesting. The overall texture is 
fluid, as if it is interacting with the wearer.
The whole work is a honey dream. The wearer would like to care for this 
jewelry as tender as a baby. Once you wear it, it feels like entering a dream the work brings you.

© By the author. Read Klimt02.net Copyright.
Yiqi Wu. Brooch: Honey Dream, 2016. Silicone, pigment, pearl, coral, zircon, string, 925 silver, bead.. Back view.When it comes to dream, everyone has “another me” in his or her heart where both beauty and darkness are acceptable, These unconscious desires are not just resting quietly in the human mind.
. I have dreamed the same dream many times, In my dream, I was a member of the Earth escort, When patrolling at the beach, I was attacked by a gigantic octopus. The octopus wrapped around my body, but it seemingly meant no harm and tried to talk with me. Its magic attraction to me is unforgettable.
. I started from my beloved animated film about dream, “Paprika” directed by Kon Satoshi. It is a colorful surrealism animated film. I used the method of surrealism and abstract to embody my dream in the form of jewelry. The tenuous relationship between dream and self is corresponding to the interactive relationship between jewelry and body.
. The plasticity, permeability and texture of silicone can better show the octopus’s characteristics of soft and ductile. I used the attractive pink and orange as the overall tone. Pearls, corals and zircons are embedded in the sucker of octopus, which makes this kind of marine life more vivid and interesting. The overall texture is fluid, as if it is interacting with the wearer.
. The whole work is a honey dream. The wearer would like to care for this jewelry as tender as a baby. Once you wear it, it feels like entering a dream the work brings you.. Yiqi Wu
Brooch: Honey Dream, 2016
Silicone, pigment, pearl, coral, zircon, string, 925 silver, bead.

Back view.
When it comes to dream, everyone has “another me” in his or her heart where both beauty and darkness are acceptable, These unconscious desires are not just resting quietly in the human mind.
I have dreamed the same dream many times, In my dream, I was a member of the Earth escort, When patrolling at the beach, I was attacked by a gigantic octopus. The octopus wrapped around my body, but it seemingly meant no harm and tried to talk with me. Its magic attraction to me is unforgettable.
I started 
from my beloved animated film about dream, “Paprika” directed by Kon Satoshi. It is a colorful surrealism animated film. I used the method of surrealism and abstract to embody my dream in the form of jewelry. The tenuous relationship between dream and self is corresponding to the interactive relationship between jewelry and body.
The plasticity, permeability and texture of silicone can better show the octopus’s characteristics of soft and ductile. I used the attractive pink and orange as the overall tone. Pearls, corals and zircons are embedded in the sucker of octopus, which makes this kind of marine life more vivid and interesting. The overall texture is 
fluid, as if it is interacting with the wearer.
The whole work is a honey dream. The wearer would like to care for this 
jewelry as tender as a baby. Once you wear it, it feels like entering a dream the work brings you.

© By the author. Read Klimt02.net Copyright.
Liling Peng. Brooch: Wake up, 2016. Rattan, paper sludge, sponge paper, heat shrinkable film, 925 silver, cotton, zircon.. Works of every triangle is dream in bits and pieces of fragments, each fragment may be simple or complex, but we always ignore the truth behind it. Don't be confused by the present moment, or you will never know what is really behind it.. Liling Peng
Brooch: Wake up, 2016
Rattan, paper sludge, sponge paper, heat shrinkable film, 925 silver, cotton, zircon.
Works of every triangle is dream in bits and pieces of fragments, each fragment may be simple or complex, but we always ignore the truth behind it. Don't be confused by the present moment, or you will never know what is really behind it.

© By the author. Read Klimt02.net Copyright.
Liling Peng. Brooch: Wake up, 2016. Rattan, paper sludge, sponge paper, heat shrinkable film, 925 silver, cotton, zircon.. Back view.Works of every triangle is dream in bits and pieces of fragments, each fragment may be simple or complex, but we always ignore the truth behind it. Don't be confused by the present moment, or you will never know what is really behind it.. Liling Peng
Brooch: Wake up, 2016
Rattan, paper sludge, sponge paper, heat shrinkable film, 925 silver, cotton, zircon.

Back view.
Works of every triangle is dream in bits and pieces of fragments, each fragment may be simple or complex, but we always ignore the truth behind it. Don't be confused by the present moment, or you will never know what is really behind it.

© By the author. Read Klimt02.net Copyright.
Pengfei Jin. Brooch: Hard Bed, 2016. Ebony, 925 silver, copper, bamboo, steel.. The inspiration comes from a recent strange dreams, I came to a strange school as a bystander, which students all slept on the hard benches or the table, and the beds were empty.I want to use my own method to preserved a wonderful dream, so there is the PIECE. Mainly techniques are Cutting, Welding, Copper folded. Aging Treatment and timber cutting and polishing techniques.. Pengfei Jin
Brooch: Hard Bed, 2016
Ebony, 925 silver, copper, bamboo, steel.
The inspiration comes from a recent strange dreams, I came to a strange school as a bystander, which students all slept on the hard benches or the table, and the beds were empty.I want to use my own method to preserved a wonderful dream, so there is the PIECE. Mainly techniques are Cutting, Welding, Copper folded. Aging Treatment and timber cutting and polishing techniques.

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Pengfei Jin. Brooch: Hard Bed, 2016. Ebony, 925 silver, copper, bamboo, steel.. Side view.The inspiration comes from a recent strange dreams, I came to a strange school as a bystander, which students all slept on the hard benches or the table, and the beds were empty.I want to use my own method to preserved a wonderful dream, so there is the PIECE. Mainly techniques are Cutting, Welding, Copper folded. Aging Treatment and timber cutting and polishing techniques.. Pengfei Jin
Brooch: Hard Bed, 2016
Ebony, 925 silver, copper, bamboo, steel.

Side view.
The inspiration comes from a recent strange dreams, I came to a strange school as a bystander, which students all slept on the hard benches or the table, and the beds were empty.I want to use my own method to preserved a wonderful dream, so there is the PIECE. Mainly techniques are Cutting, Welding, Copper folded. Aging Treatment and timber cutting and polishing techniques.

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Xi Huang. Brooch: Comfortable Home, 2016. Silver. Works at home as a starting point, through the construction of language and language with the jewelry, the basic elements of "roof" used to convey a reassuring feeling of home. Work area with metallic braid gimmick, with Sterling Silver woven materials, work three piece of knitted from outside to inside gradually encryption, the outermost woven pursuit of gauze like refreshing texture, the sight could be from the outermost layer through, to see inside the two layers and three piece of knitted woven techniques are not the same, a symbol of the relationship between parents and children in the family.. Xi Huang
Brooch: Comfortable Home, 2016
Silver

Works at home as a starting point, through the construction of language and language with the jewelry, the basic elements of "roof" used to convey a reassuring feeling of home. Work area with metallic braid gimmick, with Sterling Silver woven materials, work three piece of knitted from outside to inside gradually encryption, the outermost woven pursuit of gauze like refreshing texture, the sight could be from the outermost layer through, to see inside the two layers and three piece of knitted woven techniques are not the same, a symbol of the relationship between parents and children in the family.

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Xi Huang. Brooch: Comfortable Home, 2016. Silver. Detail view. Xi Huang
Brooch: Comfortable Home, 2016
Silver

Detail view

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Xi Huang. Necklace: Weaving Dream, 2016. Silver, acrylic, transparent plastic sheet, Ma Kebi. Works from the dream of the story and fragments of thinking.    
. Ancient Chinese story of "Chuang tzu's dream", I do not know is Zhuangzi dreamt he was a butterfly, or a butterfly dreaming himself into the Zhuang Zi, it is difficult to distinguish between dream and the real world, the dream world of our own can control it? Why sometimes the dream there will be continuity? Dream occurred successively in the story, the succession of fragments, the link between fragments is my works about dreams of starting point.    
. Whether the dream is their own minds edited out of the story?? I used metal woven in this performance to express the subjective control of dreams in question. Using staining transparent plastic film dream fantasy and fragments of intertwined.. Xi Huang
Necklace: Weaving Dream, 2016
Silver, acrylic, transparent plastic sheet, Ma Kebi

Works from the dream of the story and fragments of thinking.    
Ancient Chinese story of "Chuang tzu's dream", I do not know is Zhuangzi dreamt he was a butterfly, or a butterfly dreaming himself into the Zhuang Zi, it is difficult to distinguish between dream and the real world, the dream world of our own can control it? Why sometimes the dream there will be continuity? Dream occurred successively in the story, the succession of fragments, the link between fragments is my works about dreams of starting point.    
Whether the dream is their own minds edited out of the story?? I used metal woven in this performance to express the subjective control of dreams in question. Using staining transparent plastic film dream fantasy and fragments of intertwined.

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Xi Huang. Necklace: Weaving Dream, 2016. Silver, acrylic, transparent plastic sheet, Ma Kebi. Top view. Xi Huang
Necklace: Weaving Dream, 2016
Silver, acrylic, transparent plastic sheet, Ma Kebi

Top view

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Yuyun Hu. Brooch: Forensic, 2016. Silver oxide, silica gel. I chose forensic identity because I prefer to see on crime detective novels or movies, I think forensics is one of fear and exciting career. Forensic pathologists need regular contact with dead bodies, kind of creepy, but as from clues found on the bodies, will be step by step, the detection of the case and make high spirits. Two layout so I can convert to observe the wound under the magnifying glass to reflect the identity of forensic.. Yuyun Hu
Brooch: Forensic, 2016
Silver oxide, silica gel

I chose forensic identity because I prefer to see on crime detective novels or movies, I think forensics is one of fear and exciting career. Forensic pathologists need regular contact with dead bodies, kind of creepy, but as from clues found on the bodies, will be step by step, the detection of the case and make high spirits. Two layout so I can convert to observe the wound under the magnifying glass to reflect the identity of forensic.

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Yuyun Hu. Brooch: Forensic, 2016. Silver oxide, silica gel. Side view. Yuyun Hu
Brooch: Forensic, 2016
Silver oxide, silica gel

Side view

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Yuyun Hu. Brooch: Sea and Snake, 2015. Particle boards, crayons, glue, abalone shell chips. "The interpretation of dreams" as a starting point, with a memorable dream sequence as the main content, mostly in the sea and snakes, by colour tone and expression to render the dream moods. Layers of blue waves implies dangerous message, but I hope that weaken negative emotional tone, zoom in for a better vision of things.. Yuyun Hu
Brooch: Sea and Snake, 2015
Particle boards, crayons, glue, abalone shell chips
"The interpretation of dreams" as a starting point, with a memorable dream sequence as the main content, mostly in the sea and snakes, by colour tone and expression to render the dream moods. Layers of blue waves implies dangerous message, but I hope that weaken negative emotional tone, zoom in for a better vision of things.

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Yuyun Hu. Brooch: Sea and Snake, 2015. Particle boards, crayons, glue, abalone shell chips. Front view."The interpretation of dreams" as a starting point, with a memorable dream sequence as the main content, mostly in the sea and snakes, by colour tone and expression to render the dream moods. Layers of blue waves implies dangerous message, but I hope that weaken negative emotional tone, zoom in for a better vision of things.. Yuyun Hu
Brooch: Sea and Snake, 2015
Particle boards, crayons, glue, abalone shell chips

Front view.
"The interpretation of dreams" as a starting point, with a memorable dream sequence as the main content, mostly in the sea and snakes, by colour tone and expression to render the dream moods. Layers of blue waves implies dangerous message, but I hope that weaken negative emotional tone, zoom in for a better vision of things.

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Yuyun Hu. Brooch: Sea and Snake, 2015. Particle boards, crayons, glue, abalone shell chips. Back view."The interpretation of dreams" as a starting point, with a memorable dream sequence as the main content, mostly in the sea and snakes, by colour tone and expression to render the dream moods. Layers of blue waves implies dangerous message, but I hope that weaken negative emotional tone, zoom in for a better vision of things.. Yuyun Hu
Brooch: Sea and Snake, 2015
Particle boards, crayons, glue, abalone shell chips

Back view.
"The interpretation of dreams" as a starting point, with a memorable dream sequence as the main content, mostly in the sea and snakes, by colour tone and expression to render the dream moods. Layers of blue waves implies dangerous message, but I hope that weaken negative emotional tone, zoom in for a better vision of things.

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Ting Zhang. Piece: Fiction, 2014. Resin, insect, comprehensive material. Necklace: 18x22x7cm; brooch: 5x5x3cm. Necklace and brooch. Ting Zhang
Piece: Fiction, 2014
Resin, insect, comprehensive material
Necklace: 18x22x7cm; brooch: 5x5x3cm
Necklace and brooch
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Yuanyuan Liu. Piece: Merry-go-around, 2014. Silver, gem. Necklace: 15x32x6cm; ring: 5x5x6cm. Necklace and ring. Yuanyuan Liu
Piece: Merry-go-around, 2014
Silver, gem
Necklace: 15x32x6cm; ring: 5x5x6cm
Necklace and ring
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Gengming Liu. Necklace: Squeeze, 2014. Silver, precious stones, wood, lamp. 18x17x8cm. Gengming Liu
Necklace: Squeeze, 2014
Silver, precious stones, wood, lamp
18x17x8cm
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Fangfan Dai. Brooch: Cocoon, 2014. Silver, porcelain. 10x9x9cm/6x5x10. Fangfan Dai
Brooch: Cocoon, 2014
Silver, porcelain
10x9x9cm/6x5x10
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Zhiwen Zheng. Necklace: Republic, 2014. Wool, silver, spiraea. 20x36x13cm. Zhiwen Zheng
Necklace: Republic, 2014
Wool, silver, spiraea
20x36x13cm
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Shuying Xu. Brooch: Microscopic, 2014. Silver, comprehensive material. Shuying Xu
Brooch: Microscopic, 2014
Silver, comprehensive material
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Binglei Xu. Ring: Varied sense, 2014. Silver, silicon clay. 5x5x8cm. Binglei Xu
Ring: Varied sense, 2014
Silver, silicon clay
5x5x8cm
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Shiyu Zhang. Brooch: Relationship, 2014. Glass, silver. 8x6x6cm. Shiyu Zhang
Brooch: Relationship, 2014
Glass, silver
8x6x6cm
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Luxi Du. Brooch: Bewitched by butterflies, 2014. Embroidery,silver,resin. 8x10x5cm. Luxi Du
Brooch: Bewitched by butterflies, 2014
Embroidery,silver,resin
8x10x5cm
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Yelei Wang. Piece: Real, 2014. True hair, fake hair, mirror, wood, silver, pearl, gypsum. Necklace: 18x28x7cm; Ring: 7x19x6cm. Necklace and ring. Yelei Wang
Piece: Real, 2014
True hair, fake hair, mirror, wood, silver, pearl, gypsum
Necklace: 18x28x7cm; Ring: 7x19x6cm
Necklace and ring
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Shujing Ni. Piece: A flowing cloud dream, 2014. Silver, glass. Ring: 7x6x8cm; brooch: 5x9x5cm. Ring and brooch. Shujing Ni
Piece: A flowing cloud dream, 2014
Silver, glass
Ring: 7x6x8cm; brooch: 5x9x5cm
Ring and brooch
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Zhifeng Wang. Necklace: Mountain range, 2014. Wood, silver, resin, magnet, iron powder. 19x23x2cm. Zhifeng Wang
Necklace: Mountain range, 2014
Wood, silver, resin, magnet, iron powder
19x23x2cm
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Yanli Duan. Necklace: Hedge, 2013. 925 Sliver,Old China. 40 X 25 X 3 cm. Yanli Duan
Necklace: Hedge, 2013
925 Sliver,Old China
40 X 25 X 3 cm
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Yanli Duan. Piece: Look into the dreamland, 2013. Sterling silver, Lacquer,Gemstone. 6 X 5 X 4 cm, 25 X 15 X 3 cm. Necklace & Ring. Yanli Duan
Piece: Look into the dreamland, 2013
Sterling silver, Lacquer,Gemstone
6 X 5 X 4 cm, 25 X 15 X 3 cm
Necklace & Ring
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Binlei Xu. Brooch: After class, 2013. Silver, resin, comprehensive material. Binlei Xu
Brooch: After class, 2013
Silver, resin, comprehensive material
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Binlei Xu. Necklace: Moon, 2013. Silver, wood, raw lacquer. Binlei Xu
Necklace: Moon, 2013
Silver, wood, raw lacquer
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Shujing Ni. Necklace: Hip hop jewelry, 2013. Sliver, Man-made leather. Shujing Ni
Necklace: Hip hop jewelry, 2013
Sliver, Man-made leather
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Fangfang Dai. Necklace: Fly dream, 2013. Glass, resin, copper, silver, specimen. Fangfang Dai
Necklace: Fly dream, 2013
Glass, resin, copper, silver, specimen
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Fangfang Dai. Brooch: Yao_1, 2013. Raw lacquer, eggshell, 925silver, brush. Fangfang Dai
Brooch: Yao_1, 2013
Raw lacquer, eggshell, 925silver, brush
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Gengming Liu. Ring: Listen, 2013. Wood, 925silver. Gengming Liu
Ring: Listen, 2013
Wood, 925silver
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Chongyun Feng. Brooch: The Eye of Sunflower, 2013. 925 Sliver, Garnet. 6 x 6 x 3,6 cm. Chongyun Feng
Brooch: The Eye of Sunflower, 2013
925 Sliver, Garnet
6 x 6 x 3,6 cm
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Jiahui Ye. Ring: Floating in Space, 2013. 925 Silver, wood, polymer clay. 6,8 x 4,1 x 10,5 cm. Jiahui Ye
Ring: Floating in Space, 2013
925 Silver, wood, polymer clay
6,8 x 4,1 x 10,5 cm
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Kangyi Chu. Brooch: Black Walnut, 2013. 925 Sliver. 3 x 6 x 3 cm. Kangyi Chu
Brooch: Black Walnut, 2013
925 Sliver
3 x 6 x 3 cm
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Jiang Shan. Ring: Path Achieve, 2013. 925 Sliver. 46 x 46 cm. Detail. Jiang Shan
Ring: Path Achieve, 2013
925 Sliver
46 x 46 cm
Detail
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Jiang Shan. Ring: Path Achieve, 2013. 925 Sliver. 46 x 46 cm. Detail. Jiang Shan
Ring: Path Achieve, 2013
925 Sliver
46 x 46 cm
Detail
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Xiaohui Ni. Brooch: Busy Man Makes Businessman, 2013. Cold enamel, resin, colored pottery. 10 x 8 cm. Xiaohui Ni
Brooch: Busy Man Makes Businessman, 2013
Cold enamel, resin, colored pottery
10 x 8 cm
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Yan Li. Brooch: Building’s Story, 2013. 925 Sliver,Wood. 6 x 2,7 x 1,1 cm. Yan Li
Brooch: Building’s Story, 2013
925 Sliver,Wood
6 x 2,7 x 1,1 cm
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Yiting Ye. Necklace: Boundary, 2013. 925 Silver, Jaffaite. 18 x 4 cm. Yiting Ye
Necklace: Boundary, 2013
925 Silver, Jaffaite
18 x 4 cm
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Yan Li. Brooch: Building’s Story II. 925 silver. 6.5x1.7x0.4 cm. Yan Li
Brooch: Building’s Story II
925 silver
6.5x1.7x0.4 cm
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Xiaohui Ni. Brooch: Busy Man Makes Businessman II. 925 Silver, cold-enamel, resin, ruby. Xiaohui Ni
Brooch: Busy Man Makes Businessman II
925 Silver, cold-enamel, resin, ruby
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Yiting Ye. Necklace: Boundary I. 925 Silver. 18x19 cm. Yiting Ye
Necklace: Boundary I
925 Silver
18x19 cm
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Zhenghong Wang. Brooch: Red memory 3, 2012. 925 silver, souvenir.. 9 x 9 x 2.5 cm. From series: Red Memory. Zhenghong Wang
Brooch: Red memory 3, 2012
925 silver, souvenir.
9 x 9 x 2.5 cm
From series: Red Memory
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Zhenghong Wang. Necklace: Red memory 1, 2008. 925 silver, souvenir, lava.. 25 x 6 x 3.2 cm. Photo by: Zhenghong Wang. From series: Red Memory. Zhenghong Wang
Necklace: Red memory 1, 2008
925 silver, souvenir, lava.
25 x 6 x 3.2 cm
Photo by: Zhenghong Wang
From series: Red Memory
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Xiao Zhou. Ring: March of sacrifice 2, 2009. Silver. 3X3 cm. Xiao Zhou
Ring: March of sacrifice 2, 2009
Silver
3X3 cm
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Xiao Zhou. Necklace: No bundery 2, 2011. Silver. 10x15cm. Xiao Zhou
Necklace: No bundery 2, 2011
Silver
10x15cm
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Lan Zhang. Brooch: Clear tendency, 2011. Silver. 8x3.5 cm. Lan Zhang
Brooch: Clear tendency, 2011
Silver
8x3.5 cm
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Lan Zhang. Brooch: Fold peak, 2011. Silver. 9x4cm. Lan Zhang
Brooch: Fold peak, 2011
Silver
9x4cm
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Yanli Duan. Necklace: Across the moutain and the sky – Tibet Series, 2012. Textile, plastic, leather, aluminium, copper, jade, light.. 15×40×5 cm. Yanli Duan
Necklace: Across the moutain and the sky – Tibet Series, 2012
Textile, plastic, leather, aluminium, copper, jade, light.
15×40×5 cm
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Yanli Duan. Piece: Childhood (necklace & calendar), 2011. Silver, tourmaline,photo. 7x40x5 cm. Yanli Duan
Piece: Childhood (necklace & calendar), 2011
Silver, tourmaline,photo
7x40x5 cm
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Philip Sajet lecture at China Academy..
Philip Sajet lecture at China Academy.

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Otto Künzli lecture at China Academy..
Otto Künzli lecture at China Academy.

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Appreciate APPRECIATE