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Goldmuseum Taipei - Metal Crafts Competition 2018.

China Academy of Art

Published: 10.05.2016
China Academy of Art.
Management:
Wang Zhenghong
.

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Statement

The Jewelry major was established in 2004. Alongside Glass art, ceramic art it belongs to the department of Ceramic and Handcrafts of Public Art college of China Academy of Art. We offer students four years of bachelor program and three years of master. We consider two main methodologies as our teaching guide by respecting traditional Chinese culture as well as to research on a new form of contemporary Chinese jewelry. There are various labs of sculpture, glass, ceramics, lacquer that provides sufficient support on materials design and handcrafts training to the jewelry studio. Through a rigorous program, students learn to think individually, master the basic design method and diverse techniques to create a complete piece of work. In addition, they will develop an understanding to meet the traditional Chinese handcrafts and contemporary jewelry.

History:
The China Academy of Art was founded by the renowned educator Mr. Cai Yuanpei in 1928 promoting fine arts education to replace religion in the then war-torn China. Thus, fine arts has been put to the height of religion in this institution for almost eight decades. The academy has fostered many renowned artists who have became major artistic forces in the country.
The Academy has the most complete range of degree offerings and programs of study in fine arts in China. There are eight schools under its jurisdiction offering Ph.D., master’s and bachelor’s degrees in fine arts, design, architecture, multi-media and film.

The Academy encourages diversity in thinking、art exploration and research. It takes as its motto “diversity in harmony” and fosters an context for innovation. Foreign students can take short-term or long-term courses in Chinese art, language and culture in the Institute of International Education.

Teachers

Department teachers:
Wang Zhenghong - Vice Head of the Department of Ceramics and Arts and Crafts, Director of the Jewelry Research Studio, China Academy of Art.
Zhang Lan- Associate professor, Graduate student tutor, Department of Ceramics and Arts and Crafts, Jewelery Studio, China Academy of Art
Zhou Xiao - Department of Ceramics and Arts and Crafts, Jewelery Studio, China Academy of Art

Guest professors:
Zhou Wu (professor from ceramic art studio of China Academy of Art)
Li Wen (professor from glass art studio of China Academy of Art)
Zheng Wenqing (professor from glass art studio of China Academy of Art) 

Invited Lecturers:
Mary Lee Hu (U.S.A)
Chen Kuo-jen (Taiwan, China)

Courses      View / hide description

Contact

Head professor: Wang Zhenghong
E-mail: Wangzh@caa.edu.cn
Phone: 18058408191

Events      View / hide events

2015:
Exhibition  29 May 2015 - 12 Jun 2015  China Academy of Art Undergraduate Students Show 2015.
2014:
Workshop  04 Oct 2014 - 31 Oct 2014  Metal Weaving Workshop.
Exhibition  28 Jun 2014 - 10 Aug 2014  Walk the Talk.
Exhibition  16 Jun 2014 - 30 Jun 2014  Solo Exhibition by Zhenghong Wang.
Exhibition  11 May 2014 - 15 May 2014  China Academy of Art at Hang Zhou Art Fair 7th Edition.
Fair  11 May 2014 - 15 May 2014  Hang Zhou Art Fair 7th edition 2014.
2012:
Exhibition  01 Jun 2012 - 07 Jun 2012  Graduation 2012.
Workshop  24 Feb 2012 - 04 Apr 2012  Enameling.
2011:
Open call  10 Oct 2011 - 04 Nov 2011  Call for Exchange.
Exhibition  14 Mar 2011 - 17 Mar 2011  The Transformation of beauty, the creatures of imagination.
2010:
Workshop  06 Sep 2010 - 01 Oct 2010  Jade in Jewelry Design.
Open call  01 Sep 2010 - 31 Jan 2011  Call for Exchange.
Workshop  08 Mar 2010 - 10 Apr 2010  Paper Jewelry.
Zheng Shuhui. Brooch: Dreams, 2016. Quick dry cement, wood, brass, steel. This work is the result of my memories of my childhood dreams. I am now almost no longer dream, maybe I made a dream but will forget after wake up. But in my memory, my childhood is more than a dream. I am very timid, happened during the day a little bit scared, will have nightmares at night. And when I recall the past, it was as if I had stood looking down in midair, the dream is no longer clear. They are mostly happened in my growth environment, because of reality which has been changed during the day, make the reality into a surreal. So I decided to make a "small world", the small world of dreams. Quick dry cement quality of a material is loose, it is easy to be broken, so I made a brass frame first and make it connected to the part of a brooch, then pouring concrete into a mold, to hide the framework. The wood part is:on the small wood rub white latex, and then coat with cement powder with sandpaper, so integrating them and cement.
.  . Zheng Shuhui
Brooch: Dreams, 2016
Quick dry cement, wood, brass, steel

This work is the result of my memories of my childhood dreams. I am now almost no longer dream, maybe I made a dream but will forget after wake up. But in my memory, my childhood is more than a dream. I am very timid, happened during the day a little bit scared, will have nightmares at night. And when I recall the past, it was as if I had stood looking down in midair, the dream is no longer clear. They are mostly happened in my growth environment, because of reality which has been changed during the day, make the reality into a surreal. So I decided to make a "small world", the small world of dreams. Quick dry cement quality of a material is loose, it is easy to be broken, so I made a brass frame first and make it connected to the part of a brooch, then pouring concrete into a mold, to hide the framework. The wood part is:on the small wood rub white latex, and then coat with cement powder with sandpaper, so integrating them and cement.
 

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Zheng Shuhui. Brooch: Dreams, 2016. Quick dry cement, wood, brass, steel. Side view. Zheng Shuhui
Brooch: Dreams, 2016
Quick dry cement, wood, brass, steel

Side view

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Li Xiaofang. Brooch: Magic, 2016. Heat-shrinkable film, TPU, mesh fabric, felt balls. Dialogue with their dreams through Freud's the interpretation of dreams, dream, according to a variety of different perspectives to understand it, Herbert said "the dream is gradually, while parts are highly abnormal wakefulness".
. Dream work is performed by condensation, displace, Assembly.
. Again my work is made up of three parts,
. Outside: sewn up for heat-shrinkable film, dream embodied in bits and pieces, but also embodies the superego (moral self).
. Middle: Using a soft material reflects, a symbol of the self, represented the personality part of reason and consciousness.. Li Xiaofang
Brooch: Magic, 2016
Heat-shrinkable film, TPU, mesh fabric, felt balls

Dialogue with their dreams through Freud's the interpretation of dreams, dream, according to a variety of different perspectives to understand it, Herbert said "the dream is gradually, while parts are highly abnormal wakefulness".
Dream work is performed by condensation, displace, Assembly.
Again my work is made up of three parts,
Outside: sewn up for heat-shrinkable film, dream embodied in bits and pieces, but also embodies the superego (moral self).
Middle: Using a soft material reflects, a symbol of the self, represented the personality part of reason and consciousness.

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Li Xiaofang. Brooch: Contradiction, 2016. Barbed wire, wood. The piece I was inspired by the relationship between men and women, a man and a woman is itself an inseparable yet contradictory combination, I passed wood wrapped in barbed wire, it reflects a desire to break free, but not free. This series of works each chip with a different arrangement, it means different things. I hope that it can express different feelings between men and women.. Li Xiaofang
Brooch: Contradiction, 2016
Barbed wire, wood

The piece I was inspired by the relationship between men and women, a man and a woman is itself an inseparable yet contradictory combination, I passed wood wrapped in barbed wire, it reflects a desire to break free, but not free. This series of works each chip with a different arrangement, it means different things. I hope that it can express different feelings between men and women.

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Qi Miao. Ring: VIGILANCE, 2016. 925 silver, acrylic, film, zircon, amethyst. The title is a dream awakened vigilance habitual disease.
. Childhood repeatedly make a fantastic and strange dreams, the past two decades these fragments like the movie, repeatedly my sleeping and sober mind.
. Most of the time, I woke up with this dream shock ending. It has a clear plot, the exact figure, clear time. They are linked together the nights to form the occupying half the time of my life.
. Film to trigger this dream and shoot the scene as the theme, which I recall on these strange moments. Turning gear like skeleton, acrylic base is frivolous misty, those memories inlaid stones is timeless.
. During make this ring I was almost unconscious. Too familiar dream. Let the subconscious to guide me, so it was born, exactly.. Qi Miao
Ring: VIGILANCE, 2016
925 silver, acrylic, film, zircon, amethyst

The title is a dream awakened vigilance habitual disease.
Childhood repeatedly make a fantastic and strange dreams, the past two decades these fragments like the movie, repeatedly my sleeping and sober mind.
Most of the time, I woke up with this dream shock ending. It has a clear plot, the exact figure, clear time. They are linked together the nights to form the occupying half the time of my life.
Film to trigger this dream and shoot the scene as the theme, which I recall on these strange moments. Turning gear like skeleton, acrylic base is frivolous misty, those memories inlaid stones is timeless.
During make this ring I was almost unconscious. Too familiar dream. Let the subconscious to guide me, so it was born, exactly.

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Qi Miao. Ring: VIGILANCE, 2016. 925 silver, acrylic, film, zircon, amethyst. On model. Qi Miao
Ring: VIGILANCE, 2016
925 silver, acrylic, film, zircon, amethyst

On model

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Wu Yiqi. Brooch: Honey Dream, 2016. Silicone, pigment, pearl, coral, zircon, string, 925 silver, bead  . When it comes to dream, everyone has “another me”in his or her heart where both beauty and darkness are acceptable, These unconscious desires are not just resting quietly in the human mind.
. I have dreamed the same dream many times, In my dream, I was a member of the Earth escort, When patrolling at the beach, I was attacked by a gigantic octopus. The octopus wrapped around my body, but it seemingly meant no harm and tried to talk with me. Its magic attraction to me is unforgettable.
. I started from my beloved animated film about dream, “Paprika” directed by Kon Satoshi. It is a colorful surrealism animated film. I used the method of surrealism and abstract to embody my dream in the form of jewelry. The tenuous relationship between dream and self is corresponding to the interactive relationship between jewelry and body.
. The plasticity, permeability and texture of silicone can better show the octopus’s characteristics of soft and ductile. I used the attractive pink and orange as the overall tone. Pearls, corals and zircons are embedded in the sucker of octopus, which makes this kind of marine life more vivid and interesting. The overall texture is fluid, as if it is interacting with the wearer.
. 
. The whole work is a honey dream. The wearer would like to care for this jewelry as tender as a baby. Once you wear it, it feels like entering a dream the work brings you.                                  
.  . Wu Yiqi
Brooch: Honey Dream, 2016
Silicone, pigment, pearl, coral, zircon, string, 925 silver, bead  

When it comes to dream, everyone has “another me”in his or her heart where both beauty and darkness are acceptable, These unconscious desires are not just resting quietly in the human mind.
I have dreamed the same dream many times, In my dream, I was a member of the Earth escort, When patrolling at the beach, I was attacked by a gigantic octopus. The octopus wrapped around my body, but it seemingly meant no harm and tried to talk with me. Its magic attraction to me is unforgettable.
I started from my beloved animated film about dream, “Paprika” directed by Kon Satoshi. It is a colorful surrealism animated film. I used the method of surrealism and abstract to embody my dream in the form of jewelry. The tenuous relationship between dream and self is corresponding to the interactive relationship between jewelry and body.
The plasticity, permeability and texture of silicone can better show the octopus’s characteristics of soft and ductile. I used the attractive pink and orange as the overall tone. Pearls, corals and zircons are embedded in the sucker of octopus, which makes this kind of marine life more vivid and interesting. The overall texture is fluid, as if it is interacting with the wearer.

The whole work is a honey dream. The wearer would like to care for this jewelry as tender as a baby. Once you wear it, it feels like entering a dream the work brings you.                                  
 

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Wu Yiqi. Brooch: Honey Dream, 2016. Silicone, pigment, pearl, coral, zircon, string, 925 silver, bead  . Back view. Wu Yiqi
Brooch: Honey Dream, 2016
Silicone, pigment, pearl, coral, zircon, string, 925 silver, bead  

Back view

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Peng Liling. Brooch: Wake up, 2016. Rattan, paper sludge, sponge paper, heat shrinkable film, 925 silver, cotton, zircon. Works of every triangle is dream in bits and pieces of fragments, each fragment may be simple or complex, but we always ignore the truth behind it.Don't be confused by the present moment, or you will never know what is really behind it.. Peng Liling
Brooch: Wake up, 2016
Rattan, paper sludge, sponge paper, heat shrinkable film, 925 silver, cotton, zircon

Works of every triangle is dream in bits and pieces of fragments, each fragment may be simple or complex, but we always ignore the truth behind it.Don't be confused by the present moment, or you will never know what is really behind it.

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Peng Liling. Brooch: Wake up, 2016. Rattan, paper sludge, sponge paper, heat shrinkable film, 925 silver, cotton, zircon. Back view. Peng Liling
Brooch: Wake up, 2016
Rattan, paper sludge, sponge paper, heat shrinkable film, 925 silver, cotton, zircon

Back view

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Jin Pengfei. Brooch: Hard Bed, 2016. Ebony, 925 silver, copper, bamboo, steel. The inspiration comes from a recent strange dreams, I came to a strange school as a bystander, which students all slept on the hard benches or the table, and the beds were empty.I want to use my own method to preserved a wonderful dream, so there is the PIECE.Mainly techniques are Cutting, Welding, Copper folded . Aging Treatment  and timber cutting and polishing techniques.. Jin Pengfei
Brooch: Hard Bed, 2016
Ebony, 925 silver, copper, bamboo, steel

The inspiration comes from a recent strange dreams, I came to a strange school as a bystander, which students all slept on the hard benches or the table, and the beds were empty.I want to use my own method to preserved a wonderful dream, so there is the PIECE.Mainly techniques are Cutting, Welding, Copper folded . Aging Treatment  and timber cutting and polishing techniques.

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Jin Pengfei. Brooch: Hard Bed, 2016. Ebony, 925 silver, copper, bamboo, steel. Side view. Jin Pengfei
Brooch: Hard Bed, 2016
Ebony, 925 silver, copper, bamboo, steel

Side view

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Huang Xi. Brooch: Comfortable Home, 2016. Silver. Works at home as a starting point, through the construction of language and language with the jewelry, the basic elements of "roof" used to convey a reassuring feeling of home. Work area with metallic braid gimmick, with Sterling Silver woven materials, work three piece of knitted from outside to inside gradually encryption, the outermost woven pursuit of gauze like refreshing texture, the sight could be from the outermost layer through, to see inside the two layers and three piece of knitted woven techniques are not the same, a symbol of the relationship between parents and children in the family.. Huang Xi
Brooch: Comfortable Home, 2016
Silver

Works at home as a starting point, through the construction of language and language with the jewelry, the basic elements of "roof" used to convey a reassuring feeling of home. Work area with metallic braid gimmick, with Sterling Silver woven materials, work three piece of knitted from outside to inside gradually encryption, the outermost woven pursuit of gauze like refreshing texture, the sight could be from the outermost layer through, to see inside the two layers and three piece of knitted woven techniques are not the same, a symbol of the relationship between parents and children in the family.

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Huang Xi. Brooch: Comfortable Home, 2016. Silver. Detail view. Huang Xi
Brooch: Comfortable Home, 2016
Silver

Detail view

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Huang Xi. Necklace: Weaving Dream, 2016. Silver, acrylic, transparent plastic sheet, Ma Kebi. Works from the dream of the story and fragments of thinking.    
. Ancient Chinese story of "Chuang tzu's dream", I do not know is Zhuangzi dreamt he was a butterfly, or a butterfly dreaming himself into the Zhuang Zi, it is difficult to distinguish between dream and the real world, the dream world of our own can control it? Why sometimes the dream there will be continuity? Dream occurred successively in the story, the succession of fragments, the link between fragments is my works about dreams of starting point.    
. Whether the dream is their own minds edited out of the story?? I used metal woven in this performance to express the subjective control of dreams in question. Using staining transparent plastic film dream fantasy and fragments of intertwined.. Huang Xi
Necklace: Weaving Dream, 2016
Silver, acrylic, transparent plastic sheet, Ma Kebi

Works from the dream of the story and fragments of thinking.    
Ancient Chinese story of "Chuang tzu's dream", I do not know is Zhuangzi dreamt he was a butterfly, or a butterfly dreaming himself into the Zhuang Zi, it is difficult to distinguish between dream and the real world, the dream world of our own can control it? Why sometimes the dream there will be continuity? Dream occurred successively in the story, the succession of fragments, the link between fragments is my works about dreams of starting point.    
Whether the dream is their own minds edited out of the story?? I used metal woven in this performance to express the subjective control of dreams in question. Using staining transparent plastic film dream fantasy and fragments of intertwined.

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Huang Xi. Necklace: Weaving Dream, 2016. Silver, acrylic, transparent plastic sheet, Ma Kebi. Top view. Huang Xi
Necklace: Weaving Dream, 2016
Silver, acrylic, transparent plastic sheet, Ma Kebi

Top view

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Yuyun Hu. Brooch: Forensic, 2016. Silver oxide, silica gel. I chose forensic identity because I prefer to see on crime detective novels or movies, I think forensics is one of fear and exciting career. Forensic pathologists need regular contact with dead bodies, kind of creepy, but as from clues found on the bodies, will be step by step, the detection of the case and make high spirits. Two layout so I can convert to observe the wound under the magnifying glass to reflect the identity of forensic.. Yuyun Hu
Brooch: Forensic, 2016
Silver oxide, silica gel

I chose forensic identity because I prefer to see on crime detective novels or movies, I think forensics is one of fear and exciting career. Forensic pathologists need regular contact with dead bodies, kind of creepy, but as from clues found on the bodies, will be step by step, the detection of the case and make high spirits. Two layout so I can convert to observe the wound under the magnifying glass to reflect the identity of forensic.

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Yuyun Hu. Brooch: Forensic, 2016. Silver oxide, silica gel. Side view. Yuyun Hu
Brooch: Forensic, 2016
Silver oxide, silica gel

Side view

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Yuyun Hu. Brooch: Sea and Snake, 2016. Particle boards, crayons, glue, abalone shell chips. Particle boards, crayons, glue, abalone shell chips.
. "The interpretation of dreams" as a starting point, with a memorable dream sequence as the main content, mostly in the sea and snakes, by colour tone and expression to render the dream moods. Layers of blue waves implies dangerous message, but I hope that weaken negative emotional tone, zoom in for a better vision of things.. Yuyun Hu
Brooch: Sea and Snake, 2016
Particle boards, crayons, glue, abalone shell chips

Particle boards, crayons, glue, abalone shell chips.
"The interpretation of dreams" as a starting point, with a memorable dream sequence as the main content, mostly in the sea and snakes, by colour tone and expression to render the dream moods. Layers of blue waves implies dangerous message, but I hope that weaken negative emotional tone, zoom in for a better vision of things.

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Yuyun Hu. Brooch: Sea and Snake, 2016. Particle boards, crayons, glue, abalone shell chips. Detail view. Yuyun Hu
Brooch: Sea and Snake, 2016
Particle boards, crayons, glue, abalone shell chips

Detail view

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Yuyun Hu. Brooch: Sea and Snake, 2016. Particle boards, crayons, glue, abalone shell chips. Back view. Yuyun Hu
Brooch: Sea and Snake, 2016
Particle boards, crayons, glue, abalone shell chips

Back view

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Ting Zhang. Piece: Fiction, 2014. Resin, insect, comprehensive material. Necklace: 18x22x7cm; brooch: 5x5x3cm. Necklace and brooch. Ting Zhang
Piece: Fiction, 2014
Resin, insect, comprehensive material
Necklace: 18x22x7cm; brooch: 5x5x3cm
Necklace and brooch
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Yuanyuan Liu. Piece: Merry-go-around, 2014. Silver, gem. Necklace: 15x32x6cm; ring: 5x5x6cm. Necklace and ring. Yuanyuan Liu
Piece: Merry-go-around, 2014
Silver, gem
Necklace: 15x32x6cm; ring: 5x5x6cm
Necklace and ring
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Gengming Liu. Necklace: Squeeze, 2014. Silver, precious stones, wood, lamp. 18x17x8cm. Gengming Liu
Necklace: Squeeze, 2014
Silver, precious stones, wood, lamp
18x17x8cm
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Fangfan Dai. Brooch: Cocoon, 2014. Silver, porcelain. 10x9x9cm/6x5x10. Fangfan Dai
Brooch: Cocoon, 2014
Silver, porcelain
10x9x9cm/6x5x10
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Zhiwen Zheng. Necklace: Republic, 2014. Wool, silver, spiraea. 20x36x13cm. Zhiwen Zheng
Necklace: Republic, 2014
Wool, silver, spiraea
20x36x13cm
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Shuying Xu. Brooch: Microscopic, 2014. Silver, comprehensive material. Shuying Xu
Brooch: Microscopic, 2014
Silver, comprehensive material
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Binglei Xu. Ring: Varied sense, 2014. Silver, silicon clay. 5x5x8cm. Binglei Xu
Ring: Varied sense, 2014
Silver, silicon clay
5x5x8cm
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Shiyu Zhang. Brooch: Relationship, 2014. Glass, silver. 8x6x6cm. Shiyu Zhang
Brooch: Relationship, 2014
Glass, silver
8x6x6cm
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Luxi Du. Brooch: Bewitched by butterflies, 2014. Embroidery,silver,resin. 8x10x5cm. Luxi Du
Brooch: Bewitched by butterflies, 2014
Embroidery,silver,resin
8x10x5cm
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Yelei Wang. Piece: Real, 2014. True hair, fake hair, mirror, wood, silver, pearl, gypsum. Necklace: 18x28x7cm; Ring: 7x19x6cm. Necklace and ring. Yelei Wang
Piece: Real, 2014
True hair, fake hair, mirror, wood, silver, pearl, gypsum
Necklace: 18x28x7cm; Ring: 7x19x6cm
Necklace and ring
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Shujing Ni. Piece: A flowing cloud dream, 2014. Silver, glass. Ring: 7x6x8cm; brooch: 5x9x5cm. Ring and brooch. Shujing Ni
Piece: A flowing cloud dream, 2014
Silver, glass
Ring: 7x6x8cm; brooch: 5x9x5cm
Ring and brooch
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Zhifeng Wang. Necklace: Mountain range, 2014. Wood, silver, resin, magnet, iron powder. 19x23x2cm. Zhifeng Wang
Necklace: Mountain range, 2014
Wood, silver, resin, magnet, iron powder
19x23x2cm
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Yanli Duan. Necklace: Hedge, 2013. 925 Sliver,Old China. 40 X 25 X 3 cm. Yanli Duan
Necklace: Hedge, 2013
925 Sliver,Old China
40 X 25 X 3 cm
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Yanli Duan. Piece: Look into the dreamland, 2013. Sterling silver, Lacquer,Gemstone. 6 X 5 X 4 cm, 25 X 15 X 3 cm. Necklace & Ring. Yanli Duan
Piece: Look into the dreamland, 2013
Sterling silver, Lacquer,Gemstone
6 X 5 X 4 cm, 25 X 15 X 3 cm
Necklace & Ring
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Binlei Xu. Brooch: After class, 2013. Silver, resin, comprehensive material. Binlei Xu
Brooch: After class, 2013
Silver, resin, comprehensive material
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Binlei Xu. Necklace: Moon, 2013. Silver, wood, raw lacquer. Binlei Xu
Necklace: Moon, 2013
Silver, wood, raw lacquer
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Shujing Ni. Necklace: Hip hop jewelry, 2013. Sliver, Man-made leather. Shujing Ni
Necklace: Hip hop jewelry, 2013
Sliver, Man-made leather
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Fangfang Dai. Necklace: Fly dream, 2013. Glass, resin, copper, silver, specimen. Fangfang Dai
Necklace: Fly dream, 2013
Glass, resin, copper, silver, specimen
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Fangfang Dai. Brooch: Yao_1, 2013. Raw lacquer, eggshell, 925silver, brush. Fangfang Dai
Brooch: Yao_1, 2013
Raw lacquer, eggshell, 925silver, brush
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Gengming Liu. Ring: Listen, 2013. Wood, 925silver. Gengming Liu
Ring: Listen, 2013
Wood, 925silver
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Chongyun Feng. Brooch: The Eye of Sunflower, 2013. 925 Sliver, Garnet. 6 x 6 x 3,6 cm. Chongyun Feng
Brooch: The Eye of Sunflower, 2013
925 Sliver, Garnet
6 x 6 x 3,6 cm
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Jiahui Ye. Ring: Floating in Space, 2013. 925 Silver, wood, polymer clay. 6,8 x 4,1 x 10,5 cm. Jiahui Ye
Ring: Floating in Space, 2013
925 Silver, wood, polymer clay
6,8 x 4,1 x 10,5 cm
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Kangyi Chu. Brooch: Black Walnut, 2013. 925 Sliver. 3 x 6 x 3 cm. Kangyi Chu
Brooch: Black Walnut, 2013
925 Sliver
3 x 6 x 3 cm
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Jiang Shan. Ring: Path Achieve, 2013. 925 Sliver. 46 x 46 cm. Detail. Jiang Shan
Ring: Path Achieve, 2013
925 Sliver
46 x 46 cm
Detail
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Jiang Shan. Ring: Path Achieve, 2013. 925 Sliver. 46 x 46 cm. Detail. Jiang Shan
Ring: Path Achieve, 2013
925 Sliver
46 x 46 cm
Detail
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Xiaohui Ni. Brooch: Busy Man Makes Businessman, 2013. Cold enamel, resin, colored pottery. 10 x 8 cm. Xiaohui Ni
Brooch: Busy Man Makes Businessman, 2013
Cold enamel, resin, colored pottery
10 x 8 cm
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Yan Li. Brooch: Building’s Story, 2013. 925 Sliver,Wood. 6 x 2,7 x 1,1 cm. Yan Li
Brooch: Building’s Story, 2013
925 Sliver,Wood
6 x 2,7 x 1,1 cm
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Yiting Ye. Necklace: Boundary, 2013. 925 Silver, Jaffaite. 18 x 4 cm. Yiting Ye
Necklace: Boundary, 2013
925 Silver, Jaffaite
18 x 4 cm
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Yan Li. Brooch: Building’s Story II. 925 Silver. 6.5x1.7x0.4 cm. Yan Li
Brooch: Building’s Story II
925 Silver
6.5x1.7x0.4 cm
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Xiaohui Ni. Brooch: Busy Man Makes Businessman II. 925 Silver, cold-enamel, resin, ruby. Xiaohui Ni
Brooch: Busy Man Makes Businessman II
925 Silver, cold-enamel, resin, ruby
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Yiting Ye. Necklace: Boundary I. 925 Silver. 18x19 cm. Yiting Ye
Necklace: Boundary I
925 Silver
18x19 cm
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Wang Zhenghong. Brooch: Red memory 2, 2011. 925 silver,souvenir badge,gold, mirror. 30 cm. Vice Head of the Department of Ceramics and Arts and Crafts, 
. Director of the Jewelry Research Studio, China Academy of Art. Wang Zhenghong
Brooch: Red memory 2, 2011
925 silver,souvenir badge,gold, mirror
30 cm
Vice Head of the Department of Ceramics and Arts and Crafts,
Director of the Jewelry Research Studio, China Academy of Art

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Wang Zhenghong. Necklace: Red memory 1, 2007. 925 silver,souvenir badge. 15 cm. Wang Zhenghong
Necklace: Red memory 1, 2007
925 silver,souvenir badge
15 cm
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Zhou Xiao. Ring: March of sacrifice 2, 2009. Silver. 3X3 cm. Teacher Department of Ceramics and Arts and Crafts, 
. Jewelery Studio, China Academy of Art. Zhou Xiao
Ring: March of sacrifice 2, 2009
Silver
3X3 cm
Teacher Department of Ceramics and Arts and Crafts,
Jewelery Studio, China Academy of Art

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Zhou Xiao. Necklace: No bundery 2, 2011. Silver. 10x15cm. Zhou Xiao
Necklace: No bundery 2, 2011
Silver
10x15cm
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Zhang Lan. Brooch: Clear tendency, 2011. Silver. 8x3.5 cm. Associate professor, Graduate student tutor, 
. Department of Ceramics and Arts and Crafts, Jewelery Studio, China Academy of Art. Zhang Lan
Brooch: Clear tendency, 2011
Silver
8x3.5 cm
Associate professor, Graduate student tutor,
Department of Ceramics and Arts and Crafts, Jewelery Studio, China Academy of Art

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Zhang Lan. Brooch: Fold peak, 2011. Silver. 9x4cm. Zhang Lan
Brooch: Fold peak, 2011
Silver
9x4cm
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Duan Yan li. Necklace: Across the moutain and the sky – Tibet Series, 2012. Textile, plastic, leather, aluminium, copper, jade, light. 15×40×5 cm. First Year Post Graduate student. Duan Yan li
Necklace: Across the moutain and the sky – Tibet Series, 2012
Textile, plastic, leather, aluminium, copper, jade, light
15×40×5 cm
First Year Post Graduate student
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Duan Yan li. Piece: Childhood (necklace & calendar), 2011. Silver, tourmaline,photo. 7x40x5 cm. Duan Yan li
Piece: Childhood (necklace & calendar), 2011
Silver, tourmaline,photo
7x40x5 cm
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Student working in jewelry studio.
Student working in jewelry studio

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China Academy of Art - Library.
China Academy of Art - Library

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Appreciate APPRECIATE