New Klimt02 Member
Yiping is attracted by delicate and subtle solid-things, and start to create them. Her new collection Imaginary Props hopes to use the phenomenon of props entering the play in fictional works to transform the fictional process itself into the interpretation of the works.
Yiping Li
Jeweller
/
MunichJewelleryWeek2019
Klimt02MemberAtMJW2019
Published: 31.01.2019
Object: Fan 1, 2018
Hard paper, wax, carbon fibre, silver, copper.
71 x 20 x 15 cm
Photo by: Yiping Li
From series: Imaginary Props
© By the author. Read Klimt02.net Copyright.
Brooch: Fan 2, 2018
Parchment paper, wax, wood, copper, silver, steel.
30 x 20 x 13 cm
Photo by: Yiping Li
From series: Imaginary Props
© By the author. Read Klimt02.net Copyright.
Brooch: Fan 2, 2018
Parchment paper, wax, wood, copper, silver, steel.
30 x 20 x 13 cm
Photo by: Yiping Li
From series: Imaginary Props
Alternative view.
© By the author. Read Klimt02.net Copyright.
Object: Fan 3, 2018
Hard paper, wax, carbon fibre, silver, copper.
35 x 50 x 25 cm
Photo by: Yiping Li
From series: Imaginary Props
© By the author. Read Klimt02.net Copyright.
Object: Lot Pot and Rolling Bead, 2018
Copper, fabric, wax, graphite, shell.
45 x 60 x 25 cm
Photo by: Yiping Li
From series: Imaginary Props
© By the author. Read Klimt02.net Copyright.
Object: Lot Pot and Rolling Bead, 2018
Copper, fabric, wax, graphite, shell.
45 x 60 x 25 cm
Photo by: Yiping Li
From series: Imaginary Props
On set.
© By the author. Read Klimt02.net Copyright.
Necklace: Cow Mosquito, 2018
Clay, wax, wood, horse mane, cotton thread, copper.
15 x 15 x 30 cm
Photo by: Yiping Li
From series: Imaginary Props
© By the author. Read Klimt02.net Copyright.
Object: Lost Posture, 2018
Wood, copper.
10 x 10 x 10 cm
Photo by: Yiping Li
From series: Imaginary Props
© By the author. Read Klimt02.net Copyright.
Object: No Solution, 2018
Wood, copper, horsetail, cotton thread.
12 x 150 x 10 cm
Photo by: Yiping Li
From series: Imaginary Props
© By the author. Read Klimt02.net Copyright.
Object: No Solution, 2018
Wood, copper, horsetail, cotton thread.
12 x 150 x 10 cm
Photo by: Yiping Li
From series: Imaginary Props
Detail view.
© By the author. Read Klimt02.net Copyright.
Object: Remind for Touch, 2018
Bamboo skin, feather, copper, parchment paper.
10 x 12 x 10 cm
Photo by: Yiping Li
© By the author. Read Klimt02.net Copyright.
Object: Remind for Touch, 2018
Bamboo skin, feather, copper, parchment paper.
10 x 12 x 10 cm
Photo by: Yiping Li
Alternative view.
© By the author. Read Klimt02.net Copyright.
Brooch: Foraging, 2015
Wood, silver.
10 x 10 x 7 cm
Photo by: Yiping Li
From series: The Statement of Loss
© By the author. Read Klimt02.net Copyright.
Brooch: Migration, 2015
Wood, silver, fish scale.
12 x 17 x 10 cm
Photo by: Yiping Li
From series: The Statement of Loss
© By the author. Read Klimt02.net Copyright.
I study and work in Beijing now, I graduated from the Central Academy of Fine Art. Before I went to college, I spent a lot of time on drawing. I used to paint pictures on small-size paper. After I studied Jewelry Design & Art in CAFA, I began to attracted by delicate and subtle solid-things, and start to create them. In 2018, I won the CAFA Outstanding Graduate Work prize (MA) in Beijing. My work has showcased in London, Shanghai, Munich, etc. In 2015, I was awarded Marzee International Graduate prize. During the past years, my work and articles were featured in various magazines and book worldwide.
Statement
Imaginary Props, 2018.I hope to use the phenomenon of props entering the play in fictional works such as movies or dramas to transform the fictional process itself into the interpretation of the works.
The work transforms the imaginary process into an assembled or movable structure. Therefore, it attempts to make the fictional imagination a medium of communication. For example, The work Fan-1 converts my feelings about the alternation of seasons into a movable structure. Whether leaves fall or flowers bloom, they are accompanied by the ritual sense of order. The work gives feedback through the sound generated by shaking hands, which encourages viewers to create imaginary images of the work.
Loss, 2015.
From the relationship between human and animal, the pieces make use of animal remains to discuss two layers of ‘lose’ meaning-physical relics and mental alienation.
CV 
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New Klimt02 Member
Yiping is attracted by delicate and subtle solid-things, and start to create them. Her new collection Imaginary Props hopes to use the phenomenon of props entering the play in fictional works to transform the fictional process itself into the interpretation of the works.
Yiping is attracted by delicate and subtle solid-things, and start to create them. Her new collection Imaginary Props hopes to use the phenomenon of props entering the play in fictional works to transform the fictional process itself into the interpretation of the works.
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