New Klimt02 Member
Yiping is attracted by delicate and subtle solid-things, and start to create them. Her new collection Imaginary Props hopes to use the phenomenon of props entering the play in fictional works to transform the fictional process itself into the interpretation of the works.
Yiping Li
Jeweller
/
MJW-SchmuckTalente2019
Klimt02MemberMJW2019
Published: 31.01.2019
Object: Fan 1, 2018
Hard paper, wax, carbon fibre, silver, copper.
71 x 20 x 15 cm
Photo by: Yiping Li
From series: Imaginary Props
© By the author. Read Klimt02.net Copyright.
Brooch: Fan 2, 2018
Parchment paper, wax, wood, copper, silver, steel.
30 x 20 x 13 cm
Photo by: Yiping Li
From series: Imaginary Props
© By the author. Read Klimt02.net Copyright.
Brooch: Fan 2, 2018
Parchment paper, wax, wood, copper, silver, steel.
30 x 20 x 13 cm
Photo by: Yiping Li
From series: Imaginary Props
© By the author. Read Klimt02.net Copyright.
Object: Fan 3, 2018
Hard paper, wax, carbon fibre, silver, copper.
35 x 50 x 25 cm
Photo by: Yiping Li
From series: Imaginary Props
© By the author. Read Klimt02.net Copyright.
Object: Lot Pot and Rolling Bead, 2018
Copper, fabric, wax, graphite, shell.
45 x 60 x 25 cm
Photo by: Yiping Li
From series: Imaginary Props
© By the author. Read Klimt02.net Copyright.
Object: Lot Pot and Rolling Bead, 2018
Copper, fabric, wax, graphite, shell.
45 x 60 x 25 cm
Photo by: Yiping Li
From series: Imaginary Props
© By the author. Read Klimt02.net Copyright.
Necklace: Cow Mosquito, 2018
Clay, wax, wood, horse mane, cotton thread, copper.
15 x 15 x 30 cm
Photo by: Yiping Li
From series: Imaginary Props
© By the author. Read Klimt02.net Copyright.
Object: Lost Posture, 2018
Wood, copper.
10 x 10 x 10 cm
Photo by: Yiping Li
From series: Imaginary Props
© By the author. Read Klimt02.net Copyright.
Object: No Solution, 2018
Wood, copper, horsetail, cotton thread.
12 x 150 x 10 cm
Photo by: Yiping Li
From series: Imaginary Props
© By the author. Read Klimt02.net Copyright.
Object: No Solution, 2018
Wood, copper, horsetail, cotton thread.
12 x 150 x 10 cm
Photo by: Yiping Li
From series: Imaginary Props
© By the author. Read Klimt02.net Copyright.
Object: Remind for Touch, 2018
Bamboo skin, feather, copper, parchment paper.
10 x 12 x 10 cm
Photo by: Yiping Li
© By the author. Read Klimt02.net Copyright.
Object: Remind for Touch, 2018
Bamboo skin, feather, copper, parchment paper.
10 x 12 x 10 cm
Photo by: Yiping Li
© By the author. Read Klimt02.net Copyright.
Brooch: Foraging, 2015
Wood, silver.
10 x 10 x 7 cm
Photo by: Yiping Li
From series: The Statement of Loss
© By the author. Read Klimt02.net Copyright.
Brooch: Migration, 2015
Wood, silver, fish scale.
12 x 17 x 10 cm
Photo by: Yiping Li
From series: The Statement of Loss
© By the author. Read Klimt02.net Copyright.
I study and work in Beijing now, I graduated from the Central Academy of Fine Art. Before I went to college, I spent a lot of time on drawing. I used to paint pictures on small-size paper. After I studied Jewelry Design & Art in CAFA, I began to attracted by delicate and subtle solid-things, and start to create them. In 2018, I won the CAFA Outstanding Graduate Work prize (MA) in Beijing. My work has showcased in London, Shanghai, Munich, etc. In 2015, I was awarded Marzee International Graduate prize. During the past years, my work and articles were featured in various magazines and book worldwide.
Statement
Imaginary Props, 2018.I hope to use the phenomenon of props entering the play in fictional works such as movies or dramas to transform the fictional process itself into the interpretation of the works.
The work transforms the imaginary process into an assembled or movable structure. Therefore, it attempts to make the fictional imagination a medium of communication. For example, The work Fan-1 converts my feelings about the alternation of seasons into a movable structure. Whether leaves fall or flowers bloom, they are accompanied by the ritual sense of order. The work gives feedback through the sound generated by shaking hands, which encourages viewers to create imaginary images of the work.
Loss, 2015.
From the relationship between human and animal, the pieces make use of animal remains to discuss two layers of ‘lose’ meaning-physical relics and mental alienation.
CV 
On sale at
Events
Publications
News!
New Klimt02 Member
Yiping is attracted by delicate and subtle solid-things, and start to create them. Her new collection Imaginary Props hopes to use the phenomenon of props entering the play in fictional works to transform the fictional process itself into the interpretation of the works.
Yiping is attracted by delicate and subtle solid-things, and start to create them. Her new collection Imaginary Props hopes to use the phenomenon of props entering the play in fictional works to transform the fictional process itself into the interpretation of the works.
- Mail:
- 718373056
qq.com
newsletter
Get the latest information about the international Jewellery Scene sent directly to your mailbox every week. View previous issues
-
Eleonora Ghilardi
Lodi, Italy -
Yichen Dong
London, United Kingdom -
Sari Liimatta
Lappeenranta, Finland -
Irene Palomar
Buenos Aires, Argentina -
Geraldine Fenn
Johannesburg, South Africa -
Ariel Lavian
Shoresh, Israel -
Simeon Shomov
Sofia, Bulgaria -
Marion Delarue
Paris, France -
Julia deVille
Melbourne, Australia -
Arata Fuchi
Florence, Italy -
Teresa Faris
Madison, United States -
Estela Saez Vilanova
Girona, Spain -
Gabriele Kutschera
Vienna, Austria -
Harold O'Connor
Salida, United States -
Yiping Li
Beijing, China
