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TALENTE München. Masters of the Future 2026

Award  /  MunichSchmuckFair2026  /  04 Mar 2026  -  08 Mar 2026
Published: 10.12.2025
TALENTE München. Masters of the Future 2026.
Internationale Handwerkmesse Munich
Management:
Barbara Schmidt, Braesel Michaela
TALENTE München. Masters of the Future 2026.

© By the author. Read Klimt02.net Copyright.

Intro
TALENTEmuenchen – Masters of the Future is an annual competition for new talent in the areas of design and technology. The focus of the competition is on work that shines through its formal and technical originality and technical perfection, and is ahead of its time.

TALENTE münchen– Masters of the Future 2026 will take place from 4th to 8th March 2026 in Hall B1. The TALENTE Award will be presented by an international jury on Saturday, 7th March 2026, on the stage in Hall B1.

 
>> Download here the complete selected artists list

The special show TALENTEmünchen – Meister der Zukunft showcases the work of young designers from around the world. On display are innovative objects and works of art from a total of 13 fields, ranging from glass and metal to ceramics, textiles, and plastics. From around 600 applications, a jury of experts selected 86 participants from 25 countries to showcase their work at «Handwerk & Design». From March 4 to 8, 2026, visitors to Hall B1 will be able to get a glimpse of the design of the future.

Outstanding works by designers under the age of 35: that's what the special show TALENTEmünchen – Meister der Zukunft has to offer. The desire for new forms and solutions in craftsmanship knows no boundaries, and so the participants come from a wide variety of regions around the world, including Georgia, Ghana, Israel, Mexico, the Palestinian Autonomous Territories, Ukraine and Venezuela.

What is striking this year is that young people are becoming increasingly aware of old, sometimes almost extinct craft techniques. Feather processing, enamel, glass beads and embroidery are making a comeback after a long break. 

However, the manufacturing processes and design concepts are not simply copied, but analyzed, questioned and further developed.

Young people are keeping the old alive by transferring it into their own time. Kim Jeongyun Hyun, for example, breaks with old-fashioned ideas about embroidery: she uses classic techniques, but focuses on bright colors and contemporary themes full of computers, fast food and warning signs.
 
Many of the designers deal with current political events in their work, reflecting on the wars in the Middle East and Ukraine. In her wall piece “Dumka – Between Reality and Dream”, Katerina Lagoda combines human silhouettes made of fabric with protective vests she designed herself. Associations triggered by textile material, such as softness, protection and security, are destroyed by the combination with (impact) holes and distorted body outlines. The work therefore joins a long tradition of important anti-war images.

Sustainability and environmental protection also play a major role for the talents of tomorrow. With the help of bacteria and other microorganisms, completely new materials are being developed in some cases. Recycling, the use of natural materials, and a long service life also offer alternatives to waste-intensive fast fashion. Some designers make sure that the individual components are interchangeable and can be replaced right from the design stage. Another strategy is the versatility of objects: furniture, for example, is designed to adapt to changing living circumstances and remain a useful companion for its owners, from student flats to family homes. MO:CO Kitchen by Friedrich Kreppel, for example, is a modular kitchen system made of plastic and aluminum that can be easily dismantled and modified. The working height can be individually adjusted, base cabinets can be stacked to form shelves, and work surfaces can be completely redesigned.

For many young designers, social interaction is also important. They create aids that facilitate movement, such as a myoelectric hand prosthesis by Leonard Neuberger.

Engaging with social questions often leads to a search for traces in one's own life: many young designers, artists, and craftspeople explore their roots, develop an interest in traditions and become sensitive to cultural differences. The omnipresence of electronic media seems to lead to an increased preoccupation with memory and remembrance. Of particular interest here is the question of how the immaterial is transformed into the analogue.

Ceramics, glass, textiles, metal, wood: the works come from a total of 13 different crafts. Since Munich is considered a global city of jewelry art, a particularly large number of jewelry artists traditionally apply. There is a noticeable desire here to transform everyday or technical materials into jewelry. Plastic bags, concrete, and cable insulation become eye-catching accessories.

Nature is also a great source of inspiration. Natural processes such as decay are interpreted as formative forces. The use of natural materials reflects a desire for poetry, tranquility, and peacefulness. Artists from Japan and Korea especially often use natural materials very carefully. Joy Chung has explored the connection between nature and digital computer technology. She has translated real-time wind data into patterns using a computer program.

Politics, environmental protection, humanity, poetry: TALENTEmünchen – Meister der Zukunft is an astonishingly diverse show. The young designers are very precise, reflective, and aware of problems. Such a density of sophisticated works allows us to look to the future of the design craft industry with hope.


A catalogue will be published for the special exhibition: Each artist will be presented with a colour photograph.


Prizes and Awards:
Talente-Prize (Saturday 7th March at 4.30 in hall B1).
  • Eight contributions will be awarded the TALENTE-Prize.
  • Works will be acknowledged in the TALENTE-Catalogue of the following year (including photography and text).
  • Distinguished exhibitors receive a certificate.
Bavarian States Prize (Friday, 6th March, 2 p.m).
  • Every exhibitor at the International Trade Fair can apply for the Bavarian States Prize.
  • The Bavarian States Prize is awarded 5,000 Euros, a gold medal, and a certificate.


Organisation and Funding:
Promoter: GHM – Gesellschaft für Handwerksmessen mbH.
Administration: Barbara Schmidt, Handwerkskammer für München und Oberbayern.
Organisation: Michaela Braesel, Handwerkskammer für München und Oberbayern.


We are grateful for the support provided by the Federal Ministry of Commerce and Energy, and the Bavarian State Ministry of Commerce and Media, Energy, and Technology. The publication of the catalogue is enabled by funding from the Association of Trades Fairs.
 
Brooch: Piece 100 by Siri Hansen.Discarded plastics, sterling silver, cubic zirconia, stainless steel, making moulds from metal, melting into moulds. 2025.7 x 8 x 1.2 cmUnique piece. Siri Hansen
Brooch: Piece 100, 2025
Discarded plastics, sterling silver, cubic zirconia, stainless steel, making moulds from metal, melting into moulds
7 x 8 x 1.2 cm
© By the author. Read Klimt02.net Copyright.
Object: Metaverse by Jeongyun Hyun.Textile. 2025.63 x 53 x 7 cm.From series: MetaverseUnique piece.Fabric, yarn, hand embroidery, picture frame. Jeongyun Hyun
Object: Metaverse, 2025
Textile
63 x 53 x 7 cm
From series: Metaverse
Fabric, yarn, hand embroidery, picture frame
© By the author. Read Klimt02.net Copyright.
Object: From start to finish by Judith De Keyser.Wood, PLA filament, basket weaving, wood soaking. 2025.26 x 12 x 12 cm.From series: From start to finishUnique piece. Judith De Keyser
Object: From start to finish, 2025
Wood, PLA filament, basket weaving, wood soaking
26 x 12 x 12 cm
From series: From start to finish
© By the author. Read Klimt02.net Copyright.
Vessel: Balance by Jihyun Kim.Brass, ottchil-lacquer, acrylic, silver-plating, metal forming. 2025.17.5 x 35 x 14.5 cm.Photo by: KC studio.From series: BalanceUnique piece. Jihyun Kim
Vessel: Balance, 2025
Brass, ottchil-lacquer, acrylic, silver-plating, metal forming
17.5 x 35 x 14.5 cm
Photo by: KC studio
From series: Balance
© By the author. Read Klimt02.net Copyright.
Dress: Deca Dance by Maya Newman.Natural felted wool, leftover yarns, fabric scraps, dried flowers and peels, repurposed curtain, deconstructed knitwear, wool yarn remnants, canvas, metal wires, reused bridal shoes, felting, shibori, knitting, sewing, glueing. 2025.200 x 30 x 30 cm.Photo by: Ariel Shalev.From series: Deca DanceUnique piece. Maya Newman
Dress: Deca Dance, 2025
Natural felted wool, leftover yarns, fabric scraps, dried flowers and peels, repurposed curtain, deconstructed knitwear, wool yarn remnants, canvas, metal wires, reused bridal shoes, felting, shibori, knitting, sewing, glueing
200 x 30 x 30 cm
Photo by: Ariel Shalev
From series: Deca Dance
© By the author. Read Klimt02.net Copyright.
Badge: Everyday Triumphs by Valerie Ho Oi Ying.Copper, brass, silver, enamel, cloisonne, ribbon. 2025.3 x 5 x 0.5 cm.Photo by: Tiff CheungUnique piece. Valerie Ho Oi Ying
Badge: Everyday Triumphs, 2025
Copper, brass, silver, enamel, cloisonne, ribbon
3 x 5 x 0.5 cm
Photo by: Tiff Cheung
© By the author. Read Klimt02.net Copyright.
Necklace: Another Connection by Juyeon Park.Brass, wire insulation, metal lathe machining, thermal forming of wire insulation. 2025.33 x 20 x 5 cm.Photo by: KC studioUnique piece. Juyeon Park
Necklace: Another Connection, 2025
Brass, wire insulation, metal lathe machining, thermal forming of wire insulation
33 x 20 x 5 cm
Photo by: KC studio
© By the author. Read Klimt02.net Copyright.
Textile: The Resilience of Nature by Valeska Vera.Cotton, wool, jute, linen, raffia, woven. 2025.200 x 80 x 8 cm.Photo by: Daniel SantoloUnique piece. Valeska Vera
Textile: The Resilience of Nature, 2025
Cotton, wool, jute, linen, raffia, woven
200 x 80 x 8 cm
Photo by: Daniel Santolo
© By the author. Read Klimt02.net Copyright.
Vessel: Nixe by Lena Wiedwald.Porcelain, coloured body, cast, built, printed, drawn, sgraffito, glazed. 2025.60 x 24 x 24 cmUnique piece. Lena Wiedwald
Vessel: Nixe, 2025
Porcelain, coloured body, cast, built, printed, drawn, sgraffito, glazed
60 x 24 x 24 cm
© By the author. Read Klimt02.net Copyright.
Bowl: Gravity by Gijs Wouters.Porcelain, glazes, gravity dip technique with sponge in liquid porcelain. 2025.21 x 31 x 31 cm.Photo by: Ruben HoogvlietUnique piece. Gijs Wouters
Bowl: Gravity, 2025
Porcelain, glazes, gravity dip technique with sponge in liquid porcelain
21 x 31 x 31 cm
Photo by: Ruben Hoogvliet
© By the author. Read Klimt02.net Copyright.