Helfried Kodré
chello.atStatement
My works always start out from sculptural ideas and their adaptation to the requirements involved in the wearability of jewellery. And here the limits of wearability (which are very differently assessed according to the individual) can be extended or even experimentally overstepped.
However, the borders between sculpture and jewellery are fluid. Hence this results very frequently in unwearable, pure “showcase pieces”, hybrids, which do not convince either as jewellery or as sculpture. I endeavour to avoid such outcomes and to create either jewellery or sculptures, but not chimeras.
My works do not transport any kind of message; they stand alone, for themselves, and communicate nothing apart from their appearance and workmanship. Thus everyone can find free, self-determined access to them, one that is not steered by specific conventions into a defined direction.
CV 
Events
Publications
newsletter
Get the latest information about the international Jewellery Scene sent directly to your mailbox every week. View previous issues
-
Oles Tsura
Idar Oberstein, Germany -
Empar Juanes Sanchis
Alfarb, Spain -
Joani Groenewald
Stellenbosch, South Africa -
Clodagh Molloy
Dublin, Ireland -
Lynne Speake
Cornwall, United Kingdom -
Eva Fernandez Martos
Nottingham, United Kingdom -
Willy Van De Velde
Schoten, Belgium -
Corrado De Meo
Livorno, Italy -
Catherine Large
Brisbane, Australia -
May Gañán
Madrid, Spain -
Mayte Amezcua
Mexico City, Mexico -
Helen Clara Hemsley
Copenhagen, Denmark -
Carmen López
Sevilla, Spain -
Mari Ishikawa
Munich, Germany -
Babette von Dohnanyi
Hamburg, Germany
