Helfried Kodré
Statement
My works always start out from sculptural ideas and their adaptation to the requirements involved in the wearability of jewellery. And here the limits of wearability (which are very differently assessed according to the individual) can be extended or even experimentally overstepped.
However, the borders between sculpture and jewellery are fluid. Hence this results very frequently in unwearable, pure “showcase pieces”, hybrids, which do not convince either as jewellery or as sculpture. I endeavour to avoid such outcomes and to create either jewellery or sculptures, but not chimeras.
My works do not transport any kind of message; they stand alone, for themselves, and communicate nothing apart from their appearance and workmanship. Thus everyone can find free, self-determined access to them, one that is not steered by specific conventions into a defined direction.
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Fumiko Gotô
Basel, Switzerland -
Peter Hoogeboom
Amsterdam, Netherlands -
Philipp Spillmann
Oslo, Norway -
Andrea Ortiz
New York, United States -
Caroline Broadhead
London, United Kingdom -
Alain Roggeman
Brussels, Belgium -
Eunhee Cho
Seoul, South Korea -
Heidemarie Herb
Perugia, Italy -
Sotiria Vasileiou
Kalamata, Greece -
Pia Pollems
Vienna, Austria -
Florian Milker
Leipzig, Germany -
Zhipeng Wang
Munich, Germany -
Youjin Um
Seoul, South Korea -
Geraldine Fenn
Johannesburg, South Africa -
Benedict Haener
Luzern, Switzerland













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