Helfried Kodré
Statement
My works always start out from sculptural ideas and their adaptation to the requirements involved in the wearability of jewellery. And here the limits of wearability (which are very differently assessed according to the individual) can be extended or even experimentally overstepped.
However, the borders between sculpture and jewellery are fluid. Hence this results very frequently in unwearable, pure “showcase pieces”, hybrids, which do not convince either as jewellery or as sculpture. I endeavour to avoid such outcomes and to create either jewellery or sculptures, but not chimeras.
My works do not transport any kind of message; they stand alone, for themselves, and communicate nothing apart from their appearance and workmanship. Thus everyone can find free, self-determined access to them, one that is not steered by specific conventions into a defined direction.
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Sigurd Persson
Stockholm, Sweden -
Youjin Um
Seoul, South Korea -
Eva Fernandez Martos
Nottingham, United Kingdom -
Helen Clara Hemsley
Copenhagen, Denmark -
Catherine Large
Brisbane, Australia -
Susanne Henry
Chicago, United States -
Nora Reitelshöfer
Munich, Germany -
Zhipeng Wang
Munich, Germany -
Catarina Silva
Lisbon, Portugal -
Martina Dempf
Berlin, Germany -
Elisabetta Nevola
Padova, Italy -
Luzia Vogt
Basel, Switzerland -
Ariel Lavian
Jerusalem, Israel -
Malene Kastalje
Copenhagen, Denmark -
Ana Margarida Carvalho
Lisbon, Portugal













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